https:soundcloud.com/milanwatts/ kamraboi-thats-my-shit

love to collaborate on a few projects I'm working on.. hit me up if interested 🔥🔥

Thank you for sumbit my track TheHelpingHands! ❤️❤️❤️ your song is great!

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Land On

What has he done for you, man? 
Built you a castle of sand
Watch it wash away
What has he given you, man? 
Given you a high place to stand
Watch it all come down

Run, man
Fast as you can

Heard you've been washed of your sin
And now your rebirth begins
But still the apple you taste
Heard you want to save my soul
Show me those streets paved with gold
Streets that lead to dead ends

Run, man
Fast as you can

He gives you the gun that blows you away
And false promises to rise in three days
A prisoner to what you heard
Deception is the holy word
Ignorance, the path you take
Let the rapture take you away

Run, man
Fast as you can

Rapture (demo)

Big Juice ft. Breezyy and Chii

P.D.R.

Contains elements from HERB GELLER ft. MARK MURPHY - Space a la mode + drums
For Pad Bank Flip It 186

A Perfect Day For A Drive

ATTAN’DATTE - 在ったんだって (2020)

I've recently discovered (at long last) the music of Danish composer Per Nørgård. He developed a compositional techniques based on what he called the "infinity series", which is a simple formula for developing a series of numbers based on an interval such as a minor second. The series takes the initial interval and then slowly expands upon it both upwards and downwards in pitch, getting broader in scope as it progresses. This idea can be used to generate melodies, rhythms, or other aspect of a composition.

I decided to try playing around with this, but applying it to microtonal intervals, using Csound and a Python script to generate the Csound score according to the series. I ended up with this brief study, which takes the first 256 terms of the series and applies it to three of my favorite intervals simultaneously:
 - 9/8 (major whole tone from the 9th harmonic)
 - 11/8 (unidecimal tritone,from the 11th harmonic)
 - 7/4 (septimal minor seventh, from the 7th harmonic)

The starting tone (240 Hz) plays throughout the piece as the other notes unfold above and below it. I used sine waves processed with a touch of tanh distortion to add a slight amount of harmonic content.

Csound and Python source code: https://github.com/DaveSeidel/music-src/tree/master/infinity-study

References:
 - https://en.wikipedia.org/wiki/Per_N%C3%B8rg%C3%A5rd
 - https://web.archive.org/web/20071010091253/http://www.pernoergaard.dk/eng/strukturer/uendelig/uindhold.html

Infinity Study

No_sleep

Trio for harp, flute and viola

Performed by Ghost Ensemble at Areté venue and gallery, Brooklyn November 2019

Margaret Lancaster(flute)
Lucia Stavros (harp)
Carrie Frey(viola)

After some time away from composing notated music, being occupied more with open and text scores, the lovely Ghost Ensemble approached me for a piece, and what came out is an actual score and this lovely performance in November 2019. 

Thank you Ben Richter and Ghost Ensemble for organizing this sensitive, nuanced and thoughtful performance of a piece that could have gone many different ways.

Please write me if you'd like to take a look at the score!

Trio for Flute, Viola and Harp

purchase this beat at www.BoiDangerBeats.com

Free Download

always on @boidangerbeats

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TheHelpingHands

Recent comments

Erickson diarra

KAMRA'BOI AKA InFInAnT_PrØMinEnCE

Betamax DC

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