The Grey (Fire)

Supplication

False Idol

The Razor

"She's hurting us again! I've never hurt like this before!"

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Slay the Princess is a game by Black Tabby Games, with a soundtrack made by Brandon Boone. The Pristine Cut is a recently released expansion to the game, developing three existing routes and adding three more.

This account's purpose is to store the soundtrack of The Pristine Cut, so fans can listen to it on SoundCloud. I am not affiliated with Black Tabby Games nor Brandon Boone, and will delete this page if requested to.

Buy Slay the Princess: store.steampowered.com/app/1989270/S…Pristine_Cut/
Buy the Soundtrack: https://brandonboone.bandcamp.com/

Slay the Princess: The Pristine Cut (Original Soundtrack)

A Tapestry Undone

"She's just like us. A piece of her is missing."

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Slay the Princess is a game by Black Tabby Games, with a soundtrack made by Brandon Boone. The Pristine Cut is a recently released expansion to the game, developing three existing routes and adding three more.

This account's purpose is to store the soundtrack of The Pristine Cut, so fans can listen to it on SoundCloud. I am not affiliated with Black Tabby Games nor Brandon Boone, and will delete this page if requested to.

Buy Slay the Princess: store.steampowered.com/app/1989270/S…Pristine_Cut/
Buy the Soundtrack: https://brandonboone.bandcamp.com/

There’s Nothing I Can Do to Bring You Back

The Cage (Pristine Cut)

The Life-Taker (Pristine Cut)

Time Electronic Remix.mp3

The Gnossienne is mysterious by design, coined by Erik Satie himself without a clear precedent in musical terminology. It likely plays on the Greek island of Knossos, seat of the myth of the labyrinth and the Minotaur, and hints at ritualistic or archaic dances. At the same time, the invented word resists precise definition, much like the music itself, which drifts outside the conventions of classical forms and time signatures. By naming the piece this way, Satie gives it an otherworldly, timeless quality—suggesting something half-remembered, half-imagined, and not fully bound to the traditions of his age. It becomes less a composition in the strict sense and more a fragment of a lost ritual, a soundscape hovering between antiquity and modernity.

Gnossienne No 1

image imagine that stortion 4 30 bpm take 1 8425

False Idol

The Monarch

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