This track is from the album Ghost Dance Party and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/knutz

Ghost Dance Party

Just Be You

You Are the Wonder

Heaven Outside the Mirror

The Hanging Man

The Knutz’s brand new release, the ‘We are the Monsters’ album. At this time, it’s possible to notice psychobilly influences like on the title song, where alternative worlds are ironically explored again on an attempt to understand the nature of the band members’ ghoulish souls. Following the same music line, there’s the funny ‘BBBatz’, an innocent joke that doesn’t leave anybody’s head easily. On the other hand, visions of destruction and disorder are compiled on the epic ‘Where the souls dance free’, a progressive deathrock with that sarcastic aura of the prominent ‘Ghost Dance Party’ song. Back to our current reality, political lyrics discuss society corruption on the powerful somber post-punk ‘Right or Wrong’. Moreover, electronic synths and a distorted psychedelic bass drive the insane ‘Living in a Nightmare’, proving once again the group is not afraid of trying new ways to expose their disturbed thoughts. In addition, the gloom duet on ‘Lady Shadow’ shows the band maturity, while describing a fictitious attractive character as a way to suggest how evil seduces the mankind. After all, this album, through 12 spooktacular songs, demonstrates to any rock fan that there’s still too much to be created in this new dark music age.

“Great psychobilly spooky vocals from Daniel, tight
drums and bass pound against frenzied ghoulish guitars and epic spooky synths. Love it! Destined to be a classic!
”
WORDS ABOUT ‘WE ARE THE MONSTERS’ SONG, BY DJ DE’ATH BLACK VEILED GOTHIC (2015)


12 - The Knutz - Time To Time

11 - The Knutz - Lovers

9 - The Knutz - Apple Sour Girl

8 - The Knutz - To Feel Is Like To Touch

7 - The Knutz - Right Or Wrong

6 - The Knutz - Living In A Nightmare

4 - The Knutz - BBBatz

3 - The Knutz - Lady Shadow

2 - The Knutz - We Are The Monsters

1 - The Knutz - Where The Souls Dance Free

"Like crooked angels whispering again the mockery ballad
only shadows remains "-" The Mockery Ballad ", The Knutz
Twisted angels whispering once more amidst the shadows: this is a good metaphor for the eternal return of post-punk, which rose from the self-destructive ashes of original punk and lifted much bolder flights than its predecessor. This army of crooked angels - the gothic, the synthpop, the cold wave - takes off again in the shadows that dominate The Tower, The Knutz's third studio album. In reworking with conviction the most characteristic elements of post-punk aesthetics in 11 songs sung in English, the trio (based in Niterói, RJ) surpasses the geographical and temporal limitations. It may have been recorded in 2018 in Brazil, but it is fittingly aligned with the sounds that served as reference to the band, released in Europe and the US 30, 35 years ago.

As Daniel sings in "Thank the Moon": "The night has more colors than the day". There are unexpected and original colors on The Knutz's dark night.
The title is a reference to the concept that ties the songs of the disc, derived from the tarot: the tower is the greater arcane, and the letters narrate its imminent fall, the drastic changes brought by the collapse and the beginning of the reconstruction of the tower, doomed to collapse once again. For the band, it is a metaphor for the state of voluntary blindness in which mankind lies, embedded in a seemingly indestructible tower. Everything comes down shortly at the opening, with the title track ("Fake structures withstand no more / Nothing is safe as we thought"). The distressing narrative drawn by the lyrics goes through the alienation ("Nobody knows what is wrong / But they laugh and laugh upon", in "The Fool"), the feeling of misfit in society / To deconstruct me, "in" It Hurts ") and terminal loneliness (" The cave frozen my heart "in" The Cave "). Finally, in "About to Fall", we confront the inevitability of another fall ("Don't matter what we've done / In the end we're about to fail") ... and the resumption of the morbid cycle.
"The Tower" is the darkest moment of the album, which continues alternating climates and timbres without deviating from the fundamental elements of post-punk. Striking bass lines lead "The Fool," "The Mockery Ballad," "Do Not Judge" that counts with the DJ, singer and burlesque performer Ludmila Houben, and "Hex," complemented by sparse and atmospheric synthesizers. Already in "It Hurts", "Thank the Moon" and "About to Fall" guitars take center stage. "The Hand that Takes" evokes a surprising flavor of dub reggae, another ingredient typical of the post-punk salad. And with "The Woman with the Coffin Case," they contrast the more gothic of the lyrics ("She is cold as a corpse, but a beautiful grace") with a shameless beat of soar dancing and the crucial participation of the vocalist Luciana Lazulli, who still scores on three other tracks on the album.
The Tower, the album, can be regarded as a reverent and careful review of the original post-punk lessons. You can also position The Knutz in the pantheon of recent bands that are also inspired by the giants of the past - She Wants Revenge, Interpol, The Editors. Or it can be seen only for what it really is: a work that will take the trio to flights ever higher, on the wings of crooked angels, always in the midst of the shadows

The Woman With The Coffin Case

The Tower

Mockery Ballad

The Hand That Takes

The Fool

The Cave

Thank The Moon

It Hurts

Do Not Judge

About To Fall

The Knutz is a postpunk / deathrock band from Brazil.
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The Knutz

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