Colored Craig Live @ B.P.T. February 2025

Beautiful: A mix of ‘90s/2000s house, broken beat, and 2-step/garage from Aotearoa New
Zealand

Mesh - Dragonfly
Anthony Gold - Baby You Know (Pacific Round House Remix)
Thisinformation - Galaxy Blues
Cuffy & Leon D - 19c Trumpet
Toni Huata - The Millenium (Dance Mix)
Pacific Heights - Ghost Dream
Subware - Into feat Sandy Mill
Rob Salmon & Rob Rives - Running Towards A Dream (Rob Rives Remix)
Soulboy - Summer Tune
Soane - Where Do We Go feat Anthony Gold
Phully - Phat Pheet
Pacific Heights - Eye The Sky
Magik J & Soane - Saxy Beast
Reactor Music - Calibre98
Aaria - Kei A Wai Ra Te Kupu (Maori 2-Step Garage Mix)
Phully - Beautiful Woman feat Teremoana Rapley
Rockwood - Kung Fu Philosophy
Pierre Omar - Dsko Program 79

Beautiful w/ DJ Martyn Pepperell - March 28th 2025

Sam Knee navigates and curates lost underground countercultural sounds with deep dives into specific sub-scenes, regions, years, labels of the near mythical 80’s post punk DIY indie guitar era and beyond, back to its 60s basement punk genesis.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/a-scene-in-between/episodes/a-scene-in-between-w-samuel-knee---californian-indie-garage-psych-underground-1982-87-3rd-april-2025

A Scene In Between w/ Samuel Knee - Californian indie garage psych underground 1982-87 030425

Host Sam O.B. takes you from your living room hi-fi to the club and everywhere in between - all styles! Often featuring special guests.

https://www.instagram.com/sam_o.b
https://soundcloud.com/samobmusic



SWAY RAYDIO @ The Lot Radio 04-08-2025

EFM @ The Lot Radio 04-11-2025

Love Injection is a New York music and culture monthly fanzine in print since February 2015, founded by DJs, archivists, and audio enthusiasts Paul Raffaele and Barbie Bertisch. Their namesake record label launched in 2020. Avid record and audio enthusiasts, Paul is also an art director and Barbie writes and performs music with various projects.

https://www.instagram.com/loveinjection.nyc
https://www.instagram.com/barbiebertisch 
https://www.instagram.com/paulraffaele 
https://www.instagram.com/loveinjection.records

https://loveinjection.nyc

LOVE INJECTION WITH BARBIE & PAUL @ The Lot Radio  04-12-2025

COLORING LESSONS with musclecars @ The Lot Radio 04-20-2025

www.1btn.fm
Follow and like us here @1btn
www.1btn.fm/supporters-club
www.facebook.com/1BTNradio
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#pushtheBTN

Alice Palace - 23.04.25

This mix was done in the mid-late 90's. Mixed by Mark Grusane.

Get Out Of My Mix (90min)

Some people say "DJaying" is an art form, but for WILLIAM ROBBINS, TOMMY CASTRO and PLANET B it is more like a spiritual exercise. Their sets which are inherently something ephemeral, but through the manipulation of knobs and buttons, create unforgettable timeless masterpieces. These are their stories. Executive Producer Dick Wolf.

www.instagram.com/clublonely
www.instagram.com/onewilliam
www.instagram.com/tommy_castro

grandstreetsounds.org

GRAND STREET SOUNDS @ The Lot Radio 04-28-2025

I:Cube 
" Chansons du siècle dernier (1990-1996) "
-------------------------------------------------------
a mini mix of old tracks from the cassette archives.


Let's indulge in a little nostalgia for once. I'm going to talk about a period which goes from 1990 to 1996, with modest beginnings in the production of  house "musique de chambre" in which freedom and enthusiasm were more important than anything else.
Inspired by the discovery of dance music at the end of the eighties in England and through listening to the radio, I tried to reproduce what I heard with a small Casio toy sampler,  and a Mattel Electronics rhythm box played by hand. Gradually more machines were added to this primitive set-up, and by 91 i got a better sound with a Roland sampler. Like all bedroom producers of this period, you did the best you could with the means you had at your disposal, not having much idea of "how it was done". All this air of mystery contributed to the aura of the records which came out during this period.

The role played by FM radio during this time in Paris was of prime importance. For additional information I suggest you should read Etienne Menu's excellent article on this subject : http://daily.redbullmusicacademy.com/2015/11/french-radio-feature.
I constantly zapped between stations. Radio Nova (Deenastyle with Dee Nasty and Lionel D, Guillaume la Tortue's mental mixes in 1990, Garnier and his "paradise garage" show, the Nova mix with Loik and Gilb'r, as well as numerous different guests). 
Also  Radio FG which played ambient (the "radio mental" mix on monday) as well as hardcore techno and garage, with very good guest DJ's ( Liza N'Eliaz, DJ Deep, Jeff Mills…). Public service radio France Culture offered sound creation (in particular the famous Atelier de Création Radiophonique, Clair de nuit, and radio drama), radio Ici & Maintenant for UFO's and New Age weirdness, radio Libertaire for its "epsylonia" show, Transat FM for rare groove and so on…..
Public record libraries (which are free and well-stocked in Paris), as well as flea markets, were my main source of samples, as well as numerous musical finds.
What was most important for me was not to make a record, but above all to make music. The end product was a multitude of bits of music which I collected on cassettes over the years, recording moments of creation and fun. 
It went in all directions, from dadaist deep house to hazy trance. Freedom and lack of production techniques meant so-called rules of good or bad taste were immaterial and it was all the better for it.
There was an overpowering desire to take pleasure in doing it and experimenting ("how would it sound if I mixed a reversed zouk beat with an acid baseline?").

This minimix, which is a bit difficult to stomach when you listen to it, is interspersed with short radio extracts which take us back to the atmosphere of the period. The absolute roughness and lack of sophistication of it, the naivety and the passion make it all the more charming. 

In 1996, I sent some cassettes out to have a second opinion on them, without much conviction. The only reply came from Gilb'r who was working at Radio Nova and decided at that time to start a record label. Everything happened by trial and error and in an atmosphere of enthusiasm and curiosity. As a result of all this collective energy (big up Isabelle, Didier, Jérôme, Stephane, Ygal) and all those who joined in the adventure at some time or other, the image of Versatile has developed as each record has come out, preferring to be always a little on the sidelines, not wanting to be confined to what sound is fashionable or just restricted to dance music. Because nothing has been pre-determined, instead relying on gut-feeling on the spur of the moment, Gilbert has been able to retain this freedom and enabled his label to stand the test of time.

I:Cube

SWAY RAYDIO @ The Lot Radio 04-08-2025

The Lot Radio

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