where is coronach by Bonaventure please ?

Chillman

HG1801 - Hallowground.com
Buy the vinyl or digital album here: bit.ly/2xwBugg
Distributed by A-Musik and Cargo Rec.

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This Is Where - 1-6:0

45 minute Fiepblatter Catalogue mix by Mouse on Mars member Jan St. Werner, including segments from his recently released Glottal Wolpertinger LP on Thrill Jockey. Aired Friday June 14th 2019 on WNUR.
The Midshipman - https://fiepblatter.bandcamp.com/album/midshipman-e-p
Transcendental Animal Music - https://fiepblatter.bandcamp.com/album/transcendental-animal-numbers-fiepblatter-catalogue-2
Wheelchair needed at gate C17 - https://fiepblatter.bandcamp.com/album/midshipman-e-p
Scene 3 feat. Dylan Carlson - http://thrilljockey.com/products/miscontinuum-album-fiepblatter-catalogue-3
Beardman - http://thrilljockey.com/products/felder-fiepblatter-catalogue-4
Insuline - http://thrilljockey.com/products/spectric-acid-fiepblatter-catalogue-5
Glottal Wolpertinger Feedback Band 1 - http://thrilljockey.com/products/glottal-wolpertinger-fiepblatter-catalogue-6
The Somewhere That Is Moving - http://thrilljockey.com/products/felder-fiepblatter-catalogue-4
Split Animal Sculpture - https://fiepblatter.bandcamp.com/album/split-animal-sculpture
Amazonas - http://thrilljockey.com/products/miscontinuum-album-fiepblatter-catalogue-3
Foggy Esor Pt 2 - http://thrilljockey.com/products/felder-fiepblatter-catalogue-4
Feed Opener - http://thrilljockey.com/products/glottal-wolpertinger-fiepblatter-catalogue-6
https://wnur-transfer.soc.northwestern.edu/
https://fiepblatter.bandcamp.com/
http://thrilljockey.com/artists/jan-st-werner

Fiepblatter Catalogue Mix

Charles Cohen: Buchla Music Easel
Sean Hart: Buchla 200

18 Jan, 2013

Charles Buchla Music Easel, Sean Buchla 200

MARJA AHTI, The Current Inside, LP

Release date - May 8th 2020
Catalogue nr. - HG2004
Format - Ltd. Vinyl/digital

https://hallowground.bandcamp.com

Tracklist:
1.The Altitudes (20:09)
2.The Currents (04:21)
3.Lost Lake (04:25)
4.Fluctuating Streams (06:12)
5.Sundial (04:43)

Credits:
Composition, production, mixing: Marja Ahti 
Voice: Johanna Kalliokulju 
Mastered by Giuseppe Ielasi 
Cover artwork by Niko Karlsson and design by Juri Puhakka

The Altitudes was commissioned by Ina GRM as part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union. The work was supported in part by Arts Promotion Centre Finland. Synthesizers recorded at EMS, Stockholm and Ina GRM, Paris. Voice recorded at IAC, Malmö. Field recordings from various locations in Finland, Sweden and Croatia. 

Thanks to Olli Aarni, Niko-Matti Ahti, François Bonnet, Jason Dungan, Jonna Karanka, Laura Naukkarinen and Remo Seeland.

///
The Current Inside”, Marja Ahti's sophomore album for Hallow Ground, plays with the theme of currents - connecting and animating movements in the form of air, water and electricity. It approaches sound as a poetic medium, focusing both on the experience of sound as form and energy and on a loosely narrative arc, suggesting a riddle on the relations between the sounds. It implements alternative as well as intuitive tunings, analog and digital synthesis, recordings of sonorous spaces and vessels, electromagnetic fields transduced into audio, acoustic close-ups of elements in motion and other field recordings. Fluently connecting quite diverse sound sources, Ahti's music lingers in a zone between abstract sonorities and vaguely familiar acoustic environments.
The first half of the album consists of ”The Altitudes”, a piece commissioned by Ina GRM for Présences Électronique and Sonic Acts. It was inspired by descriptions of the layers of Earth's atmosphere. Imagining a movement through layers of air, the piece unfolds with a slow intensity, interweaving concrete sounds and closely tuned electronic sonorities. Traversing the altitudes, a landscape of entangled elements, masses and currents emerges. The air around us has weight and it presses against everything it touches. As gravity pulls it to Earth, it is sensed as pressure. The rotation of the planet, the angle of the sun at any new moment sets the elements in motion in a chain reaction. 
The other side consists of four shorter pieces. ”The Currents” opens with a dance of trembling charged movements. ”Lost Lake” extracts resonant tones from a trail of close-up recordings of winter environments, while ”Fluctuating Streams” channels streaming air in different forms. The closing track, ”Sundial”, could be construed as the steady turning of the planetary angle towards the sun, unfolding through fragments of everyday activity against the backdrop of piercing, slowly twisting, suspended tone.
Marja Ahti (b. 1981) is a musician and composer based in Turku, Finland. Originally from Sweden, Ahti has been a part of the Finnish experimental music scene for more than ten years in different constellations. She is currently active in the duo Ahti & Ahti with her partner and as a member of the Himera artist/organizer collective. Her critically acclaimed 2019 solo debut, Vegetal Negatives, explored a new formal language and sonic palette inspired by a short text by René Daumal.

MARJA AHTI - Fluctuating Streams (HG2004)

This 45min archival oddity is a live recording of a private improvisation at the home of William Basinski & James Elaine in Venice, California (aka The Pink House) on a lovely summer’s day as afternoon turned to twilight, June 23, 2004. 

Some elements were later utilized and reformed for the 2013 collaborative work ‘Aurora Liminalis’ on Chartier’s label LINE.

Something From The Pink House

Something From The Pink House (excerpt) by William Basinski + Richard Chartier

Laurent Fairon is a French musician, DJ and record collector. Active as a sound art blogger and archivist from 2007 to 2016 via Continuo’s Weblog and Continuo’s Documents. As a composer he has published several cassettes in the early 1990s on various DIY labels.

‘Eclipse Profonde – Experimental Church Organ Music 1970–2020’ is a two hour long mix, focusing on organ+electronics or electroacoustic treatment, as well as organ+live instruments.

Tracklist:
Codespira1 – Triangular Progression (2020)
Alfredo Costa Monteiro & Bruno Duplant – Un cercle autour du soleil (2020)
Pierre Alexandre Tremblay – BWV1080-1 (2015)
Alex Bonney – Liebster Jesu remix (2015)
Michel Estellet-Brun & Gerard Berlioz – Jungle (1972)
René Baptist Huysmans – Accretion (2014)
Thomas Demenga & Horst Reber – Cellorganics I (1981)
Mudboy – Live at the Providence Performing Arts Center (2008)
Bronius Kutavicius – Jubiliejinis Koncertas (1982)
Juan Allende-Blin – Mon Piano Bleu (1970)
Winfried Mühlum-Pyrápheros – Musica Nova Contemplativa (1970)
Michael Bonaventure – Interlude (2017)
Davorin Kempf – Interferencije (1981)
Michael Bonaventure – Coronach (2019)
Xavier Darasse – Organum I (1970)
Franz Richter Herf – Alapa (1980)
Franz Richter Herf – Wie schwache Fontänen (1974)
Gilius van Bergeijk – Over de Dood en de Tijd pt 3 (1980)

Eclipse Profonde mix

MIXTAPE: Eclipse Profonde – Experimental Church Organ Music 1970–2020

snf09 : mark templeton "ocean front property" part 1

MIKI YUI, Aperio!, LP
Release date - Sept 25th 2020
Catalogue nr. - HG2007
Format - Vinyl/digital

hallowground.bandcamp.com

Tracklist:
1) Listening (oneness) 10:03 
2) Dancing (swamp) 04:00 
3) Chanting (afar) 03:57 
4) Dreaming (now) 05:25
5) Rhyming (colours) 02:58
6) Breathing (buds) 04:10
7) Babbling (mono) 04:45

Credits:
Music and Mix Miki Yui at MY Studio Düsseldorf
Mastering Giuseppe Ielasi
Drawing Excerpt Miki Yui 
Cover Design Ruth Stofer

///
The title of Miki Yui’s seventh solo album “Aperio!” is derived from the latin origin of April, "aperire" meaning “to open” or “to reveal”. Hinting at the way her music unveils another reality which is hidden beneath the surface. The title also reflects the aperiodic character of the music, its irregularity. Like a magic word to reveal the mysterious cosmos, each song opens up another intimate world of wonders.

„All my work emerges from my physical experience, the inspiration often comes much later though, after the experience is digested and almost forgotten, then it crystallises and becomes a source for my music.“

It is indeed no accident that the first track of „Aperio!“ is entitled
„Listening (oneness)“: it vibrates for ten full minutes with and within us. It reflects the art of Miki Yui coming into existence. The Düsseldorf based Japanese artist approaches the world around her from a sensual perspective rather than in an analytic-logical way, still both paradigms of art production manifest their influence on the process.
Miki Yui says: „In my music, I play the game of turning the abstract into concrete and vice versa.“

This is obvious in all of the compositions on „Aperio!“. Her music combines otherworldly and dream world experiences, creating environments of multiple atmospheres, both warm and inviting but at times irritatingly cold and airless. They stimulate all kinds of feelings in us: astonishment, sadness, yearning, wondering, and hope.
For her it does not matter where the elements of her cobweb originate: from field recordings to abstract and artificial creations to electroacoustic sounds. She remarks, “revealing the source would only limit the imagination of the listeners. My sounds exist to trigger their own imagination“

Miki Yui is born in Tokyo, based in Düsseldorf. Crossing the boundary of music and fine art, she is known for her unique minimalistic and organic approach towards music since 1999 exploring the grey zone of our perception and imagination.
Since 2008, parallel to her own work, she is in charge of the Klaus Dinger Archive, who was her partner.

- Text by Thomas Venker

MIKI YUI - Dreaming (now)(HG2007)

Fahmi Mursyid is a contemporary musician, composer, sound designer, and producer based in Bandung, Indonesia. He began releasing recordings under various monikers and on different labels starting in 2011 and has since amassed a massive collection of recordings and albums, continuing a growing streak of prolific output. Fahmi uses a wide range of acoustic and electronic instruments in a variety of combinations to create glitch, granular synthesis, and shimmering, swirling electronic sounds of an enormous range. For his exclusive mix for EastEast, Fahmi mixes his own compositions with a diverse selection of field recordings from the Music of Indonesia series recorded by Philip Yampolsky. These seemingly incongruous combinations stealthily illustrate his knack for reinterpretation and hybridisation and help to break down the rigid, perceived boundaries between the “traditional” and “experimental."

Fahmi Mursyid - Calm II
Music of Indonesia 7 - Balai Pusing
Fahmi Mursyid - Salawasna
Music of Indonesia 4 - Gondang Malim
Javanese Sonic Ensemble & ɟɐɥɯᴉ ɯnɹsʎᴉp - Rasa
Music of Indonesia 9 - Zoka
Tarawangsa Sonic Ensemble & ɟɐɥɯᴉ ɯnɹsʎᴉp - Jatiniskala
Gong Kebyar Salisiran Tampaksiring - Pelajon
Fahmi Mursyid - Unreleased Track 20
Music of Indonesia 7 - Lancang Tujuh Setali
Fahmi Mursyid - Sundanese Bamboo III

Aural Nusa – Mix By Fahmi Mursyid

Taken from "Colla (Double Album" 
Coming soon! 30/10/2020

Carlo Giustini - Nella Vasta Brina "Colla (Double Album)" | Lᴏɴᴛᴀɴᴏ Series

The Lake is a place for music and sounds. The radio stream runs all hours of the day and is randomized. No one knows what The Lake plays next.
Every week, talk programs, concert recordings, interviews, mixtapes and more are broadcast and released as podcasts.

The Lake is driven and curated by a group of Copenhagen-based artists and radio producers, with the aid of a long list of kind contributors and collaborators.

The music broadcasted via The Lake Radio is made available with permission from KODA/NCB, IFPI & Gramex.

Write us an email: contact [at] thelakeradio [dot] com

MIXTAPE: Eclipse Profonde – Experimental Church Organ Music 1970–2020

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