Me and my buddies did shrooms in grade school and this song was on repeat we were trippin it was so fun

Mudnight drives all the time to this! ❤️

Pinkshinyultrablast
Release single ‘Holy Forest’
Out 19th January on Club AC30

•	“A quiet riot of ethereal vocals and lustrous guitars. Pinkshinyultrablast a valid insight into young modern Russia via the early-90s Thames Valley.” Guardian 

•	“Beautifully toned and unconventionally fast, a gutsy effort that makes a big impression” NME

•	“A complex but sumptuous confluence of mathy basslines and waves of melodic ecstasy.” Q

•	“Excessively impressive, unexpectedly fast-paced shoegaze from these Russian peeps.” Drowned In Sound

Pinkshinyultrablast, a five-piece band from Saint-Petersburg in Russia, are set to release their debut album ‘Everything Else Matters’ on 26th January.

Hailing from a city more synonymous with the State Conservatory rather than a gang of shoegaze addicts, they’ve been compared to Lush. But this is no mere throwback tribute - due to their sharp, icy electronics and ability to subvert the genre, bringing something new to the table. They possess  not only the spirit of late 80s/early 90s British bands like Ride, but also machine-made sounds of the same era from Sabres Of Paradise or Global Communication, not to mention wider vibrations like Cluster, Popul Vuh, Terry Riley and Philip Glass.

Disdain for a stagnant scene can often be a driving force of creativity; the band say of St Petersburg that, “we realised the local indie scene was totally boring and wanted to play something radically different”. That vision has been realised – this is an album brimming with playful melody and finely-crafted songwriting. Imagine the scope of a Caribou record, fronted by Elizabeth Fraser soundtracking a grizzly Raskolnikov crime.

The band take their name from an Astrobrite album, an act who were, according to the band, instrumental in how they “researched spaces between ambient, heavy guitar and pop music” .The spaces are what stand out, the production creates a dream-like affair, while space to breathe and reflect on the beauty of the music is accommodated. There is a sparseness to the album that in turn gives spaciousness, even expansiveness.

The second single ‘Holy Forest’ is released 19th January. The song is indicative of an album full of melodic gems and shimmering shoegaze - euphoric with spectral guitars, its sharp edged pop has a radiant charm.  Welcome to your new favourite Russian band.

Pinkshinyultrablast are Igor - bass, Lyubov - vocals, Sergey - drums, Rustam - synths and electronics and Roman – guitars.


Pinkshinyultrablast - Holy Forest

sigh

Ambitions

for track & field's summer compilation vol. 2

it was gone

"Unless", the sophomore album by Los Angeles 3-piece Crescendo: www.wwnbb.net/artists/crescendo/

Crescendo - Said

Midnight Drive

I think we were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. Aided by production ace Le Chev, remixer supreme for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy,”  Frankie has replaced that reverbed-out classicism with the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves.

"Know Me" is the first single from "Interstellar." It's a gorgeous piece of widescreen pop, dreamy and driving at the same time. The clean, big hooks bring to mind the best of mid-80s pop -- Smiths, New Order -- without sacrificing any of Frankie's unique melodic style. It's a single in the best sense; a three minute gem that perfectly captures the essence of the new album. Le Chev's remix on the flip side is pure 2012 - a slow-motion house burner with a tropical vibe and atmosphere to spare. Turn it up and drift away.

Frankie Rose - Know Me

'Abandoned Melodies' out now

https://fanlink.to/b-sides

https://orchid-mantis.bandcamp.com/album/yellow-house

yellow house

recorded, mixed & produced by ruby haunt
mastered by carl saff
cover photo by corban campbell

Midnight Drive

doorbells

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