available to download, along with other recent releases, at...

thelittletypists.com

thanks for listening.

5 nordic walkers appraise the street furniture

er, brilliant.
and even if it's not your cup of tea, it's a lovely word.

purposelessness

NKloZha!

Lonely Cowgirl

i'm sure i could think of a reason why this isn't a monster international "hit".

given a bit of time.

special thanks to tommy davies for percussive input on this one.

evil

originally written on the back of a receipt from that paper shop in the main entrance foyer of queen's medical centre, nottingham.

FACT!

they sell balloons, but i was buying flapjack.

it's a boy

a highwater mark of 21st century popular songwriting.

this is an instrumental

A solo EP developed from live set material played during MUTEK in 2019. Available at idioms.bandcamp.com/album/pure-delusion-ep

Persuasion - Pure Delusion EP (Excerpts)

Taken from I Stumble And Then I Fall, the first release in a new series of Intimations by A Colourful Storm. Out now on digital formats and December 30, 2020 on cassette.

Purchase: https://acolourfulstorm.bandcamp.com/album/i-stumble-and-then-i-fall

I Stumble And Then I Fall

Princess Diana of Wales - Cut

pretty much a LIVE recording, this one.

available to download at thelittletypists.com

thanks for listening.

steady edward

Originally composed for livestreaming events during the ongoing lockdown of 2020, Felisha Ledesma presents two extended pieces as a debut album, “Sweet Hour”. Ledesma’s first full length release arrives after much experience in creating collaborative works with artists such as Isabella and Angelo Harmsworth, site-specific installations, and high-profile festival performances.

Both pieces were realized using a new software synthesizer, called “AMQR”, which Ledesma built for personal use in collaboration with Ess Mattisson. Contrary to many digitally-based compositions, a distinctly warm and organic palette pervades these recordings. An almost playful leisurely pace is employed, engaging the listener to listen deeper; the pieces gracefully evolve with special attention to subtle shifts in stereo field and sonic coloration.

The time-of-day titles illustrate the two distinct moods conveyed: "7:00 AM" integrates field recordings and a hardware modular synthesizer, taking the listener through a psycho-acoustic journey exploring various nooks and crannies of subdued auditory rivulets: perhaps a hidden woodland brook, a sunny glen, a crunchy gravel walkway. "2:00 AM" harkens to the memories of nightclubs, opening with a synthesized arpeggio which could lead into a dancefloor-ready stomper. But instead, Ledesma steps back, allowing the arpeggio to develop into an encompassing ASMR-like timbral massage. The two compositions are united in a slightly melancholic grasping for connection; are they unfolding or are they unraveling? Ledesma does not answer the question outright, but instead finds joy in superposition and sublimation - while creating a space for the listener to inhabit, to live in, and to re-connect.

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Felisha Ledesma is a multi-disciplinary artist currently based in Berlin, GER. In Portland, OR, Ledesma co-founded and directed numerous organizations focused on experimental sound and community engagement such as S1 (an artist-run space) and the Synth Library (a lending library for electronic music equipment). Most recently Felisha co-founded Fors (fors.fm), creating "novel instruments that are elegant to use and adventurous in sound" in collaboration with Ess Mattisson and is studying sonic arts at Universität der Künste, Berlin. 

releases January 29, 2021

mastering :: Ess Mattisson

cover artwork :: Felisha Ledesma

design ++ layout :: Robin JM Vanderheyden

all proceeds to Equitable Giving Circle :: www.equitablegivingcircle.org

Lonely Cowgirl

TheFaceThatBoilsItself

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