This might as well be out of my 1986 list of favorites -- perfect!

Awesome song, sound, vocals and vibe, love this!

great all around song here; all the added instrumental sweeteners really embellish an already excellent song.... and I love the vocals

ON A PICNIC

Chamber piece for cello, viola, oboe, bass clarinet, piano and choir. For some time I have been trying to move away from precise quantization of all notes. For example, the piano parts were played very spontaneously and I only edited the levels of some individual notes. I am also looking for non-obvious, dirty harmonies. In fact, the piece was composed using a chromatic scale, although certain sounds predominate (suggesting a specific scale but never fully achieving it). Enjoy!

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Photo by Peter Herrmann on Unsplash

Remains Of The Day

Janine Levinson - Voice, vocal melodies, lyrics @janinelevinson

Cheesemont Paisley-Paisley - drums and percussion @hypnopompetus drums recorded at the tension headache studio @tension-headache-studio

Jonathan Beckenstein - initial music, guitars, bass, organ, drums for bridge and guitar solo

ain't nobody got nothin' for me
and I got nothin' for no one
but what I got, I will give you for free
I haven’t got a something,
but I will give you some

what I got I will give you for free
maybe a little or a big part of me
I am mounted on the front of your wooden ship
and counting the stars

waiting for the stormclouds to come
waitin' for the lightning to burn
waiting for the ocean to swallow us all
and counting my possessions

poseidon, are you waiting
to give me what you’ve promised?
or only rumbling on the surface
poseidon I am counting

waiting for the snarl from below
waiting for the rift in the dirt
waiting for the earth to shake us loose
and counting her rotations

there ain't nobody got a ticket for me
there’s no use waitin' for the god of the sea
so where I go, I'm gonna get there for free
but I will let you come
I’m gonna let you come

Poseidon (with Janine Levinson & Cheesemont Paisley-Paisley)

A peppy little tune written for my fourth granddaughter 11 years ago (she just turned 13) but newly arranged and recorded.  A distinctive feature heard throughout this song is the falling 3rd interval that sounds like I'm calling out her name which I do from time to time whenever I get to visit.  Hopefully it will put a little spring in your step:)

Calling Abby

The first of a collection about: A Boy, a Dream and a Magical Place.

A boy and a dream

A Boy, A Dream, and A Magical Place

Trapped in a vortex: 'caught up in a whirling mass of hellish air' may define this offering...flutes spinning off to give way to saxophonic theme and improvisations....

Thanks to Met Museum of Art for 'Marlin' by Joan Mitchell.

VORTEX

An album in neoclassical sound, inspired by Scandinavian mythology and the works of musicians of the 90s. The music in the album tells a story through emotional and atmospheric motives using classical instruments for the genre - string assemblies, flutes and winds.
https://open.spotify.com/track/1cvViHXcPlvAhmS9WJP6Hl?si=ce6b027eb8774265

Helluin - Chapter 2. Druid

Space Games

Searchin' For An Aurora

Collusion Damage Waiver - Feat. 1234567890

Track one from EP 5 from the Grunts
christy hennessy song contest finalist 2018

Everytime (we kiss goodbye ...)

PLEASE  check us out on SPOTIFY!!! 
https://open.spotify.com/artist/6JuOrqcoC5VPLAbi9xyjSa?si=8N2FeZVRRluF1d4WZAk0qA

 ©2010 Psycparty Productions
PM me for collabs! 777

Everytime (we kiss goodbye ...)

The Grunts

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