A dizzying mix of airlock futurism, subliminal atmospheres, and high-res sonic environments.

https://www.instagram.com/kamran_sadeghi_official

Ritual Signal with Kamran Sadeghi @ The Lot Radio 11-07-2025

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Le Guess Who? 2025 - Shawn Reynaldo & Emma Warren - 08 Nov 2025

Wharf Cat Records platforms a B2B from DJ STEPDAD and M Wagner. Two hours of techno, bass, and minimal! 

https://www.instagram.com/tddvsss
https://www.instagram.com/mwagner___

https://soundcloud.com/tddvsss



Wharf Cat Records with DJ STEPDAD and M Wagner @ The Lot Radio 11-20-2025

Red Laser Records crew brings Manchester's own blend of Manctalo, Disco & Boogie. A high energy Sunday Buzz guaranteed. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/red-laser-records/episodes/red-laser-records-30th-november-2025

Red Laser Records 301125

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

The Breakfast Show - Ella Victoria & Riki Ross - 05 Dec 2025

Inner Trip - Hitomi (An toi) & Courtney Bailey - 06 Dec 2025

dispari invites three key figures from the Taipei scene –  a musical journey with Toumingren, Umbra and yuy from the realms of venues Rabbithole and Pawnshop for a whole three hours.

🌐 “Outsiders” is our daily show hosted by labels, collectives, venues, clubs, … worldwide
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Outsiders: dispari w/ Toumingren, Umbra & yuy @ Kiosk Radio 07.12.2025

A seminal, pioneering figure in the 90s and 00s UK tech house scene, a mix from Pure Science is as bucket list as they come. With his first Australia tour over New Years approaching fast, the mysterious tech house luminary reappears from his subterranean science den with a whopping five(!!) hour live set, full of moody unreleased gems and carefully reimagined classics from his genre shaping 30+ year discography.

@purescience

Q. What an incredible journey this mix is! What sounds or feelings did you draw upon when gathering inspiration for the mix, and what listening environments could you imagine it being best enjoyed in?

A. Thank you for your kind words, Myles. I was initially asked to do a couple of hours, but thought, I would do at least four, and start with a good hour of unreleased ambient / downtempo tracks that I have made, that I wouldn’t necessarily play out to a dance floor, and build up the tempo. So to answer your question, I guess I was pulling out tracks that were made at a close tempo, and gradually build up to a Deep House / Techno range. There are loads of unreleased bits, which I will be featuring on upcoming albums. I guess the vibe was to keep it deep, and not to bang it out or play too obvious, and to add a couple of surprises in there, as it is for the Melbourne Deepcast after all.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. I am not playing any records, CDJ’s or harmonicas on this mix.. Lol, Only Ableton Live, Korg ER1 drum machine, Roland System 100 modular (clone), Novation Nova & Evolution uc-33 midi controller.

There is one track that I have only played out once when I was in my teens, and it was written in 1989, when I was 15/16 years old. It’s called Circle, and is on the mix at around 3:43:43 mark (The hypnotic track with the organ).

Q. I know you’ve made special edits of some of your classic Pure Science records for this mix, tell us about how you like to reimagine your music from 20+ years ago, and how your sound has evolved since creating your most iconic records in the late 90s..

A. I’ve been re-recording, mixing, and mastering some of my classic releases, and preparing them for live, i.e. stripping down the parts to the basic form e.g. Kick, Snare, Hats, Claps, Toms, Congas, Percussion, Bass, Keys, Vox, etc, so I can re-arrange the tracks on the fly or break down to my drum machines / synths / recorded modular jams if I feel I want to improvise to the crowd a bit, or I can just concentrate on the blend of tracks, and the selection like a DJ would, and have complete control of the journey..

Q. We’re all very excited to see you play in Melbourne on NYD! Tell us about your hybrid live / DJ setup, is that something you’ve been refining for a while now?

A. I am very excited too, as I have been going through, my old floppy disks going back to 1987, from my old Ensoniq SQ80, as it has just come back from a service, and has had its 10-year internal battery replacement. 
I have been rediscovering tracks that I had totally forgotten about. Specifically a couple of tracks that I love, one is called Moon from 1992, and the other called Tibet from that same era. Both were made a little faster than what I would play out now, and were over 135BPM, but if you slow them down a bit, they just sound chunkier, and PHATer. x  p.s. It’s only hybrid if I DJ too, and I probably won’t have time for that. Live only on this trip. Thank you all for your time, and I hope to see you on the dance floor..

MDC.316 Pure Science

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Mr Manic - Louboutins (Red Soul)

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A stripped-back journey through minimal and micro house grooves. Deep basslines, subtle percussion, and hypnotic rhythms designed for late nights, afterhours, and low-light dancefloors.
This album focuses on flow, texture, and groove — minimal elements with maximum feeling.

Headphones recommended. Play it loud. Let it loop.

#minimalhouse #microhouse #minimal #deephouse #housemusic #afterhours #underground #groove #hypnotic #subtle #dancefloor #djmix #minimix #soundcloudmix #electronicmusic

Wharf Cat Records with DJ STEPDAD and M Wagner @ The Lot Radio 11-20-2025

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