Trés arty contemporain minimal tech house !

KAEFF

Rework - Love Love Love Yeah (12")

Love Love Love Yeah

Rework - Love Love Love Yeah

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Soldatov - Sanctuary [Tibetania Records]

Buy on Beatport
https://www.beatport.com/release/triangle/5045254

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Soldatov - Sanctuary [Tibetania Records]

Zen Effect

Jensen Interceptor - Auto Express

Here are my latest tracks, I'm very happy to have them released  on Optimo Trax !!

Record of the week on Kompakt.fm : 
http://www.kompakt.fm/releases/heavy_bastard_ep



Buy Here

Arrogant Bastard

Chapping on the door to wake me, YOU CUNT. 
I have been waiting here all night. 
You could've picked me up. 
Oh, she had more "strings" to her did she? She can fuck off, am telling you.
I don't wanna hear about her ways. 
You know you love it this way, get a grip and hold my neck. 
Make it dirty baby. Make me throb. 
Like when we first met. 

Read more at: http://www.theransomnote.co.uk/music/premieres-exclusive-streams/premiere-cabaret-nocturne-blind-trust/

MORE INFO

PREMIERE: Cabaret Nocturne - Blind Trust

https://soundcloud.com/mondowski
https://www.facebook.com/Mondowski

Focus on light (remixes)

Download

Teen Offers (MONDOWSKI remix)

Cititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. 
With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.
Adieux Au Dancefloor will be released on October 6th. The record will be pressed on 160 gram white vinyl and will feature photographs by the equally talented Corinne Schiavone. The record will be housed in a full color printed heavyweight jacket along with matching printed inner sleeve. Pre-order available now. Digital release to follow.

Order: http://minimalwave.com/releases/release/adieux-au-dancefloor/

Lyrics: 
It seems like honesty is not so fashionable these days, it's true, I ask a lot of questions.
You call me naive?
I'll tell you what, I'm naive to the bone.
Do you think I'm too soft?
Because I don't hide, or is it that your lost when I smile?
I don't need your love but I'll dare to ask you how you feel about me.
Just to get things straight.

I have no cards to hide.
My life is not a game.

Let me picture my future, a large room where you can hear the silence.
No space for arrogance, no pain in my chest.
Just the beating of my heart.
J'suis pas un cordeau moi! (In French)

In The Middle Ages, people used to wear clocks, it's 2016, get real.
So you think i'm too soft.
I have nothing to prove, I have no advice for you. But remember what Terrance said: 
"The last dance, we dance alone".

Adieux Au Dancefloor

Marie Davidson - Naive To The Bone

Some things just make sense and we’re pleased present the first collaboration of 2 of our favourite artists : RED AXES & C.A.R. 
This release has been a long time coming. Tracks were first exchanged back in 2014 and it’s been an organic, intuitive process. Like-minded musically & likeminded lyrically - Red Axes & C.A.R. seem to work the same way. Recordings happen fast. One or two takes. It’s punk and it’s effortless. 
1960’s, psychedelic 2040 arrived on queue. A sweaty, London-summer evening, after spending the day writing alone out Hackney Marshes, Chloé demo’d the vox. - languid, nostalgic, at arm’s reach from the city - the track depicted the moment perfectly. A paper thin Victorian wall separating her from the chatting neighbours, she shut her eyes and got as close to the mic as possible. 
A few weeks Red Axes & C.A.R. were together in Tel Aviv. Ten times sweatier than London. To say the studio was dripping hot is an understatement. There was a party heaving in the square below, a van parked in the middle, broadcasting out on the radio waves. Dori was determined to use the intimate London vocals for 2040 and so they cracked on with Incognito, a club track that isn't one but works in its own way: rockabilly reverbs, an almost hip-house delivery, the strange alchemy of 808 fumes. Already inebriated from the city, Chloé had written her words off-cuff in the hotel room, just hours before.
Fastforward a year. Summer 2015. Niv had sent Space Cream a few months earlier - an electronic 4/4 ballad which already featured looped samples of some of the stuff they’d recorded in Israel. Heady and sticky, Chloé had to wait for longer days before she could get anything down.
Finally XMan, descends further down into psychedelia… Perfect for the London winter closing in. Heads filled with Cookie Mueller & memories of losing oneself in dark, basement parties - the words rolled off the tongue. 
Last autumn Red Axes invited C.A.R. down to London’s Pickle Factory to perform Incognito live. During soundcheck she penned some words for a new track they were debuting, which they also ended up doing. It’s an experience synonymous for this collaboration. What comes easy, makes sense.

05 - Incognito (Il Est Vilaine Remix) - Red Axes / C.A.R.

Still // Alone

We Are The Music

David Ruopp & Jonny Be - Wir tanzen [Free download]

Henry Wadsworth Longfellow - The Rainy Day

The day is cold, and dark, and dreary;
It rains, and the wind is never weary;
The vine still clings to the moldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.

My life is cold, and dark, and dreary;
It rains, and the wind is never weary;
My thoughts still cling to the moldering Past,
But the hopes of youth fall thick in the blast
And the days are dark and dreary.

Be still, sad heart! and cease repining;
Behind the clouds is the sun still shining;
Thy fate is the common fate of all,
Into each life some rain must fall,
Some days must be dark and dreary.

Tristesse

Within the whole retro-mania of '80s induced club music, you rarely find an artist being as deeply immersed in the affective reverberation of old synthesizers as her. Jennifer Touch showcases her immaculate ability to build dance floor-ready bridges between '80s synth-aesthetics, post punk and wave, as she returns to Riotvan with her second artist EP.

Honouring the original by taking in almost everything of the source material, the undisputed one man army Llewellyn, retouches “Chemistry” into a vibrant, dance floor chugger, focussed on Touch’s Postpunk- and Wave-kissed dreariness. Highly recommended!

Read more: http://liquidyouth.nl/music/premieres/jennifer-touch-chemistry-llewellyns-retouch-riotvan/
Pre-order: https://riotvan.bandcamp.com/album/rvn016-chemistry-ep
Stay tuned: www.facebook.com/liquidyouthams/

https://soundcloud.com/llewellynmusic
https://soundcloud.com/jennifertouch
https://soundcloud.com/riotvan-family

Chemistry 

Premiere: Jennifer Touch - Chemistry (Llewellyn's Retouch) [Riotvan]

Все люди молятся небу,
Ведь на нем нет цепей. 
Нас греет знамя протеста,
Культура длинных ночей. 
Весь Мир похож на обман -
Я заебался кусаться. 
Кругом один дурман,
И нету сил улыбаться. 
Без страха ставлю на красный -
Мне нечего потерять. 
Сними одетую маску и вытри с шеи печать. 
Мы словно предали смыслы, что называли свободой.
Пора выпустить зверя, что дала нам природа.

We Are The Music

The Golden Filter

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