well advertisements suck. what about these "market research" calls ?

Joshua and Ryan talk about the folly of the self-help industry’s focus on exhausting positivity—on trying to convince us that we can out-eat, out-learn, and out-perform our humanness—with author, podcaster, and professor Kate Bowler, and they answer the following questions:

What is the “gospel of hustle”? (00:00)

What are the signs that positivity has become toxic for us as individuals, and what are the signs that our well-intentioned positive vibes are becoming toxic to others? (06:58)

Where did the ‘good vibes only’ orthodoxy originate? (07:21)

Why does complaining seem to encourage camaraderie? (10:03)

What is the problem with the language of positivity? (10:43)

What is “horizon work”? (12:23)

What is “choice poor”? (12:38)

How do we address those that weaponize perspectives, such as toxic positivity, to bully us into accepting and adopting their way of thinking as our own; for example, when people that disapprove of minimalism call minimalists “privileged”? (17:11)

How do you define “elitism”? (21:45)

What is “prudential wisdom”? (23:39)

Where did the notion come from that being positive is the cure for everything, the path for everyone, the solution to whatever life throws at you—what is wrong with embracing sadness, contemplation, grief, anxiety? (31:35)

What is “limited agency”? (33:13)

Detailed show notes: minimalists.com/podcast

Support The Minimalists: minimalists.com/support

Podcast 304 | Toxic Positivity

From the forthcoming 2CD compilation of remixes, rarities and unreleased tracks entitled "Memory and Matter", coming out on October 7 on Darla Records.

www.darla.com


"Memory and Matter comprises selected remixes and rarities from the past seven years, nine of them previously unreleased and many of them only issued only on hard to find EPs or as Japanese release bonus tracks. Far from being merely a collection of every single oddity, these tracks were carefully selected into a consistent whole that maintains the same high standard of proper Manual albums. This two-disc compilation is also a labor of love.

Like it's predecessor, Lost Days, Open Skies and Streaming Tides, released in 2007, disc one demonstrates Jonas Munk aka Manual's expertise in creating elegantly layered, shoegazey pop, while disc two focuses on minimalist, slow-moving pieces created mostly from processed guitars. The latter adds an excellent postscript to Confluence - an album that has gained near-classic status in ambient/drone circles since it's release in 2008.

Munk's way of remixing other artists usually involves a complete reconstruction of the original piece, rearranging heavily and adding loads of fresh layers of sound to it, which is obvious when listening to his haunting and atmospheric reworkings of Blue Foundation's ballad ”Dressed in Black” or Mice Parade singer Caroline's ”Sleep”, or the Robin Guthrie produced Annie Barker track ”Cruel”. For Manual fans it's a treat to hear Munk's lush signature sound paired up with (often female) vocals. Disc 1 closes with the 17 minute Manual original ”Camellia”, the most new age-indebted piece in the Manual oeuvre, originally created for a digital-only compilation on Attack9. The track's placid sense of drift and delicately weaved harmonies makes it a standout in Munk's entire body of work.

 Disc 2 is darker, more ambiguous in tone, with ”Three Parts” as the center piece – an enigmatic composition originally created for Ghostly International's ambient/drone compilation SMM: Context in 2011. Other notable selections includes  ”Fields”, a meditative collaboration with Jason Kolb from Auburn Lull, and ”Memento”, a somber piece that exhibits Munk's flair for intensive guitar manipulation."


Manual: "Miraparque"

Joshua Fields Millburn & Ryan Nicodemus discuss living a meaningful life with less.

Podcast 304 | Toxic Positivity

theminimalists

Recent comments

VladaK

Related tracks