Econ 2

Rachid - Michel Petrucciani

Art Blakey

Moanin'

Wes Montgomery - Four on Six cover. Backing track from Aebersold's books.

Wes Montgomery - Four On Six

Here you can listen to Derek Walcott's poem recited by Kabat-Zinn, saying a prose statement was "bound to be inadequate" in communicating his point.

Read the full poem at http://www.onbeing.org/program/opening-our-lives/138

"Love After Love" by Derek Walcott (Read by Jon Kabat-Zinn)

Hermosa Versión para sonar mientras el Mundo Gira-.

'Blackbird'(The Beatles) - Brad Mehldau - Version Piano Solo

Hear Anna Polonsky's live performance from WQXR's Greene Space, included in the show "Discovering the Cosmology of Bach." 

Computer scientist Bernard Chazelle has an original take on what music works in us — especially the music of Johann Sebastian Bach. Just as mathematicians talk about discovering rather than inventing great equations, so, he says, Bach set out to “discover” the musical rules behind the universe. After hearing this conversation, you may never listen to any piece of music — whether Bach or Jay-Z — in quite the same way again.

See more at www.onbeing.org/program/bernard-chazelle-discovering-the-cosmology-of-bach/7026

Anna Polonsky — "Sinfonia" from Partita No. 2 in C Minor for Solo Piano by Johann Sebastian Bach

Listening to the chaconne is as rich and layered an experience as the story behind the music. Whatever meaning you ascribe to the chaconne — personal, civic, divine, or none at all — it's certain to leave its mark.

Johann Sebastian Bach's chaconne has been arranged for nearly every instrument: from the ominous-sounding organ to the solo flute or the delightfully sparse marimba. Or, listen to these renditions by an enterprising clarinetist and an equally ambitious saxophonist. Or how about this menacing arrangement for trumpet and orchestra and this lyrical performance by two cellos. There is truly an arrangement for everyone.

But it's something spectacular when a great violinist performs the chaconne.

Tim Fain's live performance during Krista's conversation with Bernard Chazelle at WXQR's Bachstock is no exception. Before a full house at The Greene Space, he played Bach's chaconne, the fifth and final movement from Partita No. 2. As our executive editor Trent Gilliss observed, "It's a rarity and a privilege to be able to listen to a 15-minute violin solo without an orchestra." Especially a great performance like Tim Fain's, who is known for his electrifying recordings in Black Swan and 12 Years a Slave.

This performance is included in On Being's radio production, "Discovering the Cosmology of Bach" (http://www.onbeing.org/program/bernard-chazelle-discovering-the-cosmology-of-bach/7026)

Johann Sebastian Bach: "Chaconne" from Partita in D Minor for Solo Violin - Tim Fain

Cool Jazz, Miles Davis Vol..2

Dear Old Stockholm

Keith Jarrett Trio - Autumn Leaves

Life in Libya’s capital seems calm, even as a warlord backed by ragtag forces bids to take the city. Meanwhile the putative government can muster little political power—or electric power. We examine a miracle in Moldova: after years as a swamp of post-Soviet corruption, an anti-graft campaigner has become prime minister. And, historical data reveal the overlooked power of primary debates.  For information regarding your data privacy, visit https://www.acast.com/privacy

Fight if you Haftar: the struggle for Libya

For years, management at Germany’s largest bank knew the firm was in serious trouble. Why didn’t they do more? The massive cuts announced this week may be too little, too late. We consider Texas and California as political and social laboratories: which one looks like the America of the future? And, a bit of monkey archaeology shows our distant cousins have been honing their tools far longer than previously thought. For information regarding your data privacy, visit https://www.acast.com/privacy

Late to the parting: Deutsche Bank shrinks

The Economist was founded in 1843 "to throw white light on the subjects within its range".

For more from The Economist visit http://shop.economist.com/collections/audio



Late to the parting: Deutsche Bank shrinks

The Economist

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