작곡 : 도온
편곡 : 도온
믹싱 : 도온
그림 : PixAI


사랑 시리즈 네 번째 시리즈입니다.

Spring Mirage

Haibane Renmei Breath Of A Germ

Concertina String Quartet 05-04-25

THE RELUCTANT CARNIE is a quirky, vintage-style miniature for solo piano, originally composed in 2017 to accompany various selections of background music for use in a bingo game app. Pianist Randall Hodgkinson has said that the work “is charming, a little Satie sensibility set in the wild west.” While perhaps simple and straightforward in scope, The Reluctant Carnie nevertheless maintains an evocative charm with its sad swagger and temperamental moodiness.

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The Reluctant Carnie

Angels and Demons” is an immersive orchestral journey that transports you into an epic cinematic world—where light and shadow collide in a sweeping tapestry of sound. From the very first string tremolo, you’ll feel the tension of divine conflict unfold: soaring brass fanfares beckon the celestial host, while brooding low strings and ominous percussion signal the rise of darker forces. Each track is crafted like its own mini-film sequence, with lush woodwind melodies interwoven alongside thunderous timpani and choral whispers that evoke both awe and dread.

Imagine cathedral-sized halls where choirs chant in Latin, only to be interrupted by demonic growls of brass and swirling tremolos that seem to echo from the abyss. Moments of fragile serenity—harp arpeggios, solo violin laments—remind us of hope, even as the undercurrents of bassoons and contrabass pulse like a heartbeat in the void. Throughout the album, dynamic crescendos build toward transcendent climaxes, then collapse into intimate, shadowed interludes that leave you suspended between worlds.

Whether you close your eyes and see angels locked in battle or feel the demons lurking just beyond the score, “Angels and Demons” delivers a cinematic experience that’s as grand as it is haunting. Press play, let the full orchestra wash over you, and journey through the eternal struggle of light and darkness.

Angels and Demons

Guardian of Hope

Želary

Back in the Mountains

Solstice

I. Tocata Grande do Saltério, anônima (Paranaguá, Séc.XVIII/XIX)
II. Passio, J.J.E. Lobo de Mesquita (Arraial do Tejuco, 1782)
III. Fuga, anônima (Mariana, Séc. XVIII)

Americantiga, reg. Ricardo Bernardes

Gravação ao vivo, Theatre Chatelet, Paris, 05/07/2025.

Os três movimentos da suíte são releituras livres de obras que circularam no Brasil Colonial, em distintas regiões. A “Tocata Grande do Saltério”, anônima, aparece na coleção de “Cifras de Música para Saltério”, de António Vieira dos Santos, em Paranaguá/ PR, no início do Séc. XIX. “Passio” vem de um breve moteto à capela que anuncia a “Paixão segundo S. Mateus”, dentro do Ofício de Domingo de Ramos, de 1782, de José Joaquim Emerico Lobo de Mesquita, a partir de cópias de Mariana e Diamantina/MG. A “Fuga” é a última parte, “In te Domine speravi”, de um “Te Deum” anônimo, cujo manuscrito está preservado em Mariana/MG, erroneamente atribuído a Manuel Dias de Oliveira. As obras originais apresentam estilos e formas contrastantes entre si, mas tem em comum o fato de fazerem parte do passado colonial brasileiro.

Suite Antiga Brasileira no.2

Harry Potter Hedwigs Theme

“Luminous Silence” is a gentle soundscape of slow, beautiful, and restorative music created to bring calm to the mind and peace to the heart. Each track flows like a soft current of light—subtle, spacious, and serene—perfect for study, prayer, meditation, or quiet reflection.

This album is designed to support moments when the soul needs stillness: a calm workspace, a sacred corner for devotion, or a peaceful place to unwind at the end of the day. With its warm tones and luminous atmosphere, the music invites you into a deep sense of rest—where thoughts settle, breathing slows, and the world grows softer.

“Luminous Silence” is an offering of gentle presence, helping you reconnect with clarity, peace, and the quiet beauty of simply being. Perfect for anyone seeking restful focus, spiritual grounding, or a sanctuary of sound.

Spring Mirage

DoOn Music

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