Shifting Forms

#4125(90.94% 411 left): Mar. 31, 2025: To shield her and shelter her from the damp air (E.H.Coleridge from Sep. 2, 2024) 

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 29th SELECTION ALBUM JUST RELEASED ########
"shin Clair De Lune" - the 29th selection album of piano ten thousand leaves

The best song in the last few years, Shin Clair De Lune, was born, so I named the album after it. The opening song is that song.

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/_KoD3Urfn38?si=WP2OCvwwVeLYyfnU

Album Download:  iTune
https://music.apple.com/jp/album/shin-clair-de-lune/1796986397

spotify
https://open.spotify.com/album/0IesFKVy7eEyvrfn90AW8b?si=_-BDNh2JQ3yUSQyOpSUSFQ

appleMusic
https://music.apple.com/jp/album/shin-clair-de-lune/1796986397

amazonMusic
https://amazon.com/music/player/albums/B0DXKJ5655?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_Af4hYEidL5bbME7ncUiUORjxE

all music streaming services:
https://linkco.re/mF4G0R43?lang=en

to shield her and shelter her from the damp air - #4125 (90R94 411 left) by chair house 250331

Here's my musical resonance to this week's haiku from @naviar-records.

dreadful the stream
without so much as a name!
early-summer rains

by: Yosa Buson

https://www.naviarrecords.com/naviarhaiku590-dreadful-the-stream/

Thank you Marco.

Dreadful the stream (naviarhaiku590)

Composition derivated from a piano improvisation.

2025.

D Melodic minor.

Spring Jazz

concrete lullaby

“Home is what you take with you, not what you leave behind.” ― N.K. Jemisin
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Track list and start times:
00:00  Malady of Knots – Roads like seas like fossilised thought (excerpt)
04:50  Ramón Sánchez – Orbiting Mendacem
13:39  Night Note – The past, immutable (Naviarhaiku 588 )
19:05  Andrew Lang – Regime Shift
24:14  Pendro – Red Veils and Black Sands
29:22  Kazuya Ishigami – kiii
37:30  Helena Espvall / Ernesto Diaz-Infante / Marjorie Sturm – night in our eyes
44:21  fr0ggy5 – my father's antique cowbells FOUR
46:42  Ian Craig – Ghost of the Radiophonic Workshop on LV-426 (Emporium Edit v8c) (excerpt)
56:02  Laboratorium Expiravit – Wormhole Freedive
1:02:53  Battle Elf – Behind the Wilderness
1:12:30  Plague Relic – Storm Wizards Madness
1:16:44  Kloob & Onasander – Khthon
1:23:33  Monogoto – In Situ - Upper Air (deletion 19)
1:31:01  vheissu77 – touching the water (naviarhaiku581)
1:35:05  Kazuya Ishigami – Cancel Again
1:40:00  loscil – Lake Fire
1:46:47  Jaime Munarriz – The Little Travels Of Delia Derbyshire
1:49:57  Jonah Segers – Mesozoïcun
1:53:34  Helena Espvall / Ernesto Diaz-Infante / Marjorie Sturm – we fall into heaven
2:05:34  Un Festin Sagital – Bajo un Sol Inclemente
2:23:00  T – Endmix
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Eclectic current – For a moment we thought we were home

Big Yes Day” came from one of those bizarrely good mornings where everything felt like it was cheering me on. I wanted to capture that surreal, silly optimism—like when your toast flies and somehow it’s a victory. It’s not deep, it’s just a celebration of weird little wins and how they stack into something joyful. The song wrote itself like a goofy poem on a trampoline. Honestly, it’s just about saying “yes” to the weird magic in everyday stuff

BIG YES DAY

from the album: Ritual of the Elements
sparkybonehead.bandcamp.com/album/ritua…he-elements

the Water Ritual

YEAH, PROBABLY

Solid Ground - Epic Trance

GOLDEN EYES

“That feeling of living in a space—or even a life—that looks right on the outside but feels empty inside. It’s about routines, smiles, and small talk hiding something quieter and sadder underneath. I liked the idea of writing something bright and melodic that still carries a little emotional crack in the middle—like laughing with your hands shaking.”

HOUSE OF A THOUSAND KEYS

absence blooming in strange places. A sock watered like a prayer. A fridge humming with memory. Love lingering in the soft static of undone things. It’s the quiet ache of almost letting go.

GONE.

be here a while

The song opens with a haunting melody, echoing the hollow ache of solitude that lingers in the quiet hours of the night. Its lyrics paint a portrait of someone grappling with the weight of isolation, their voice trembling with vulnerability. As the verses unfold, the singer reflects on the world outside—a place marked by division, uncertainty, and unrest. The chorus swells with a sense of longing, yearning for connection in a society that feels fractured and cold. Each line is laced with the despair that comes from witnessing injustice and feeling powerless to effect change. The instrumentation is sparse, mirroring the emptiness that fills the singer’s heart. The refrain repeats like a desperate prayer, searching for meaning in a world that seems to have lost its way. Despite the darkness, a faint glimmer of resilience shines through, suggesting that even in despair, the act of singing is an act of defiance. Ultimately, the song becomes a quiet anthem for those who feel alone, reminding them that their pain is shared, and their voices still matter.

Empty Rooms

Original Lyrics by Tony Harris
Vocals, Instruments, Music Production and Mix by Glen Granthem
The lyrics that inspired Glen are listed below.

I'M NOT A POLITICAL GUY
DON'T ASK ME TO TAKE A SIDE
IF YOUR WANDERING WHY
IT'S A LONG HARD RIDE

THE WORLD IS FILLED WITH DIVISION
ARE YOU LEFT OR ARE YOU RIGHT
IF YOU MAKE IT YOUR LIFES MISSION
IT WILL BRING YOU PAIN AND STRIFE

(CHORUS)
I'M NOT A POLITICAL GUY
LET ME TELL YOU WHY
WE SHOULD MEET IN THE MIDDLE
WORK TOGETHER TO FIGHT EVIL
WHY CAN'T WE WORK TOGETHER
TO MAKE THE WORLD BETTER
AND MEET IN THE MIDDLE
YEA, MEET IN THE MIDDLE

FAMILIES HAVE BEEN DESTROYED
BECAUSE THEY COULD NOT AGREE
LOVE LOST AND FOREVER DIVIDED
HOW DID THIS COME TO BE

WHY CAN'T WE AGREE TO DISAGREE
WHY CAN'T WE LOVE ONE ANOTHER
IT'S NOT ABOUT YOU AND ME
IN THIS LIFE...WE ARE ALL BROTHERS

(REPEAT CHORUS)

GOD, FAMILY, LOVE AND PEACE
IS THE MOST IMPORTANT THING OF ALL

2018 © Lyrics by Tony Harris

Meet In The Middle - Lyrics by Tony Harris - Featuring The Glen Granthem Band - Original

(*.𓂀      𓂀 .*)
  ____   ̷̢͖͇̟͔̼͙̼̟͕͔͓͙̤͕̤̤̞̱͔̹̹̥͎̥̜̙̥̩̜̜͍̗̻̼̹͙̱͔̯͔̗͈̗̦̗̮̦̟̠̼͚̘̳
 ——╰̶͓͙͈̪̲̩̖͓͚̹̠̬̯̲͎͇̻̞̳̬͓͇͖͍̯̻͉̥̠̞͎͎̭̭̻͓͕̱̟̦͔̱̙╯.
a 
 collection 
  of 
   my 
    favorite 
     missed
      steaks 🥩🕳️🐇🌈🌦️

YEAH, PROBABLY

superfishoil

Recent comments

STVZ

Chi Vũ

Related tracks