Apiento, a.k.a Paul Byrne runs the invaluable Test Pressing blog and releases music on World Building, World Unknown and more. His show has that esoteric techno thing and whatever suits the mood…
 
https://www.nts.live/shows/test-pressing/episodes/test-pressing-13th-january-2024

Test Pressing 130124

Part of the NTS family since day dot, Moxie has held her Wednesday show since the stations first broadcasts. Inviting esteemed guests for interviews & mixes and breaking new, unreleased music, she’s got your Wednesday afternoons covered... Tune in to hear anything from Soulful House, Garage, Afro beats and all the way through to rolling techno. 
https://www.nts.live/shows/moxie/episodes/moxie-24th-january-2024

Moxie 240124

"Art and music are the same, they're just different dialects." The Chicago house music legend talks about co-curating the photo exhibit Walk The Night and nightlife's '90s heyday. 

Ron Trent grew up in Chicago, where he dreamed of being a musician from a young age. He would end up becoming one of the architects of the Chicago house sound and working alongside contemporaries like Chez Damier, and across the pond, Basic Channel. His label, Prescription Records, became a renowned purveyor of the deep house sound. He spread his vision from the American Midwest to New York, Europe and beyond. 

In this talk recorded live at Miami Art Week, Trent talks to Resident Advisor music critic Kiana Mickles about the songs and dance floors that shaped him in this early part of his musical trajectory. In addition to playing some of his favourite jazz, funk and disco songs, he reflects on clubs like Studio 54, Paradise Garage and The Warehouse, which he claims matured him as an artist and irrevocably shaped the trajectory of club culture. Trent was instrumental in co-curating an exhibit called Walk The Night (which premiered at this multidisciplinary event), a photographic homage to these spaces and other historic clubs around the world.

To hear more about the legacy of Trent's favourite clubs and the music that shaped him, listen to the episode in full.

EX.698 Ron Trent

Detroit might be synonymous with techno, but it also has a rich house tradition. And Rick Wade—FKA Big Daddy Rick—is one of Detroit house's key players. Along with the likes of Keith Worthy, Theo Parrish and the late Mike Huckaby (who Wade had a lifelong friendship and friendly rivalry with), he created a hybrid sound that is both techno and house, effortlessly soulful, sculpted and glowing—and Midwest to the core. As Tajh Morris said in a retrospective review of one of his classic records, "growing up in Buchanan, Michigan, meant that Wade was much closer to Chicago than he was to Detroit."

Many of Wade's best records were released on Harmonie Park, his era-defining label that also featured plenty of work from Huckaby. Those EPs still sound fresh and timeless today, qualities that extend to Wade's RA Podcast, which features 90 minutes of smooth-as-butter house old and new. Over the years he's kept the flame burning for the smouldering sounds of Detroit house, working in sounds from younger producers like Folamour along the way. Enjoy listening to a master at work.

@rick-wade

Read more at https://ra.co/podcast/923

RA podcast

RA.923 Rick Wade

@eamonharkin and Justin Carter recorded live from Nowadays on October 29th 2023.

In early 2009, Eamon Harkin and Justin Carter launched @mistersaturdaynight. The party formed the roots of what would eventually become the beloved nightspot @nowadaysnyc, a “by us, for us” club that’s become a community hub for NYC’s nightlifers. Following the release of a sprawling box-set to mark the party’s 15th anniversary, Harkin, Carter and a few of the compilation’s featured artists filled us in on what makes Mister Saturday Night so special.

Read the feature: https://djmag.com/features/mister-saturday-night-15-years-new-york-party-nowadays-eamon-harkin-justin-carter

Read the feature

Eamon Harkin and Justin Carter, live from Nowadays (October 2023)

Pew Fellowship recipient, King James Britt (his real name) is a 30+ year, producer, composer, performer and educator in electronic music. As a composer and producer, his practice has lead to collaborations with the likes of De La Soul, Alarm Will Sound Orchestra, Saul Williams, director Michael Mann (Miami Vice) and many others, as well as being called for remixes from an eclectic list of giants, including, Meredith Monk, Solange to Calvin Harris. Most recently collaborating with MacArthur Fellow, Tyshawn Sorey for a recently released album project. In his role as performer, he has travelled globally playing thousands of venues and festivals, including, AfroPunk (NYC), Berghain (Berlin), MoogFest (Durham), Le Guess Who Festival (Utrecht) and The Kitchen (NYC). King was also the original DJ for the Grammy Award winning Digable Planets.
His curatorial work has been seen in many collaborations with the likes of MoMA PS1, Philadelphia Museum of Art and most recently Carnegie Hall. Blacktronika : Afrofuturism In Electronic Music, is a new lecture course at UCSD, created by Professor King Britt, researching and honoring the people of color, who have pioneered groundbreaking genres within the electronic music landscape. Genres span from Chicago House, Detroit Techno and Drum & Bass music. Using his position in the industry, the class has been attended by many, including Questlove, Julian Priester and Flying
Lotus. King remains one of the go to authorities on Afrofuturism in music.

Follow King Britt on Instagram: https://www.instagram.com/kingbritt/?hl=en

Coloring Lessons Mix Series 063: King Britt

With a remarkable fourteenth season of their Mister Sunday open air parties just around the corner, @mistersaturdaynight's @misterjustincarter shares with us a special excerpt from his NYD sunrise set at Nowadays back in January, pulling out some definitive house and disco classics with heartfelt nods to NYC's deep-rooted dance music history.

Q. What inspiration did you draw upon when recording this mix at Nowadays? How would you describe the feeling in the room that day, and is there a sound, or time/place in dance music history that connects all the different moments in one way or another?

A. I know Nowadays' indoor dance floor intimately, and this slot in particular, starting around 5am on New Year’s Day, is one I’ve played for the past four or five years, so I came in with a very specific idea of what to do.

I knew that the party would be in full-tilt New Year’s Eve energy and that I’d want to hold the pace but move into a more liminal space, so I played records that are propulsive but dreamy. Once I established that headspace, the sun started to rise, so there was a natural energy shift, and I leaned into that. I stopped mixing and played Loft-style for about thirty minutes. Letting records play from beginning to end, playing music with vocals and live instrumentation, it’s grounding, makes it feel like a house party, reminds us that we’re connected with each other. That felt important to me, knowing that the dance floor had been in a more driving mode for eight hours. After that interlude, I built it back up, because there was still like twenty hours to go!

In general, I’m piecing together a few elements in my sets these days: deep, soulful elements that first drew me in when I arrived in NYC in the late 90s; psychedelic, minimal music that was coming from Europe in the 00s, when I first started to DJ; and then that Loft thing I referenced above.

Q. Are there any records in the set that are especially close to your heart, or old favourites that you had been keeping up your sleeve for the right moment?

A. I hadn’t played my 45 of “Be There In the Morning” by Renee Geyer in years. (It’s a record I found on my first Australian tour in Melbourne, at Licorice Pie, back in 2015, actually!) Good sunrise record, obviously. “Will you be there in the morning?” Yes! Here I am!

Q. With the winter months in NYC now behind you, how are preparations coming along for the return of your legendary outdoor Mister Sunday parties? Will you and Eamon be planning to do anything different for your fourteenth year? And after doing it for so long now, how do you guys continue to keep yourselves inspired?

A. We purposefully try to keep Mister Sunday consistent. Of course we’re always digging for music, and we always invite a couple guests who’ve never played, so there’s something that feels fresh for every season. But the consistency that comes from having a weekly party that’s been happening for such a long time, it’s something we consciously try to maintain – it’s one of the main ingredients for the community that has developed around the party. No one has to wonder where the party will be this week, whether it’s happening this Sunday or not, etc. That said, we’re going to be throwing our 500th(!) party this season, and we’ll do something special to commemorate that.

MDC.295 Justin Carter

Interview: https://truantsblog.com/2024/truancy-volume-325-dj-wawa/ 

Soundcloud: @djwawabk

Access the download and full tracklist (Confirmed added) on our Patreon. However if you need anything leave us a nice comment and either us or DJ Wawa will get back to you! Your support helps cover all our costs, allows us to now pay our guests and allows Truants to continue running as a non-profit and ad-free platform.

http://truantsblog.com

Truancy Volume 325: DJ Wawa

Move D live three hour set at Machine Soul, FORGE Warehouse, Sheffield on Friday 5 April 2024.

Machine Souls 002 - Move D at Machine Soul on 5 April 2024

A rare radio show appearance from one half of Mister Saturday Night.

http://www.instagram.com/mistereamonharkin

Eamon Harkin (Mister Saturday Night) @ The Lot Radio 04-12-2024

The Lot Radio

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