Live and direct from Barbarella's on Sunday night, this week we're sharing CCL and DJ Voices' excellent b2b from last year. Part of MARICAS' much-celebrated takeover, get locked for two-hours of shapeshifting and highly atmospheric electronic music.

@ccl-url
@latenitesbookclub

CCL b2b DJ Voices - Live from Dimensions 23' (MARICAS Takeover)

Parris @ The Lot Radio 10-07-2024

Eazy-breezy dancefloor eclecticism from the DC wonder duo... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/beautiful-swimmers/episodes/beautiful-swimmers-11th-october-2024

Beautiful Swimmers w/ Soso Tharpa 111024

DJ Frog (@djfrogunit) is a producer and DJ based in Montreal who releases music on Doo Records and also hosts a monthly show on CKUT.

Sparkling 02 | DJ Frog

Interview:  https://truantsblog.com/2024/truancy-volume-338-amaliah/

Soundcloud: @amaliahppeche

Access the download and full tracklist (Confirmed, added) on our Patreon (patreon.com/truants). However if you need anything leave us a nice comment here with @amaliahppeche tagged and either of us will get back to you with an ID! Your support helps cover all our costs allows Truants to continue running as a non-profit and ad-free platform.

https://truantsblog.com/

Amaliah

Truancy Volume 338: Amaliah

As the first of this winter's snow hit the ground this week, we're channelling sunnier times with another instalment of Crack Magazine and Love International's Transmission to Tisno mix series.

This time, Bristol techno and UK bass legend Hodge and Dublin's Woozy founder EMA - who both played this year's edition of the festival - go b2b for a heads-down set filled with heavy heaters and impeccable vibes.

Transmission to Tisno: A Winter Warmer from Hodge b2b EMA

The producer best known as Huerco S. accompanies One Day, our record of the year, with two hours of minimal and dub introspections.

This summer, Kansas-raised DJ and producer Brian Leeds released One Day under his revived Loidis alias. Enamoured with the restrained, loopy sounds of early '00s dance music, the album’s eight tracks linger in the air, luxuriating in dubbed-out chords, swung beats and sub vibrations. It's our favourite record of 2024 for a reason. 

It's a sound he's coined, in his typically teasing fashion, "dub mnml emo tech." All winks aside, it’s no wonder One Day became the soothing balm we all needed. In a scene overwhelmed by hard and fast trends, the softer—and Leeds might argue, more sincere—stylings of minimal and dub techno enjoyed a welcome second wind. 

Not only was One Day one of our favourites of the year (more on that this week), but it also inspired us to break our usual no-repeats rule, inviting Leeds back to the RA Podcast under a different alias after his 2019 turn as Huerco S. 

"The prevailing trends in dance music are more and more maximalist," Leeds noted. "I missed restraint, subtlety, and sensuality." Clocking in at just under two hours, RA.965 embodies that ethos in spades.

@huerco_s

Read more at ra.co/podcast/965

RA.965 Loidis

The supremely talented DJ Plead launches us into a mind warping world of percussive pleasures and dexterous genre bending, with his trademark agile club rhythms and pacy low end palpitations on full display in episode 303!

@1djplead

Q. What inspiration did you draw upon when planning this mix, and what type of listening environment could you imagine it being easily enjoyed in? 

A. I actually looked through my rekordbox history from a recent Animalia night I played in Naarm and drew some inspiration from that. When listening back to the mix I can imagine it being played for a semi-casual game of Futsal or something like that. I feel like there are some light-footed tracks in there that would be useful to some nimble futsal players. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these cuts that resonate with you so much?

A. Mata by Nidia & Valentina

It's taken off  a truly sublime Album that I draw lots of inspiration from. It's simultaneously organic and loose and club-playable, which is a tough one to get right. It's something I’m constantly trying to achieve but they seem to have done it effortlessly. 

Dotted by Cliques

I actually tried to google to see if I’ve ever put this tune in another guest mix before. I probably have, so I’ll apologise for that now. Cliques has always had a big influence on me since I started producing music. They’ve since stopped producing themselves which is a shame but I always play their old tunes out if I can. RIP Cliques..

Q. One of the things I’ve been fascinated with in your DJ sets (the Sustain-Release set for example) is your mixing of polyrhythms to seamlessly bridge tempos throughout a set. How did you first get inspired to experiment with this style and what are some of otherwise conflicting genres/sounds that have blended nicely?

A. My DJing style is at times an extension of my music production. I think this might be a good example of that. The sustain release transition from 150 to 100 is using a tune that I produced years ago in a 3/4 time signature. I’ve produced a few tunes over the past few years that are able to do that. It just allows me at times to bounce around to different worlds and stops me from feeling stuck in a tempo-range. I haven’t done it so much recently but I’d like to get back into doing it. It can create a really strange feeling for the audience. At Sustain-Release, a lot of the audience were on hallucinogens so it felt appropriate to get trippy in that way. It's harder to pull off in a nightclub environment.

I’m no longer sure what the original inspiration for experimenting with this style was. Playing a lot of tunes that have a polyrhythm in them can often make you feel like you have the option to dance at two different tempos.

Parris @ The Lot Radio 10-07-2024

The Lot Radio

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