Retro Synth Disco

Nothing Gold

Nothing Gold (Todd Terje Remix)

Stages of Love

Stages

Nicolas Laugier, the renowned French producer and remixer currently based out of London, better known as The Reflex, has devoted his career to re-edits of mostly funk and soul music. On his new single, "The Voice Of Q" b/w "Everybody Loves A Good Funk (The Reflex Revisions)" he takes on two sterling nuggets of electo-funk: Q's 1982 leftfield hit "The Voice Of Q - and Ruth "Silky" Waters' 1980 controversial funk opus "Everybody Loves A Good Funk" and brings both firmly into the 21st century as only The Reflex can.

The Voice Of Q / Everybody Loves A Good Funk (The Reflex Revisions)

The Voice Of Q (The Reflex Revision)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/1Gnition-Secret-Sunday-Lover/release/1014257

Check out my label's music at: https://superweirdsubstance.bandcamp.com

1gnition 'Secret Sunday Lover' (greg wilson version 2007)

When Paul Murphy released his critically acclaimed debut solo album, Claremont 56, in 2006, many thought it would be the first of many. In a way, it was, as in the years since he’s released a string of collaborative sets alongside Benjamin J Smith (as Smith & Mudd), and as part of underground ‘supergroups’ Paqua, Bison and Hillside. But that second solo album? Well, it just had to wait.

In early 2023, Murphy finally decided to scratch that itch, roping in some of his most trusted collaborators (keyboardist and bassist Michele Chiavarini, percussionist Patrick Dawes, guitarist Dave Noble and HF International’s Kashif included) to lay down a sumptuous set of tracks that not only showcases his now familiar (bit hard to pigeonhole) neo-Balearic sound, but also proves how much he has matured as a writer and producer since 2006.

In The Garden of Mindfulness is richly musically detailed, expertly arranged and full to bursting with fluid instrumental solos, with Murphy and his collaborators serving up tracks that brilliantly blur the boundaries between languid jazz-funk, downtempo, vintage synth-laden krautrock, dubby grooves and sun-splashed soundscapes.

It simply sparkles from the moment that opener ‘Eighty Three’ slowly rises like the morning sun, with gentle, undulating synth sounds ushering in a slow-motion jazz-funk excursion rich in twinkling electronics, spacey pads and warming bass. Recent single ‘Katanaboy’, a lusciously layered dub disco-infused dancefloor excursion in Murphy’s familiar style, raises the temperature a touch, before ‘Bonne Anse’ and the sublime ‘Unka Paw’ (whose combination of evocative fretless bass, extended electric piano solos, Clavinet licks and acoustic guitars is genuinely spellbinding) invite a combination of wavy shuffling and flat-on-the-back, eyes-closed appreciation.

And so it continues, with gorgeous title track ‘In The Garden of Mindfulness’ making way for the boogie-influenced, Japanese-British brilliance of ‘Hangsang’ (check the jaunty pianos, yearning breakdown and exotic melodies). Murphy’s long held love of warm, weighty bass, hypnotic disco grooves, colourful analogue synth sounds and jazzy guitars once again comes to the fore on ‘Afternoon Bob’ before the album reaches a fittingly triumphant conclusion with ‘Late In March’. 

A neat sonic summary of all that makes the set such a rewarding and entertaining experience, repeat listens reveals a wealth of musical details, from off-kilter triple-time drums and surprise bass guitar solos, to impeccable piano solos (provided by the immensely talented Chiavarini), fizzing jazz-funk synth doodles and stirring synth-strings. It’s a breathlessly brilliant way to end an album that was genuinely worth waiting for.

Hangsang

[Generated by AI] This is a Christmas advent calendar concept album of 2-step instrumental tracks. Each track is themed around a different day of Christmas. Vol.1 includes Day 1 to Day 12.

Advent 2-Step [Day 5] - Market Swing

Lee Burton - Jimmy's laughing (Original Mix)

Meet Me In The Lobby 36

Free download: https://hypeddit.com/track/sp/yrllmq

Courtesy of @kowl

Free Download

Goody Goody - It Looks Like Love (KOWL Remix)

@rushhourrecords is back with some dope news on its reissue series. Heat in two flavors ; check out the Zaïrian electronic dancefloor banger “Nakombe Nga” from 1989 by "Les Choc Stars" here. Comes with the dope, unheard Belgium new beat version on the flipside… The record is co-curated with renowned record fiend John Gomez. Get it there : http://rushhourmusic.com/?p=4335

PREMIERE : Les Choc Stars Du Zaire - Nakombe Nga

After a very long wait, we are thrilled to release our remix of the Supertramp classic, Take the Long way home!   For upcoming shows and all things Syrup: https://linktr.ee/lazysyruporchestra 

Artwork by facebook.com/dezinestudiovic

Thank you for all the support in 2018!    


Big love from the LSO <3

PS.  For anyone not on Spotify looking to download, send us a DM here or on Facebook and we'll provide a direct link :)

Take the Long Way Home (Lazy Syrup Orchestra Remix)

buy/stream : https://idol.lnk.to/Eden_Remixes

Buy/stream

Automne (Remix by French 79)

Rmi Is All I Want

Remix Requests  please contact lipstudio2@gmail.com

EMPEROR MACHINE  Biography
Over 30 years since acid house’s summer of love and there are few of 1988’s cast of actors still left standing. Still fewer are those whose music is still resolutely pointing towards the future rather than endlessly looking to the past. In fact, there’s arguably only one candidate left in the UK. While his peers are content with revival parties and classical house nights at the Albert Hall, Andy Meecham is out on his own as one of the few whose gleaming analogue machines are still pointing towards an imagined future rather than an endlessly relived history.
As the Emperor Machine, Meecham’s solo project since 2003, he has been wrenching monumental basslines, strange keyboard figures and luminescent rhythms from his beloved synthesisers, inspired by everything from sci-fi movies and KPM library albums. In some ways, his mission has scarcely altered in the 35 years since he first heard ‘Planet Rock’ in the early 1980s. “That’s the thing that got me hooked,” recalls Meecham. “The fact that it was futuristic sounding.  Anything that was sci-fi: UFO programmes, Dr Who, Star Trek. Stuff that suggested the future.”
While he’s happy to plough towards the future, we still has some serious history to contemplate. Meecham is one of the clique of acts in Staffordshire inspired by house music that included Candyflip, Altern-8, Sure Is Pure and Nexus 21. Meecham’s band with long-time conspirator Dean Meredith, Bizarre Inc, was one of the most successful of their generation and 1991’s ‘Playing With Knives’ was a staple in all self-respecting DJs bag that year. Major label deals, led to swift dissatisfaction; Meredith and Meecham went back to the mixing board to rethink their future. 
As Chicken Lips, they re-emerged alongside peers like the Idjut Boys and Faze Action, to offer their delayed and dislocated rhythms to an audience hungry for relief from the monotony of the four-to-the-floor house rhythm, with joyously dubbed out originals and fiendishly clever remixes for luminaries like Ennio Morricone and Groove Armada to Wolfmother, transforming Love Train from a metallic romp into a disco-dub delight with a bottom-end bigger than a Kardashian. Then there are Andrew’s other aliases (he’s had more than Carlos The Jackal), notably Sir Drew, Future Four, Gino Fontaine, BIG 2000, Randee Jean and Zeefungk.
The Emperor Machine was born out of an online slating of one of his favourite synths, the Roland SH 3A. Indignant at this appalling slight, Meecham set to work on a track only using said Roland. James Dyer at DC Recordings loved it so much, he asked him for another and gave the project its name. Emperor Machine it was.


 As with most of the Emperor Machine music, the methodology goes against the grain of how most electronic musicians approach producing. Rather than reducing it to mathematical blocks of music on a computer screen, Emperor Machine is about long passes, played live and then edited down by a crack team of highly-trained Potteries-based orang-utans, lorded over by merciless taskmaster Meecham.
The key to success is not dancefloor domination, but a far simpler rule, says Meecham. “The music has to make me shudder. So I work on something until I get that tingling feeling. So it’s almost more of a drug thing really. I have to get that out of the music and I can’t get that from full-on 909 four-to-the-floor dance music.”
A shudder and a tingle. And maybe a monster bassline. Emperor Machine redux. 
Bill Brewster

Mars bosses are rare due to the lack of air.

Rmi Is All I Want

The Emperor Machine

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