A Love From Outer Space  - Part 1

One of the first people Elie Eidelman asked for music from when he founded JackOff Records was Massimiliano Pagliara.
It’s hard not to be a fan.
Now three years later finally it happens with Massi’s project with production partner ROTCIV under the name ‘The Rimshooters’.

This EP consists of two original trax. First one is titled ‘Love Lie Love Die’ which is a deep and dark Acid journey.

‘Love Lie Love Die’ is remixed by long time label supporters ‘Dance Disorder’. With a more old school flavor and uplifting Electro vibe, the remix was already tested on leading dancefloors in Europe with massive response.

‘Padorama’ was born out of a Jam that Massimiliano did with nd_baumecker back in the day, and re-worked by ‘The Rimshooters’ to this Dance Floor killer it is today.

JackOff Records - Berlin.
12'' and Digital.
Release Date: October 2013.

The Rimshooters - Love Lie Love Die (The Rimshooters Deep Acid) JackOff Records *Preview

Détends-Toi

Détends-Toi (Dub Mix)

I.C. Love Affair

I.C. Love Affair (Italian Version)

Aaron Coyes & Nate Archer organic electronics out on no label

LEISURE CONNECTION  JUNGLE DANCING

Coucher De Soleil (DOR Projects )

Buy on bandcamp

DJ Eef - Coucher De Soleil (DOR Projects )

Meet Me In The Lobby 39

Underground 80s style house, raw basement beats

Hispanic house on my mind

Cut Copy - Blink And You'll Miss A Revolution (Tornado Wallace Remix) [Official Audio]
From the single "Blink And You'll Miss A Revolution" on the album “Zonoscope” (Listen now: http://cutcopy.net/zon/)
 
Pre-Save ‘Freeze, Melt’ now via Cutters Records: bit.ly/CCCWFM

Listen to Cut Copy Essentials: http://cutcopy.net/gh/ 
 
Upcoming shows: https://cutcopy.net/tour/
 
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Blink And You'll Miss A Revolution

Blink And You'll Miss A Revolution (Tornado Wallace Remix)

Buy Music

Nick Chacona & Anthony Mansfield-Tase The Wizard

Lovework

6th Borough Project - Do It To The Max

Acqua E Viento

Stop Bajon (Club Mix)

whoops I forgot to post this one! 
out now on 12" and bandcamp https://bottin.bandcamp.com/album/volevi-una-hit

Buy on Beatport

Cristalli Liquidi - Volevi Una Hit (Bottin's Oh Oh Version)

Label: Antibemusic
Time: 08'35''
Artist Jago
Composer: Michele Violante - Luciana Cirrillo
Remixer Frankie Knuckles 
Publishing: Antibemusic
Release day: 01/04/2010
Genre: Italo disco '70 '80
Album: FULL TIME & ANTIBEMUSIC RARE TRACKS VOL. 1


Jago - I'm Going To Go  (Instr. Plant Mix - Frankie Knuckles remix)

Rmi Is All I Want

More... I Like It

Remix Requests  please contact lipstudio2@gmail.com

EMPEROR MACHINE  Biography
Over 30 years since acid house’s summer of love and there are few of 1988’s cast of actors still left standing. Still fewer are those whose music is still resolutely pointing towards the future rather than endlessly looking to the past. In fact, there’s arguably only one candidate left in the UK. While his peers are content with revival parties and classical house nights at the Albert Hall, Andy Meecham is out on his own as one of the few whose gleaming analogue machines are still pointing towards an imagined future rather than an endlessly relived history.
As the Emperor Machine, Meecham’s solo project since 2003, he has been wrenching monumental basslines, strange keyboard figures and luminescent rhythms from his beloved synthesisers, inspired by everything from sci-fi movies and KPM library albums. In some ways, his mission has scarcely altered in the 35 years since he first heard ‘Planet Rock’ in the early 1980s. “That’s the thing that got me hooked,” recalls Meecham. “The fact that it was futuristic sounding.  Anything that was sci-fi: UFO programmes, Dr Who, Star Trek. Stuff that suggested the future.”
While he’s happy to plough towards the future, we still has some serious history to contemplate. Meecham is one of the clique of acts in Staffordshire inspired by house music that included Candyflip, Altern-8, Sure Is Pure and Nexus 21. Meecham’s band with long-time conspirator Dean Meredith, Bizarre Inc, was one of the most successful of their generation and 1991’s ‘Playing With Knives’ was a staple in all self-respecting DJs bag that year. Major label deals, led to swift dissatisfaction; Meredith and Meecham went back to the mixing board to rethink their future. 
As Chicken Lips, they re-emerged alongside peers like the Idjut Boys and Faze Action, to offer their delayed and dislocated rhythms to an audience hungry for relief from the monotony of the four-to-the-floor house rhythm, with joyously dubbed out originals and fiendishly clever remixes for luminaries like Ennio Morricone and Groove Armada to Wolfmother, transforming Love Train from a metallic romp into a disco-dub delight with a bottom-end bigger than a Kardashian. Then there are Andrew’s other aliases (he’s had more than Carlos The Jackal), notably Sir Drew, Future Four, Gino Fontaine, BIG 2000, Randee Jean and Zeefungk.
The Emperor Machine was born out of an online slating of one of his favourite synths, the Roland SH 3A. Indignant at this appalling slight, Meecham set to work on a track only using said Roland. James Dyer at DC Recordings loved it so much, he asked him for another and gave the project its name. Emperor Machine it was.


 As with most of the Emperor Machine music, the methodology goes against the grain of how most electronic musicians approach producing. Rather than reducing it to mathematical blocks of music on a computer screen, Emperor Machine is about long passes, played live and then edited down by a crack team of highly-trained Potteries-based orang-utans, lorded over by merciless taskmaster Meecham.
The key to success is not dancefloor domination, but a far simpler rule, says Meecham. “The music has to make me shudder. So I work on something until I get that tingling feeling. So it’s almost more of a drug thing really. I have to get that out of the music and I can’t get that from full-on 909 four-to-the-floor dance music.”
A shudder and a tingle. And maybe a monster bassline. Emperor Machine redux. 
Bill Brewster

Rmi Is All I Want

The Emperor Machine

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