Love it.....fantastic smooth collab guys :)

C'est bon ça ! belle oeuvre d'Electronica

Wonderful soundscape. I like this track very much!

Magnetic. indeed :-) Awesome collaboration

Reminds me of a rail journey: A lovely, strong sequence that  washes over you like a dream. (The protagonist looks out the window, as scenes flash past, and the narrative unfolds to the viewer.)

ABOUT THE UNEXPECTED

I close my POTENCIAL BIÓTICO album with this contemporary revival of a philosophical song I wrote 19 years ago when my grandpa died.

Could describe it as a requiem for guitar quartet, 2 voices, rhythmic base & church bell (you may know the piano version at https://soundcloud.com/esemanolain-ruizzo/sets/piano-sessions-2012 album).

A mostly slow piece with lotta soul and no artistic ambition (but a little ‘Pros&Cons’ air to the end ;).

Church bell sound built with kind help by https://soundcloud.com/spyro9474

Piano version: https://soundcloud.com/esemanolain-ruizzo/miedo-al-cambio-piano-version

Image: "Poppy fields in Benifallim", photo by Ruizzoidman

Letra / lyrics:

Miedo al cambio,  /  Fear of the change,
incómodo trabajo;  /  uncomfortable work;
molesto planteamiento:  /  annoying approach:
no me gusta lo inesperado.  /  I don’t like the unexpected.
  
A lo mejor es que no estoy acostumbrado  /  It is probably that I am not used
a ver las cosas cambiadas de sitio.  /  to see the things moved from place.
Ver a la gente irse al otro lado  /  Watching people going to the other side
es duro si piensas que todo  /  is hard if you think that everything
será siempre lo mismo.  /  will be always the same.

Ay, lo mismo ...  /  Ay, the same thing ...
ah, lo mismo ...  /  ah, the same thing ...
ay, lo mismo a mí...  /  ay, the same to me...
  
No he sabido reaccionar,  /  I didn’t know how to react,
atrapado en mi infantil ilusión   /  trapped in my infantile illusion
de que nada cambia,  /  where nothing changes,
ah, tengo que darme cuenta de lo que pasa,  /  ah, I must realize of what happens,
ay, tengo que salir de esta caja.  /  ah, I have to go out of this box.

a lo mejor es que no estoy acostumbrado  /  It is probably that I am not used
a las sorpresas de la vida,  /  to the surprises of life,
a nuevos planes que no había planeado,  /  to new plans I had not planned,
no me acostumbro a considerar  /  I don’t get used to consider
una opción distinta.  /  a different option.

Ay, distinta ...  /  Ay, different ...
ay, distinta ...  /  ay, different ...
ah, distinta a mí,  /  ah, different from me,
a mi pensamiento,   /  from my thought,
a mi forma de ser,   /  from my way of being,
a mi manera de verlo...  /  from the way I see it...

©1995 E-RUIZZO – ®2014 FRANCÉS RECORDS ;)

Miedo al cambio (Acostumbrado)

Alex Ventura (Arrangements, drums, timbal and keyboard)
https://on.soundcloud.com/UCS2K
Andy McLean (Tenor saxophone and EWI)
https://on.soundcloud.com/EfX7N
Pep Pérez (Bass)
Sergio Párraga (Congas, quinto and bell)

Also on video:
https://youtu.be/1r1VW_1dptk

Caravan (cover). Alex Ventura/Andy McLean/Pep Pérez/Sergio Párraga

Photo : Marielle Lemaire - Ariège - France

Marcher, c'est des captures d'images, des sentiments qui se composent, se transforment, se ruminent en de douces pensées. Dans l'enlacement continu du parcours, cette source de satiété physique offre une richesse grandissante à l'esprit. La pérégrination ancre nos sens dans cette réalité.

Walking is capturing images, feelings that are composed, transformed, ruminated in sweet thoughts. In the continuous embrace of the journey, this source of physical satiety offers a growing richness to the spirit. The journey anchors our senses in this reality.

Ce projet se compose d'un prélude, d'une pièce principale, de cet interlude suivi de son postlude.

3 - Sur Le Chemin - Avec Franck Douvin

Bonjour j'ai le plaisir de partager avec vous
Le nouveau titre de M'Z qui est une adaptation d'un morceau initialement joué avec Adelphya
'La ruée vers le numérique'
Composé comme une BO de western ramen (alternative au spaguettis) 2025, 
Ça sort aujourd'hui 01/08/25 !!​

Les styles oscillent entre Hip-Hop Electro Jazz Fusion et Prog
Tous les liens à ici :
https://music.imusician.pro/a/y8GUkCtd
https://matzizrecords.bandcamp.com/album/la-ru-e-vers-le-num-rique

La ruée vers le numérique

Set Free  by Glenny G ( August 14th 2025 )
A reflective journey exploring a vast length of time that has passed. I thought I would release this one today as food for thought and comments. Cheers from Glenny G

Set Free (Original)

Can't Get Bayou (But I Can't Get By Without You Either)

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

My Way Through - Tom Régnier & Friends

Reflective / Open Collab Offer Paploviante  
 Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 90
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Reflective (Open Collab Offer Paploviante)

First track of a set of piano tracks exploring places like post cards

Piano Post Cards I - La Plage

Turn the light off (Remix)

Thank you for listening to this track. This is track 01 from my recently released album. 
I realize the meaning of this might not come through in its translation.
Think:  greed and consumerism denounced in sarcastic apathy.

Produced By Brenda Doss
Mixed By John Fields
Mastered By Rareform Mastering
Song By Brenda Doss and Dave Zeiher
©2024 By Brenda Doss (BMI)

Lyrics:

You’ve got that new car smell
I like the way you look
So why should I care
If I’m your driver of the month
So let’s get down to business baby
Something new will gratify us
Satisfaction guaranteed with

More and more...

I live a toilet paper world
Of paper cups and plastic forks
I can’t recall what I did yesterday
I like a change I like it fast 
Addicted to nothing that lasts and 
God, I love this new car that has

More and more...


Everything disposable 
What of the future
Use it up and throw it all away
Getting tired of living 
In a toilet paper world
In a toilet paper world

More and more...

I want it all I want it now
Have my cake and eat it all somehow
Can’t wait to take this baby for a spin
But sooner or later 
My new car will start failing
And then he will require

More and more...

Give me more 
I want more 
Give me more 
I want more

Brenda Doss

Toilet Paper World

Music & Concept: Jan Schonander 
Remastered 14/09/20 by Belial Pelegrim

Grain/Sub/Backmask Perc/Treated Guitar/String: Belial Pelgrim https://soundcloud.com/belial-pelegrim

ARP Strings Ringshift/Piano/Piano Ringshift/Piano Time Delay/
Organ Vox Wah Delay/Hammond/Arrival/Drum Programming: Jan Schonander https://soundcloud.com/thegats

To my immense pleasure Belial agreed to collaborate with me on my first electronic track - I could not be more happy with the result and Belial's contributions. It was an absolute delight working with Belial.

Magnetic. Attraction. | Belial Pelegrim & TheGat(s)

Texte Français et Google traduction

LES RAGOTS

Cracher des voix sur un dos
Donner bas ses coups de couteau
Le “qu’en dira” est bien au chaud
Dans les débats qui font des “faux”.
Montrer du doigt, se jouer Zorro
Au nirvana dans vos huis clos
Piquer à froid, croquer à chaud
Santé vous va, sentez vous sots
La tombola d’un prochain lot
Tiré tout bas, crié très haut
Au prorata d’autres ragots
Sera une proie de vos chapeaux

Aléas ou quipropos
Êtes judas, y’a pas photo.

Casser du bois, briser des os
Est à l’étroit du ciboulot
Prendre du poids, se rendre beau
Aux grands exploits, petits costauds.
Votre S.P.A. de sales corbeaux
Comme porte-voix trouve son écho
Au pieu Gloria d’un bas niveau
Dans des combats qui en sont trop.

Armada et armes à mots
Les gros bras n’ont pas de cerveau

Vider sa loi sous le manteau
Mets un contrat sur une peau
Les renégats gèrent les tripots
Et les bras droits font le boulot
Les gens sans foi suivent le cadeau
Comme on les noient dans un ruisseau
Ces candidats pour des complots
On les aura plus qu’il ne faut

Errata et à propos
On plante là, méchants cerveaux.
Armada et armes à mots
Mettons nos doigts là ou il faut.
Armada et armes à mots
Mettons nos doigts là ou il faut.
Mettons nos doigts là ou il faut.

GOSSIP

Spitting voices on a back
Give low stabbing
The "what will say" is well warm
In debates that make "fake".
Pointing, playing Zorro
To nirvana in your camera
Stitch cold, chew hot
Health you go, feel foolish
The raffle of a next batch
Shot low, shouted high
In proportion to other gossip
Will be a prey of your hats

Hazards or whopropos
Are peephole, there's no picture.

Break wood, break bones
Is cramped
Put on weight, make yourself beautiful
Great exploits, small sturdy.
Your S.P.A. of dirty crows
As a megaphone finds its echo
At Gloria stake of a low level
In fights that are too much.

Armada and weapons with words
Big arms do not have brains

Empty his law under the mantle
Put a contract on a skin
The renegades manage the gambling dens
And the right arms are doing the job
People without faith follow the gift
As we drown them in a stream
These candidates for conspiracy
We will have more than we need

Errata and about
We are planting there, wicked brains.
Armada and weapons with words
Let's put our fingers where it is needed.
Armada and weapons with words
Let's put our fingers where it is needed.
Let's put our fingers where it is needed.

LES RAGOTS (Quand on lance de faux bruits)

لا تستسلم لا يزال في سلام
не сдавайся все еще в мире
peidiwch â rhoi'r gorau iddi dal mewn heddwch
taslim bo'imang hali ham tinchlikda
مه تسلیمیږه اوس هم په امن کې
don't give up. continue in peace
taslim bo'imang hali ham tinchlikda
não desista. ainda em paz
n'abandonne pas. toujours en paix
あきらめないで まだ平和に
geb nicht auf. immer noch in frieden
yengilma. hali ham tinchlikda
no te rindas. sigue en paz
געב נישט אויף
נאָך אין שלום

gracias vida

Chant:
Marie Launay ( Londres ) 
Paroles et Musique: Dominique Le Bars
Full version :https://dominiquelebars1.bandcamp.com/track/la-lettre-noire-marie-launay

La Lettre Noire

Don’t Give Up The Day Jobs - based on the original collaboration invitation https://soundcloud.com/dave-mckeown/dont-give-up-the-day-job
Music by Dave McKeown https://soundcloud.com/dave-mckeown
Lyrics and vocals Mark J Bennett 
Some vocal melodies and a line or two I owe to my dear friend, the late NiggyQ https://soundcloud.com/sanigar

Just when you thought,
It couldn’t get much worse.
Zero hours contracts,
Universal Credit curse.
Without Gran there’d be no childcare,
Without the food-bank, the cupboard’s bare.
Don’t give up the day jobs,
Work nights as well.

I’ve always been a grafter,
Never one to shirk,
Early morning papers, 
And weekend laundry work.
No time left for more education,
No energy left, nor motivation.
Don’t give up the day jobs,
Work nights as well.

Why does it have to be this way?
Why don’t debts ever go away?
Still we’ve lived to fight another day.
I fear it’s the way, that it’s going to stay.
Accept the lot you’ve got, the life you live from day to day. 
Day to day, day to day.

Just when you thought,
It couldn’t get much worse.
I made an insurance claim, 
But they wouldn’t reimburse.
Is it worth it just to keep standing still? 
We can’t afford to ever get ill.
Don’t give up the day jobs,
Work nights as well.

Don't Give Up The Day Jobs (Dave McKeown/Mark J Bennett)

(Don't follow me here, best on my main page ;)

Thanks for visiting. This is a retro eclectic music mix with looming influences from among others Iggy Pop, David Bowie, Lou Reed & Jon Lord. Mostly I write about the human condition.

I am always looking for a guitar player that wants to collaborate. Would be fun to find a real drummer also.

A Gat is a cat in Catalan - it all makes sense if you’re me. The (s) stands for many collaborators.

I encourage everybody on SC to listen more and be less transactional.

Magnetic. Attraction. | Belial Pelegrim & TheGat(s)

TheGat(s)

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