electronic

Ryong - Unbreakable Bonds [YGK015]
youtu.be/s8xMpekMLdw

1. Split And Tear
2. Horizon
3. Snow That Shapes A Dream
4. Ever And Ever
5. Isolde

Format: Digital/EP
Release Date: 7 May, 2021
'Snow That Shapes A Dream' featuring Eva Tind
Cover by Isak Tind
Mastered by Soda Plains

Ryong - Snow That Shapes A Dream [YGK015]

Out now on @part4recs - huge love to everyone supporting, it's been mad ❤️❤️❤️

The End (The Start)

• Buy/Stream

Murder He Wrote - The End (The Start) [Part Four Recs]

A network of listening paths presented by Hildegard Westerkamp at the International Conference of the World Forum of Acoustic Ecology in Corfu, Greece in 2011. 

Acoustic Ecology is the research field created by the World Soundscape Project, an international research project founded by Murray Schafer, at the Simon Fraser University in Vancouver (CA) in the 1960s. As one of the core members of the project, Westerkamp developed her research about attention and listening awareness within soundscapes, and her educational approach through sound walks, field recording and radiophonic works, as well as her long-standing compositional practice.

In this talk she guides through the following questions: 'How can we find focus and balance in such a vast interdisciplinary intercultural field? In a field that has listening as its very core of study, and educational action, and therefore naturally touches on all aspects of life?'

Hildegard Westerkamp - Exploring Balance & Focus in Acoustic Ecology

Had a play with Sample Logic's Arpology, and this was the result. 100% Arpology patches. Check it out here: 

http://www.samplelogic.com/products/arpology

Shoot to Kill

a performative reading / writing group 
- - in collaboration with OOO Radio, 
James Prevett and Samantha Lippett

- - an echo through Helsinki / Seydisfjordur / Djursland & Seydisfjordur Community Radio and the notion of the writing ear, a pearl shining a handle for the open palm

s-i-l-v-e-r ___ n-e-c-k-l-e-s-s  /// a mouth occupying the position

lower your eyelid is feathers slowly falling: oceanfloor group & aerodrome - 22/02/2024

A Minor Music is a project initiated by Malthe Ivarsson, which aims to communicate the many beautiful electronic tracks being produced in Iran. Through sound, video and still photos, it will talk about the circumstances of producing and performing electronic music in Iran, to leave you to enjoy the music and hopefully encourage you to explore deeper into the sounds.

Read an extensive guide to the program here:
http://www.minormusic.org/radio

MIXTAPE: A Minor Music – an introduction to Iranian experimental electronic music

For more information and tracklist head here: http://www.factmag.com/2015/07/20/fact-mix-505-alessandro-cortini/

Few producers can handle a synthesizer quite as masterfully as Alessandro Cortini.

The Italian musician has been building up a reputation for a few years now, under a plethora of different monikers, pushing his electronic instruments to near-breaking point. Cortini mastered the towering Buchla modular system, securing him a well-deserved spot on keys for Trent Reznor’s Nine Inch Nails. This, however, is only the tip of the iceberg.

Last year Cortini dropped the excellent Sonno LP on Dominick Fernow’s Hospital imprint, and the Buchla was nowhere to be seen. Instead of showing his chops on an instrument that most musicians couldn’t dream of using, Cortini instead confined himself to the humble Roland MC-202. The 202 doesn’t have the reputation of some of its starrier Roland family, mainly because it’s notoriously difficult to use, but it’s basically a portable, keyboard-less SH-101 with a sequencer that requires an advanced intellect to take advantage of. The portable nature of the instrument allowed Cortini to pen tunes while on tour with Nine Inch Nails, and his follow-up LP, Risveglio, continues where Sonno left off.

This time around he’s added some other portable Roland instruments – the legendary silver pair, the TR-606 and the TB-303. The message and basic sound, however, remains intact. There’s no squiggly acid here; rather, Cortini finds a way to tailor the familiar instruments to his own very specific sound, and emerges with something haunting and personal.

That’s exactly the kind of thought behind this dense FACT mix – sure there are cuts from Plastikman, Aphex Twin and William Basinski, but these are drowned in abstract electronics and muted noise from Shifted, Powell and Peder Mannerfelt.

Alessandro Cortini’s Risveglio will be released on Hospital Productions on July 27.

FACT Mix 505 - Alessandro Cortini (July '15)

https://itunes.apple.com/us/album/rub-remixed/id1091738323

Peaches - Free Drink Ticket (Neven Remix)

Stream / Buy here: https://robotkoch.lnk.to/reimagined

Robot Koch & Savannah Jo Lack - Eta Aquarid (Neven Remix)

Recorded microphone contact by Michał Zygmunt at various locations across Świnoujście Port, Odra river in spring 2020

Cuma/Hawser

Optagelse fra Ungdomshusets Piratradio 101,8 Mhz d. 10. januar 2007. I studiet: Musen

Ungdomshusets Piratradio 10-01-2007 kl. 21:20

A series of guest mixes, streaming here and featured on Dublin Digital Radio every month.
Also available at: www.eotrax.com/mix-series-9-linda-buckley

Mix 9 comes from Irish composer Linda Buckley. A beautiful, dark and atmospheric mix fitting for this time of year - 'a halloween nocturnal vibe' in her own words.

Linda Buckley is an Irish composer based in Glasgow who has written extensively for orchestra (BBC Symphony Orchestra, Dresdner Sinfoniker Orchestra, RTE National Symphony Orchestra), and has a particular interest in merging her classical training with the worlds of post punk, folk and ambient electronica. She is “one of the leading figures in the thriving Irish new music scene” (Christopher Fox, Tempo) with her work being described as “sublime and brilliant” (Tom Service, BBC Radio 3) “strange and beautiful” (Richard Dyer, Boston Globe), “fantastically brutal, reminiscent of the glitch music of acts such as Autechre” (Liam Cagney, Composing the Island) and “engaging with an area of experience that new music is generally shy of, which, simplified and reduced to a single word, I’d call ecstasy” (Bob Gilmore, Journal of Music). 

Awards include a Fulbright scholarship to New York University, a Civitella Ranieri Fellowship, the Frankfurt Visual Music Award (for Silk Chroma) and Gold at the New York Festivals Radio Awards (for Mother’s Blood, Sister Songs documentary with Athena Media). 

Recent collaborations include work with experimental folk duo Anna & Elizabeth, poet Doireann Ní Ghríofa as well as premieres by Hebrides Ensemble, Contempo Quartet, Icebreaker, Iarla O’Lionaird, Joby Burgess (Barbican commission), Ensemble Mise-En and Crash Ensemble. In 2019 she was invited by John Schaefer’s New Sounds Live (WNYC) to present the New York premiere of a new live score to the silent horror film Nosferatu (co-composed with Irene Buckley) at Brookfield Place. Linda holds a Music Degree from University College Cork, a Masters in Music and Media Technologies and PhD in Composition from Trinity College Dublin, and lectures in Composition at the Royal Conservatoire of Scotland. In September 2020 her NMC Debut Disc, From Ocean’s Floor was released.

Instagram: https://www.instagram.com/brighton6/
Bandcamp: https://lindabuckley.bandcamp.com/
Soundcloud: https://soundcloud.com/linda-buckley

Tracklist:
Haxan Cloak – Consumed
Haxan Cloak – Excavation (Part 1)
John Carpenter and Alan Howarth – Season of the Witch (from Halloween III)
Attilio Novellino - Strängar I
Anna and Elizabeth – Farewell to Erin
Alessandro Cortini – Perdonare
Irene Buckley – Choral
Jana Winderen – Submerged (underwater field recording)
Linda Buckley – Kyrie 
Cocteau Twins – Great Spangled Fritillary 
Crows field recording
Caterina Barbieri – Scratches on the Readable Surface
Tim Hecker – Live Room

EOTRAX MIX SERIES: #09 Linda Buckley

Full album 
https://michalzygmunt.bandcamp.com/album/od-owy-nagrania-terenowe
https://open.spotify.com/album/6tpX8ExQ6yMnn2BqQNf0Fd?si=o2PJbxj3Qku_qa2WzZIGMA
https://odrasound.design/nagrania-terenowe/
https://www.youtube.com/watch?v=P5tAZTu2Rj8&t=2s

Odłowy (catching fish) hydrophone

Twenty Things You Can Do With Sound is an educational podcast produced by the Sound Lab. It is a fun and stimulating tour through a variety of concepts, tools and techniques that you can use when working with sound. Beginning with bread-and-butter concepts such as Sample Rate and Bit Depth, the podcast simultaneously discusses and shows a variety of frequency-based, time-based and spatial phenomena. From time-stretching, to ring modulation, to the Haas Effect and beyond, we will deepen our understanding of how sound works, and can work for us.

Twenty Things You Can Do With Sound

The Lake is a place for music and sounds. The radio stream runs all hours of the day and is randomized. No one knows what The Lake plays next.
Every week, talk programs, concert recordings, interviews, mixtapes and more are broadcast and released as podcasts.

The Lake is driven and curated by a group of Copenhagen-based artists and radio producers, with the aid of a long list of kind contributors and collaborators.

The music broadcasted via The Lake Radio is made available with permission from KODA/NCB, IFPI & Gramex.

Write us an email: contact [at] thelakeradio [dot] com

MIXTAPE: A Minor Music – an introduction to Iranian experimental electronic music

The Lake Radio

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