July 2017 二十七

"Pressure Palace" companion piece "Aqua Vitae" is a previously un-released video amalgam of distorted and hypnotic synth work accumulated between 2005-2008.



NA003 | RUSSO "Aqua Vitae"

Multi-disciplinary artist Ari Russo bends the visual detritus of our immediate past and DIY lines of code into sneakily gorgeous instrumentals and eerily disaffected videos.

His latest single/video Pressure Palace—released through art-collective New Ancestors—adds skittering electric guitars and chiming harmonics to the outstanding synth-led workouts of the Wild Metals EP (Valcrond Video, 2014). It’s an altogether more human realization couched in static and tightly propulsive.

NA003 | RUSSO "Pressure Palace"

LINK IN BIO
The Hundred In The Hands return with their third album Love In The Black Stack; a swoony late-night soundtrack to the catastrophic present. 

Eleanore Everdell and Jason Friedman began working on these intimate new songs and ambient tracks using cassettes recorded in the late ‘90’s, demos, voice-memos, field recordings and other half-forgotten ephemera collected over the years. They then went back into the studio with producers Vito Roccoforte and Gabriel Andruzzi (The Rapture, Vito and Druzzi) -- who both add their indelible stylistic synth and percussion work -- and together helped re-work the material for an album conceived as the score to a larger art installation/performance piece. 

The final 11 songs yo-yo from the insular romance of “I Follow”, “Pale Moon Out” and “Felt A Love” to the jagged pulse of “Proof of Love”, “Red Eyes Rising” and cascading drive of “Wade Up”; alternately grounded in the deep searching harmonies of Eleanore’s layered vocals and the purposeful silences and slipped rhythms of the off-kilter production. 

With lyrical through-lines moving from satellites and constellations “high above the earth,” through “telephones ringing in empty rooms” and unwinding under rising tides — and with themes loosely touching on gentrification, environmental collapse, and occult technological faiths — Love in the Black Stack is an attempt to find the gaps still ungoverned by these global forces and to create sense and connection from incomprehension and dislocation. 

An accompanying virtual album-cover layered with lyrics, credits, crypto/mystic-diagrams and extraneous texts is online at: LoveInTheBlackStack.com. 

This is the first release since 2012’s Red Night (Warp) and the first for their label New Ancestors: a journal/label focusing on artist-to-artist relationships and patient journalism examining, supporting and challenging vital culture
credits
releases June 16, 2017
(c) & (p) 2017 Eleanore Everdell & Jason Friedman 
EEE Music ASCAP, Weare Boggs Music ASCAP.

Love In The Black Stack

The Hundred In The Hands - "I Follow" - From Love In The Black Stack

come see us on tour!
http://smarturl.it/slenderbodiestour

lyrics~

down below
my thoughts can wander and i
let go
i don’t need much in my life
i know
i like it better underwater

ive been drowning in anemone
here you’ll never get the best of me
ive been drowning in anemone
breathing deep 
breathing deep

down below
sandy like the ocean floor
quiet like i like it
here ill never be alone

i pause my life
i spend my time
its always right
its never wrong to try

it’s been alright
ive been alright

but here its better
i heal better

i like it better underwater
send me underwater


feeling little pulls
wont get the best of me so 
la la la lets go
a little destiny 
to tell you what you know
a fatal recipe of life

dreaming ‘bout a place 
where i can be by myself

anemone

Originally broadcast on Berlin Community Radio live 13:00 - 14:00, Monday 24th April, 2017.

Mark - F-E (unreleased)
Cluster - Sowiesoso (Sky Records, 1976)
Graham Lambkin - Theatre Recital (Penultimate Press, 2014)
Antena - Frantz (Les Disques Du Crépuscule, 1982)
After Dinner - Glass Tube (Recommended Records, 1984)
The Particles - Observations (Waterfront Records, 1984)
Sam Rosenthal - Jane (Projekt, 1986)
Petticoats - Dreams (Eustone Music, 1981)
Bearburger - With Two Mouths Biting… (Uniton Records, 1983)
The Revolving Paint Dream - In the Afternoon (Creation Records, 1984)
Milk Teddy - Suburbs Mystery (Lost & Lonesome, Knock Yr Socks Off Records, 2012)
Grouper - Wind and Snow (Type, 2008)
Maximum Joy - White and Green Place (Crippled Dick Hot Wax!, 2005)

Berlin Community Radio - April, 2017

From the patten EP 'Requiem' out now on Warp Records
Stream EP /// http://smarturl.it/requiem-stream
Video /// smarturl.it/amulet
555-5555 store /// http://555-5555.bleepstores.com

Amulet

Broadcast live on WNYU 89.1FM in New York City on June 6th, 2017.
https://soundcloud.com/jd-samson
http://www.beatsinspace.net/playlists/889
http://www.facebook.com/bisradio
http://beatsinspace.bandcamp.com

www.beatsinspace.net

Beats In Space

BIS Radio Show #889 with JD Samson

The Hundred In The Hands return with their third album Love In The Black Stack; a swoony late-night soundtrack to the catastrophic present. 

Eleanore Everdell and Jason Friedman began working on these intimate new songs and ambient tracks using cassettes recorded in the late ‘90’s, demos, voice-memos, field recordings and other half-forgotten ephemera collected over the years. They then went back into the studio with producers Vito Roccoforte and Gabriel Andruzzi (The Rapture, Vito and Druzzi) -- who both add their indelible stylistic synth and percussion work -- and together helped re-work the material for an album conceived as the score to a larger art installation/performance piece. 

The final 11 songs yo-yo from the insular romance of “I Follow”, “Pale Moon Out” and “Felt A Love” to the jagged pulse of “Proof of Love”, “Red Eyes Rising” and cascading drive of “Wade Up”; alternately grounded in the deep searching harmonies of Eleanore’s layered vocals and the purposeful silences and slipped rhythms of the off-kilter production. 

With lyrical through-lines moving from satellites and constellations “high above the earth,” through “telephones ringing in empty rooms” and unwinding under rising tides — and with themes loosely touching on gentrification, environmental collapse, and occult technological faiths — Love in the Black Stack is an attempt to find the gaps still ungoverned by these global forces and to create sense and connection from incomprehension and dislocation. 

An accompanying virtual album-cover layered with lyrics, credits, crypto/mystic-diagrams and extraneous texts is online at: LoveInTheBlackStack.com. 

This is the first release since 2012’s Red Night (Warp) and the first for their label New Ancestors: a journal/label focusing on artist-to-artist relationships and patient journalism examining, supporting and challenging vital culture
credits
releases June 16, 2017
(c) & (p) 2017 Eleanore Everdell & Jason Friedman 
EEE Music ASCAP, Weare Boggs Music ASCAP.

I Follow

'Rolrolrol (feat. Niels Broos)' Out Now -
Brainfeeder / Stream / Download: https://jameszoo.lnk.to/flake

Taken from 'Flake EP' released 7th July 2017 via Brainfeeder.

The Debut Album 'Fool' Out Now - 
Brainfeeder / Stream / Download: https://jameszoo.lnk.to/fool

Follow Jameszoo -
Facebook: http://found.ee/jameszoo-fb
Twitter: http://found.ee/jameszoo-tw
Instagram: http://found.ee/jameszoo-ig
Spotify: http://found.ee/jameszoo-sp

Flake EP

Jameszoo - 'Rolrolrol (feat. Niels Broos)'

Artist : @thehundredinthehands
Album : 'Love In The Black Stack'
Label : @newancestors
Buy : http://smarturl.it/loveintheblackstack 

More premieres/exclusive tracks  => bit.ly/2eTWTpU

Premiere : The Hundred in the Hands - Proof Of Love

From Moon King's new album "Hamtramck '16"
Order here: http://smarturl.it/aeu582

Hamtramck '16

In & Out

Moon King - In & Out

LP3 "Love In the Black Stack"
Out June 16.
Links below.

The Hundred In The Hands is a duo.
Several releases on Warp.
THITH also runs a label.
It's called New Ancestors.

I Follow

The Hundred In The Hands

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