Chella Man shares their thoughts about performance and self-discovery

107. Chella Man, Autonomy, 2024

Painter Sasha Gordon explains her disorienting daily life scenes and her artistic process

108. Sasha Gordon, Ferment, 2022

Holiday clips: Teresita Fernández

On episode 337, the CHAPEA crew checks in on their tenth month in a Mars simulated habitat, and a NASA scientist explains her role studying crew habitat design and how it supports behavioral health, team cohesion, and performance.

Houston We Have a Podcast: Mars Audio Log #10

Episode One: “In the Beginning”

The latest MoMA podcast begins on June 16, 1960, when George Wein and the Storyville Sextet played the first jazz concert in MoMA’s Sculpture Garden—and launched more than a decade of legendary performances and recordings from some of the leading lights of jazz, including Dizzy Gillespie, Thelonious Monk, Duke Ellington, and Sonny Rollins. In this episode, you’ll hear about the first era of jazz at MoMA from some of the musicians who were there.

Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse
Host: Naeem Douglas
Additional readings: Karen Chilton
Engineer, mixer, original music: Zubin Hensler
Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik

Music:
“That’s a Plenty” (Live) (2014 remaster). Written by Lew Pollack. Performed by George Wein and the Storyville Sextet. Courtesy of Bethlehem Records. By arrangement with BMG Rights Management; “Soloscope.” Written and perfrormed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. Bt arrangement with Reecie Music; “September in the Rain.” Written by Al Dubin, Harry Warren. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with WC Music Corp. (ASCAP); “Undecided.” Written by Charles Shavers. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with Universal Music Publishing; “Novamo.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Take the A Train.” Written by Billy Strayhorn. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Reservoir Media and WISE; “Take Three Parts Jazz.” Written by Teddy Charles. Performed by the Teddy Charles New Directions Quartet. Courtesy of 43 North Broadway LLC. By arrangement with Raybird Music; “A Night in Tunisia.” Written by John Gillespie, Frank Paparelli. Performed by the Dizzy Gillespie Quintet. Courtesy of Universal Music Group; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG; “The Quota.” Written by Jimmy Heath. Performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Now’s The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing

Jazz in the Garden, Episode One: In the Beginning

In this episode, Teddy Tzanetos, project manager for the Ingenuity Mars Helicopter, tells us about what we’re still learning from Ingenuity’s final flight and how risk management can be used for opportunities.

Small Steps, Giant Leaps: Episode 130: Ingenuity’s Final Flight: Lessons Learned

Artist María Magdalena Campos-Pons, curator Lauren Applebaum.

María Magdalena Campos-Pons, early Southern quilts

On episode 338, experts from NASA’s Stennis Space Center discuss the facilities that support RS-25 engine testing for the Space Launch System and future Artemis missions.

Houston We Have a Podcast: Certifying Artemis Rocket Engines

CLAUDIA GOULD:
Hello, I'm Claudia Gould, Helen Goldsmith Menschel Director of The Jewish Museum. I'm so pleased to welcome you to "Modigliani Unmasked."

Perhaps you're already familiar with Amedeo Modigliani, and his many portraits of beautiful women with long necks and impenetrable gazes. If so, you may find our show surprising. Thanks to an extraordinary cache of Modigliani’s early drawings on view here, for the first time in the United States, we are able tell a story of exploration and identity. Your guide to the show is Senior Curator, Mason Klein: 

MASON KLEIN:
Modigliani was undeniably a portraitist. But he saw that identity was never quite certain. 

CLAUDIA GOULD:
Modigliani was born in 1884, in Livorno, Tuscany, on the northwest coast of Italy. He left in his early 20s to pursue a career as an artist in Paris. There a strong current of anti-Semitism forced him to reexamine his identity as a Sephardic Jew.

MASON KLEIN: 
When Modigliani came to Paris he had never experienced anti-Semitism.  To understand Modigliani, and the way he understood himself allows us to understand what his portraiture was really about, and how he viewed and how he engaged the social realities of Paris in pre-War, and how important that engagement was in laying the groundwork to rethink how positive a presence he was as a Jewish foreign émigré.

[PAUSE]

I think it really does allow us to think of Modigliani in a kind of original and broader, and more relevant way, certainly relevant to the world we’re living in today.  

CLAUDIA GOULD:
On this tour, you’ll hear more from Mason Klein, as well as from Sander Gilman, a well-known expert on Jewish studies and anti-Semitism, and a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. I hope you enjoy the tour.

For further instruction on using your Acoustiguide, please press 4-1-1.
 
NARRATOR:
This is Acoustiguide production.

Introduction

An art museum in New York City and hub for art and Jewish culture for people of all backgrounds. 

Introduction

The Jewish Museum

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