80's Retro Wave

End of the Night (feat. Doubleboy)

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Purification

Endless Summer

Jason (feat. Nikki Flores)

Nocturnal

Light Years

Days of Thunder

Vampires

CRT Days

Atlas

Arcade Summer

Wild Ones (feat. Ollie Wride)

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Pass it down the line($) CyberSynth

Taken from the debut FM-84 album, 'Atlas'. Available NOW.
Purchase the album here: http://fm84.com

Written by Col Bennett and https://soundcloud.com/olliewride
Vocals and lyrics by Ollie Wride.
Artwork by Signalnoise.

I used to be the one 
I used to be your getaway dreamer 
I couldn’t get enough 
Thinking that we would last forever 
Don’t know what you’re thinking of 
Slipping further out of reach 
To the edge of town we could go 
Away from all the world to see 

You were wild trying to set yourself free 
I didn’t see the signs right in front of me 

Oh, I’m running in the night so soon 
I’ve got nothing left to lose 
I’m leaving it all behind, running in the night with you 
I won’t let you get away again 
We can see it through to the end 
But whatever we do 
I'm running in the night with you 

I used to be the one 
I used to be your place to land 
Under the shadows 
Into the palm of my hand 
You’re always changing the situation 
Just when we found paradise 
You’re always shutting down my conversation 
I can never read your mind 

Oh, I’m running in the night so soon 
I’ve got nothing left to lose 
I’m leaving it all behind, running in the night with you 
I won’t let you get away again 
We can see it through to the end 
But whatever we do 
I'm running in the night with you 

Ahh, ahh, ahh, ahh 
Running with the night 
Ahh, ahh, ahh, ahh 
I’m Running with the night 

I used to be the one 
I used to be your getaway dreamer 
I couldn’t get enough 
Thinking that we would last forever 

Chorus repeat x 2

Running In The Night (feat. Ollie Wride)

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02 - Running In The Night (feat. Ollie Wride) **Album OUT NOW**

Ahoi: Berlin

Crocketts Theme

Available to stream & buy: https://KompaktRecords.lnk.to/PentagramSD

It’s been over 10 years since the release of Gui Boratto’s breakthrough full length debut 'Chromophobia'. As to what its title suggests, he shook up the techno game with a contrast of lushly coloured minimal grooves and melody, whilst many will recall that the album included the highlight single “Beautiful Life” which became a dance floor anthem for that era. Four albums in and countless EPs and remixes under his belt, the Brazilian producer's unique savoir-faire in carving out a functional album out of diversely routed singles and features is back at it on his fifth studio LP, 'Pentagram'. Here Gui Boratto lays down a nuanced 12-track narrative that reinvigorates his signature sound into a refreshingly different perspective that feels all too familiar – including the return of “Beautiful Life” vocalist (and Gui Boratto’s wife) Luciana Villanova on the single "Overload".

Through his signature kaleidoscopic approach, Boratto delivers an album built as a far-reaching hub-and-spoke system, broadly inclusive as can be. From the opening cut, 'The Walker' - hot on the trail of Tears For Fears 'Elemental' (one of Boratto’s "favourite 80's bands") - to the hi-NRG euphoria of 'Forgotten' and its pounding tech alter ego 'Forgive Me'. "I was going into 2 different directions", Boratto says; "the typical “indie- electronic-rock” Boratto kind of production like “It’s Majik” or “Like You” and a much more techno approach." He goes on, "I decided to split them into two twin sister songs. When I play live I always put these two songs together."

The Brazilian Producer further embraces the pop-friendly essence of his past work on tracks like 'The Phoenix', featuring vocalist Nathan Berger, and 'Overload', both melding acidulous synthlines with laser-precise breaks, vox hooks and drops calibrated for extended radio and club use, although sieved through his distinctive rainbow-hued musical prism. For the symbolists out there, the album's pared-down closer '618' duration accidentally happens to equate the proportions of the said pentagram. "Coincidence?" Boratto questions, and capsulises, "not so ufanista and supporter of Brazilian neo-concretism, but I guess the brazilian sculptor Lygia Clark also inspired me a lot. Not the meaning of her sculptures, but the shape of the hinge of most of her work. I’ve wanted to transmit the scientific pentagram’s point of view. It’s not a religious kind of thing."

Whereas 'Spur' (a field-tested 808 and 909-heavy "purist track", "very, very old school" Boratto insists) and 'Alcazar' are sheer smooth-edged four-to- the-floor epics, the album also shares its lot of startling moments, such as with the John Barry'esque 'Scene 2' (with a hint of Amon Tobin, 'Easy Muffin' style, throw in) and its refined string-laden buildup, 100% fitted for a 007 opening credit sequence; or with 'Hallucination' (feat B.T.) and the further James Holden-ish title-track 'Pentagram' (think 'The Idiots Are Winning'); "one of those exercises I did when I got my Buchla modular synth" Boratto analyses, "I think I’ve used more then 30 different snares, with different delays and reverbs. The whole song is alive". And so is 'Pentagram' in its entirety: alive and definitely just as manifold and hopeful as its architectonics are the stuff of science and dreams all at once.

Gui Boratto - The Walker

Action & Romance

Dangerous Dreams

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Music vídeo: https://www.youtube.com/watch?v=U6ptWtowI4I

Impulsex (feat. SinDie)

IcoS - Impulsex (ft. SinDie)

There is a Japanese term: Mono no aware. It means basically, the sad beauty of seeing time pass - the aching awareness of impermanence. These are the days that we will return to one day in the future only in memories. How do we capture them? How could we possibly be able to fully appreciate them in the present? This project is our attempt to put time under glass.

The Midnight is a marriage between a songwriter from the Deep South and a producer from Denmark who both live in Los Angeles. This is our love song to our city and a testament to the weight these years can hold.

Days of Thunder

The Midnight

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