hottttt<3<3 big thanks for these tracks/records!

Following up last October's b2b w/ Kush Jones, Sorry Records is super glad to welcome Miami's finest INVT back to the show for a special first time b2b with tha great DJ Python

https://www.instagram.com/sorry_records/ 
https://instagram.com/invt305/ 
https://www.instagram.com/dj__python/

https://soundcloud.com/invt305https://soundcloud.com/worldwideunlimitedhttps://soundcloud.com/sorry-records/

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Sorry Records With INVT B2b DJ Python @ The Lot Radio 08 - 04 - 2021

Recording of DJ Voices' set at Lente Kabinet Festival 2023.

DJ Voices at Lente Kabinet Festival 2023

Rinse FM Podcasts

Hessle Audio feat. Pearson Sound - 16 October 2023

Simon Aussel is known for a particularly wild DJing style and leftfield bassy bangers, and it's his curious and playful approach to clubland that's won him loyal fans over the years. Whether photographing drink tokens from gigs or creating an 8-bit version of his debut album on a Game Boy cartridge, he seems to approach every endeavour with childlike joy and wonder—rare qualities in an industry that can leave so many jaded.

The Nantes-born, Paris-based artist's love of club culture, digging and world-building has set him on a blazing path in club music. He's released an exceptionally wide range of music, including a Memphis rap tape for Trilogy Tapes, dubstep-trap-jazz hybrids with Egyptian singer Abdullah Miniawy and deadly hard drum for Livity Sound. His mixes, meanwhile, are fast becoming DJ lore thanks to his knack for connecting seemingly opposed genres like new wave and fast techno. Look no further than his now-infamous Dekmantel Selectors set from 2021 or a marathon back-to-back with Skee Mask in 2022. 

As the French DJ gets more comfortable with story-telling, he's getting more personal and focusing on deeper, slower sounds. That's evident on this RA Podcast—six months in the works—which incorporates woozy downtempo, weighty dub and bleepy beats. Of course, in the chaotic middle section there's plenty of huge basslines, plus old-school electro, acidic techno and even a bouncy edit of the Montell Jordan classic "This Is How We Do It." Showcasing his quirks, influences and growth, this is Simo Cell in prime time.

@simocell

Read more at https://ra.co/podcast/934

RA podcast

RA.934 Simo Cell

My set closing out Room 2 on the Saturday night of Freerotation 2024.

Pariah @ Freerotation 2024, Baskerville Hall, UK (06/07/24)

Rinse FM Podcast

Nervous Horizon with DJ JM - 03 December 2024

Static conditions do not belong to the world of the living. Felt this way Before EP channels the feeling of spontaneous free motion. Nature flows in every single one of its diverse functions as well as in its totality expressing natural flow and flux. The animism of improvised spontaneous meaning delivered these three records in timeless fashion.

Custom Drum kit programming into odd signature rhythms, OB-X and Oscar synths heavy use on melodies, and Nord C2 Organ Drive Bass are the main instruments that presents the diaspora of sound on this three track EP.

All tracks Written & Recorded by Statecoral
Artwork by @land.o.fairies
Mastered by TVS
credits
releases May 21, 2025
license
all rights reserved

Statecoral - Felt This Way

PrAnava Carnatic Circuit

RUSH

Alias:  CCL (@ccl-tuf)
Pronouns: they/them
Location:  Seattle, WA

Influences:  My friends, the healing power of music 

Affiliations/Residencies/Projects: TUF, Research, Action Potential, CORRIDOR, New Forms Festival

Favorite Quote: “Deep Listening is listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, or one's own thoughts as well as musical sounds. Deep Listening represents a heightened state of awareness and connects to all that there is.” - Pauline Oliveros

Advice for the DJs, producers and artists of our community:  Don't let anyone tell you it's too late to do anything. Building a system around you that uplifts community and challenges systemic oppression is of the utmost importance, there is no singular success. Show utmost respect to those who you encounter who are working behind the scenes on work that contributes to this vision. Don't let other people's expectations and desires play into how you feel about your contribution to what you do.

This is a recording of my opening set before Maayan Nidam in March of 2018, one of my first times playing a weekend in a large club (Smarbar Chicago). I was so nervous for this set and and it still stands out in my memory. :)

Daisychain

Daisychain 041 - CCL

It's impossible to talk about the sound of DjRUM without using the word cinematic. Whatever he does, it has a feeling of grand importance, widescreen elegance and moving emotion that elevates it way above a dance floor soundtrack. Throughout the course of his career, the UK artist has drawn on downtempo, blurred the lines between drum & bass and dubstep and always imbued his music with spoken words snippets, piano and chamber instruments. His Portrait With Firewood album was a real high-water mark in 2018, and last year his latest outing on R&S once again managed to draw on every aspect of electronic music and come up with something all his own. 

His mix for us this week is a perfect ethereal rave that finds plenty of beauty in the sparse rhythms he draws on from the worlds of garage, techno and drum & bass. There is a delicacy and elegance throughout, even when the beats hit hard and fast as they do at the overdriven and manic mid point. The amen breaks come thick and fast after that, but eventually melt away to propulsive ambient soundscapes that suspend you in time and space. Blissful.

Sorry Records With INVT B2b DJ Python @ The Lot Radio 08 - 04 - 2021

The Lot Radio

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