Recorded 7/09/2025. 
I Wanted to share some of my favourite records from the collection. The mix  channels my Sunday Mood at home while i watch the sun set behind Moonee Ponds Race Course.

Tracklist: 
3.11 - Unsion
Haji K - A white tinted sky
Ben Bondy - 2404 (with Stella)
Car Culture - Coping Mechanism (Purelink clear the mechanism) 33RPM
K2DJ - Peroxic (with Stella)
Purelink - We should keep going
koss - Jumoku
Picnic - Folds and rips (JR Chaparro version)
Other Joe - Yearn for snow
Pontiac Streator - Lamp fest
Significant Others - Bad Blood
?? ??
DJ OjO - Cloud Suck
UON - J
Ghostride the drift - B1
Okeg - Prismatic spring (33RPM)
Roger Gerressen - My quiet place (33RPM)
Big Hands - Girde Maye/ Asteve (Notte infinita remix) (33RPM)
Cold - Strobe light network
Purelink - Circle Of Dust
YS - i luv u
Pontiac Streator - Stuck in a cave
DMX Krew - A4

7/09/2025

trakklist:

Dettinger - Intershop (1)
Dregs - Keyed
Molen - Mechanism
Claro Intelecto - A Nightmare Before Bedtime
Perko - Sky Host
J. Tijn - Concave (Original Mix)
Stelios Vassiloudis - Grains
Alton Miller - Next 1
Craigie Knowes - Under Your Radar
Christopher Ledger - Change That
Fumiya Tanaka - Pitch Black
SameSame - Novel End
Z.I.P.P.O - We Need One Another (Original)
Destrata - Silva Bay
Answer Code Request - Zeitspielraum
Dmitra - Lab Rat ft. Soraya (DJ John Brooklyn’s Disco Dub)

workin' on it 015 w/ ESPIA

ED053: Downloadable Content

Don’t have many rules in life but one of them is that whenever a new mix by Pjenne comes out, to stop what I’m doing immediately and put it on. And probably am not alone here. 

Like many people, Pjenne’s mixes have been go-to’s, essential and always-classy additions to a landscape of noise and clutter. 

Like your favourite mix CD that never left the space•ship stereo. And no matter how many times you listen, it seems to get better and better with each play. They’re timeless, they’re crucial and the amount of care and love poured into each one is apparent as soon as you hear the first blend. 

Often compiled and cooked up over the course of a couple of years, they have the kind of craft and expertise that can only come from doing a weekly radio show for over 6 years, being a staple of her local Naarm scene and being an all-round legend. We’re pleased to report this mix is no different and has been on repeat since it arrived. 

Appreciate this is a bit of a gushy write up, but sometimes you’ve got to say it how it is, and anyone who’s a Pjenne Ultra will understand what a big day this is at space•lab HQ. 

Enjoy!

space•cast 028 - Pjenne

Soundcloud: @mrassister

Interview: https://truantsblog.com/2025/truancy-volume-356-mr-assister/

The BEAM label boss turns in a 2 hour, one-take mix of stripped-back minimal 

Music by Hugo, Dachshund, Yildun Theory, Suokas, DeWalta, Aedis, Swat-Squad, Alecs Marta, Roland Van Den Toorn, Ortega, Stavöstrand & more...

Access the download on our Patreon (patreon.com/truants). No tracklist for this one but we will  get our dig on. However if you need anything leave us a nice comment here with @mrassister tagged and either of us will get back to you with an ID! Your support helps cover all our costs allows Truants to continue running as a non-profit and ad-free platform.

Mr Assister

Truancy Volume 356: Mr Assister

L.I.E.S. Records presents an exclusive premiere mix by Ron Morelli, proudly shared first by Soul Express.

About the mix:
This was recorded live and direct from the desk in Tokyo roughly two years ago.
For me, when it comes to house music, I always look back to the masters (as many do), but specifically to the radio mixes of Farley Jackmaster Funk, Timmy Regisford, and Boyd Jarvis.

The dynamic blending of freestyle, new wave, American disco, Italo, and the experimental dance tracks of that era was innovative and represented the true genesis of what dance music is: mixing different styles and making it all make sense together while completely blowing listeners’ minds.

When I play, I hope to pull fragments from this long-forgotten era and give the crowd something they may have been missing for a long time — with modern reverence and deep respect for the days of old.

A first taste of what awaits us on November 29th at Basic.

This is Ron Morelli

"Starting to warm but then it froze... machine echoes." 

https://www.instagram.com/command__d
https://on.soundcloud.com/ghOYHgDOsdJQRc6c24



Command D @ The Lot Radio 11-12-2025

A futuristic, ultra-clean sonic world where every element feels intentional, precise, and hypnotic. The track exists in a space between minimalism and cutting-edge club energy—sleek, modern, and engineered for late-night immersion.

Echo Sector

Nothing stays the same. And that's beautiful.

↳ Follow Ploim for more sonic journeys

Change

Restrictions shape the inner path, forging narrow passageways where thought is forced to sharpen and transform. Limits reveal the contours of desire, the boundaries of fear, and the hidden spaces where clarity waits silently. Each obstacle tilts the mind toward new angles, new patterns, new strength. Within the compressed geometry of restriction, truth becomes brighter, movement becomes purer, and the self learns to expand beyond what seems unbreakable. In the stillness between pressure and release, a deeper form of freedom begins to emerge.

Horizon Mechanism

A seminal, pioneering figure in the 90s and 00s UK tech house scene, a mix from Pure Science is as bucket list as they come. With his first Australia tour over New Years approaching fast, the mysterious tech house luminary reappears from his subterranean science den with a whopping five(!!) hour live set, full of moody unreleased gems and carefully reimagined classics from his genre shaping 30+ year discography.

@purescience

Q. What an incredible journey this mix is! What sounds or feelings did you draw upon when gathering inspiration for the mix, and what listening environments could you imagine it being best enjoyed in?

A. Thank you for your kind words, Myles. I was initially asked to do a couple of hours, but thought, I would do at least four, and start with a good hour of unreleased ambient / downtempo tracks that I have made, that I wouldn’t necessarily play out to a dance floor, and build up the tempo. So to answer your question, I guess I was pulling out tracks that were made at a close tempo, and gradually build up to a Deep House / Techno range. There are loads of unreleased bits, which I will be featuring on upcoming albums. I guess the vibe was to keep it deep, and not to bang it out or play too obvious, and to add a couple of surprises in there, as it is for the Melbourne Deepcast after all.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. I am not playing any records, CDJ’s or harmonicas on this mix.. Lol, Only Ableton Live, Korg ER1 drum machine, Roland System 100 modular (clone), Novation Nova & Evolution uc-33 midi controller.

There is one track that I have only played out once when I was in my teens, and it was written in 1989, when I was 15/16 years old. It’s called Circle, and is on the mix at around 3:43:43 mark (The hypnotic track with the organ).

Q. I know you’ve made special edits of some of your classic Pure Science records for this mix, tell us about how you like to reimagine your music from 20+ years ago, and how your sound has evolved since creating your most iconic records in the late 90s..

A. I’ve been re-recording, mixing, and mastering some of my classic releases, and preparing them for live, i.e. stripping down the parts to the basic form e.g. Kick, Snare, Hats, Claps, Toms, Congas, Percussion, Bass, Keys, Vox, etc, so I can re-arrange the tracks on the fly or break down to my drum machines / synths / recorded modular jams if I feel I want to improvise to the crowd a bit, or I can just concentrate on the blend of tracks, and the selection like a DJ would, and have complete control of the journey..

Q. We’re all very excited to see you play in Melbourne on NYD! Tell us about your hybrid live / DJ setup, is that something you’ve been refining for a while now?

A. I am very excited too, as I have been going through, my old floppy disks going back to 1987, from my old Ensoniq SQ80, as it has just come back from a service, and has had its 10-year internal battery replacement. 
I have been rediscovering tracks that I had totally forgotten about. Specifically a couple of tracks that I love, one is called Moon from 1992, and the other called Tibet from that same era. Both were made a little faster than what I would play out now, and were over 135BPM, but if you slow them down a bit, they just sound chunkier, and PHATer. x  p.s. It’s only hybrid if I DJ too, and I probably won’t have time for that. Live only on this trip. Thank you all for your time, and I hope to see you on the dance floor..

Command D @ The Lot Radio 11-12-2025

The Lot Radio

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