drga.hisbano_aNoHackss_?

Endless Summer

Sunset

Dream

Bloom

21st century autistic trans indiscipline [21CATI] is a cascade of corporeal transgressions sans colloquialism. The only words uttered, rather, screamed, in this collection of musical art are words “TWENTY FIRST CENTURY AUTISTIC TRANS INDISCIPLINE!”

[Denisovans at Midnight] has this to say of the title track: 

“21st Century Autistic Trans is a revolutionary line of flight. Our queer times call for a handshake with the deterritorialized. To sustain new subjectivities and transform the conditions of existence is the call of the Crimson King. Transversality, transgression, and revolution in the minor musical sense does not define itself by opposition. This transgression is seductive, mercurial, and interplays with power, but asserts creative dominion through self-affirmation. This transversality does not communicate with the Castle. The tyrannical superego, the Crimson King, is dissolved into pure indiscipline. Through the napalm fire and the rage of self-denial emerges a Body Without Organs; a metaphysical plane of immanence where affect in an infinite knot transmutes the hierarchical and finds a radical new voice that collapses into itself before assuming any coherence. To be trans is to be transgressive. To pierce the neurotypical with a line of flight and imagine the self as a multiplicity, a collection of phantasms, a simulacra that can not exist through transmigration because the Form ceases to exist before it can be expressed. The indiscipline explodes and reterritorializes the homogenous, the fascist, the fearful. A hand extending beyond the veil from within the Red Room. Shake the hand of the Crimson King and usher in the Black Queen. The 21st Century is an age of indiscipline, of revolution, and becoming. Radical transversality, repetitive motion, intense focus, withdrawal in the minor mode of subjectivity. Sensory hyperawareness, echolalia, the cosmic giggle finds its assemblage before breaking into a new line of flight. You can not call Klamm. The Crimson King can not hear. The phone rings and is answered but there is a joyful and painful scream. A new flight burns through the atmosphere and the outer limits are breached. Vanishing and reappearing in a new vehicle that has already crashed; fulfilling it's teleological fatality before even hitting the road. Fire is the new language that never cools. This is the promise of the Crimson King, the threat of the Black Queen and the transgressive indeterminacy of indiscipline.”

colourful landscapes tell a story of the synaptic connections that led to the birth of what is now [21CATI]. 

a queer mind perturbed by exponentially increasing mad times finds liberation through soma-tek expressions of electronica.
a neuro-discordant simulacrum emerging through a collection of phantasms[preposterous styles]; 
ethereal chaos in temporal fragments // iridescent cascades of perplex transmutation.

indeed there is much to say; but the echo chambers of rhetorical algorithmic bot-driven discourse has turned every hot take into a rumination trauma-tek loop of brain rot. 

It has been stated:
“what I know to be true,
Inside I got proof, 
Just gotta let it shine through”

so with this first bricemária release, the trans autistic musical artist ‘preposterous styles’ finally reveals what was beneath the [ghosted artworks] of past projects that will come to radiance in their time.

yoni supreme

Taken from the debut FM-84 album, 'Atlas'. Available NOW.
Purchase the album here: http://fm84.com

Written by Col Bennett and https://soundcloud.com/olliewride
Vocals and lyrics by Ollie Wride.
Artwork by Signalnoise.

I used to be the one 
I used to be your getaway dreamer 
I couldn’t get enough 
Thinking that we would last forever 
Don’t know what you’re thinking of 
Slipping further out of reach 
To the edge of town we could go 
Away from all the world to see 

You were wild trying to set yourself free 
I didn’t see the signs right in front of me 

Oh, I’m running in the night so soon 
I’ve got nothing left to lose 
I’m leaving it all behind, running in the night with you 
I won’t let you get away again 
We can see it through to the end 
But whatever we do 
I'm running in the night with you 

I used to be the one 
I used to be your place to land 
Under the shadows 
Into the palm of my hand 
You’re always changing the situation 
Just when we found paradise 
You’re always shutting down my conversation 
I can never read your mind 

Oh, I’m running in the night so soon 
I’ve got nothing left to lose 
I’m leaving it all behind, running in the night with you 
I won’t let you get away again 
We can see it through to the end 
But whatever we do 
I'm running in the night with you 

Ahh, ahh, ahh, ahh 
Running with the night 
Ahh, ahh, ahh, ahh 
I’m Running with the night 

I used to be the one 
I used to be your getaway dreamer 
I couldn’t get enough 
Thinking that we would last forever 

Chorus repeat x 2

Atlas

Running In The Night (feat. Ollie Wride)

BUY NOW

02 - Running In The Night (feat. Ollie Wride) **Album OUT NOW**

Crystalline is taken off our latest EP "Nocturnal" out now.

Twitter.com/TheMidnightLA
Instagram.com/TheMidnightOfficial
Facebook.com/TheMidnightOfficial
YouTube.com/TheMidnightOfficial

Crystalline

The Midnight - Light Years (Feat Nikki Flores)

Here we are, guys!

Album number ‘III’ 🙌🏻✨

Thank you to everyone who pre-ordered and downloaded yesterday! This is a fully self-released/promoted album. No record label, agent or management, totally independent. Again, thank you for supporting! The response has been overwhelming, to say the least. 💜

-Kal
X

Download

Out of Time (feat. Pyxis, Jay Diggs)

'Heroes', out now on Counter Records: https://themidnight.lnk.to/heroesSo 

'Red, White and Bruised: The Midnight Live', out 01 September 2023 on Counter Records: https://themidnight.lnk.to/midnightliveSo

Taken from the album 'Monsters', released 10 July on Counter Records: https://themidnight.lnk.to/monstersSo

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Monsters

Fire In The Sky

Miles Ahead

There is a Japanese term: Mono no aware. It means basically, the sad beauty of seeing time pass - the aching awareness of impermanence. These are the days that we will return to one day in the future only in memories. How do we capture them? How could we possibly be able to fully appreciate them in the present? This project is our attempt to put time under glass.

The Midnight is a marriage between a songwriter from the Deep South and a producer from Denmark who both live in Los Angeles. This is our love song to our city and a testament to the weight these years can hold.

Endless Summer

The Midnight

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