theMuzzl3 Newer Production

Frogger Phobia 2009

This is probably the last serious track I have so far released as theMuzzl3.  It is a collaboration track with professional jazz/blues/classical/rock keyboardist from Vegas, Christian Green. It is my sounds added to the last track on his album, song titled 'Beas' on album Protruding Mannequins.  

ProdManiq 'Beas' -- Christian Green

track is 3:14 in length!!  Not on purpose!!

my fine remix of sounds coming from Xylux:

https://soundcloud.com/xylvx

Check out his latest tunes -- they're bad ass.

Kill your hears.


Fvck Your Robot Face -- theMuzzl3 RMX of Xylux, take won.

Spacey In Effect

This is a track that is made up entirely of sounds from refrigerators owned by members of Pixelgasm.

This track was mixed, mastered, and produced by theMuzzl3. I kind of ran out of time during the mixing/mastering stages, so I'm not happy with the volume of it.  Since I was already 10 minutes passed midnight when I uploaded it, I decided to do some minor adjustments to volume and re-upload, but it still needs work.  I'm gonna remix/master it later for my final Pixelgasm mix of it.

This track is one of two mixes made by members of Pixelgasm (the other mix was made by Spacey Blurr). It includes recordings of refrigerators and freezers owned by members of Pixelgasm, which is an online musical collaboration project headed by David Pixley theMuzz3, Spacey Blurr, Sergio Blue, and Mike Luv. Pixelgasm's soundcloud page has links to all of its contributing members' soundcloud pages -- found here:

@Pixelgasm

I quantized some of the recording to a fixed BPM, which was decided by what appeared to be the rhythm or BPM of one of the fridge's hums.

I put sections of recordings of each fridge's hum into keyfinder to estimate the key of each fridge.

I solo's hum from one of the fridge recordings and examined the EQ curve to verify what the fundamental key of the hum appeared to be. I use high que settings on bell-curves to boost frequencies that were associated with the fundamental key of the hum. I used high que settings on bell-curves to remove frequencies that appeared to be not associated with the fundamental key of the hum.

I bounced that audio file down.

I analyzed the hum sections of other recordings to verify what key they appeared to be in. I transposed them to match the key of the first fridge's hum, and applied the same EQ curves that applied to the first fridge.

Organized loops of hum into 4 layers (1 for each person's fridge).

Made & organized layers of loops from the percussion from audio files. Mixed 4 drone channels with 3 percussion layers. Reversed some of the layers of percussion. Side chained percussion layers to trigger compressions/gates in drone channels.

Added modulation of effects to duplicated layer of loops. Triggered sidechains in non-modulation effects loops and in drone channels, for compressions/gates/filters.

Added AUX Channel sent to itself for feedback & triggered it with percussion/effected channels for feedback. The AUX channel has the EQ's that were used in the beginning, and a filter.

Here is a list of individuals from Pixelgasm which made recordings of their refrigerators/freezers for this track, as well as a brief description of the recording they made:

Spacey Blurr:
@SpaceyBlurr
*
*Zoom H1 Handy Portable Digital Recorder
*Variety of sounds: inside and outside hum. Ice fail.

Sergio Blue: 
@infinati
*
*
*Hum (refrigerator motor) sound

David Pixley: 
@theMuzzl3
*
*Zoom H4N Handy Portable Digital Recorder
*Variety of sounds: hum, variety of percussion from bumps/banging/playing with stuff in the fridge, ice machine, etc.

Ethan Vandal: 
@EthanVandal
*Refrigerator: Amana Energy Saver
*GE Upright Deep Freeze 1971-72
*Recorded with a Samson C01 Studio Condenser.
*Variety of sounds: hum, variety of percussion from bumps/banging/playing with stuff in the fridge, ice machine, etc.

More on this 224th weekly Disquiet Junto project (“Make music with the sound of a refrigerator as its foundation.”) at:
disquiet.com/0224/
More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/
Disquiet Junto general discussion takes place at:
disquiet.com/forums/
The image associated with this project is by Timothy Allen and is used thanks to a Creative Commons license:
flic.kr/p/yQWAr/

Ice Ice Baby - Pixelgasm - theMuzzl3 -- disquiet0224-coldembrace

Updated (still unfinished) track is here: https://soundcloud.com/themuzzl3/pr0n-files-104-1

@Pixelgasm is also working on a mix involving stems from this.

track in progress -- very basic structure laid out& needs work with arrangements.

Need advice on what to do next & what to cut out.

I did very little mixing/mastering stuff because I'm currently working on a ton of side-chained effects.. so the CPU is taken up.

All loops/kicks/sounds are from porn samples

Pr0n1.03 - Test

Remix of Shocker TV.  Better late than never.

Tribute to FOE TAMAJIRO, sound design guru and genius.  His remix competiton was done a few years ago... and I kept working on my mix.  I did not receive a placement in the top remixes of this project.  For the top remixes, see soundcloud.com/shockertv

Vocals and added effects of stem audio files by theMuzzl3.

Hover Muzzled Shocker PCP miNuScRacK -- Shocker TV remix, remaster 2016 album

The original track is 11:11 + 0.01 in length, 1 second longer than a perfect circle.

Track was created in 2013.  It consists of recordings of circuit bent sounds through effects, vocals through effects, "moogerfooger pedal board with 7 moogerfoogers including the CP251" through effects, and break drum beats with software glitches/time stretches and swing added.  I believe the BPM is 120.  Effects processing of live electronic/vocal recordings consisted of a Korg Kaos Pad 2, Kaos Pad 3, Jomox T-Resonator Filter+Delay, and M-Resonator Filter.

DAW was ableton live.  Glitch plugins were added to the beats, but they were mostly just time stretched.

Remastered in 2016, in 20 minutes!


You Found The Circle (2010) -- Remastered 2016

collaboration with @spaceyblurr

latest mix - 10:30 PM - 7/16/2016

@SpaceyBlurr provided this audio: recordings of evolver, thingamagoop2, postcard weevil, synth, hi hat, kick drum, and bass synth.

@theMuzzl3 ran Spacey's hats & other audio through hardware stereo effects pedal board /w KP2, KP3, Jomox T-Res & M-Res & recorded layers of effected audio.  Ran kick drum mids & lo's through software effects for layers of various sounds.

Mixed/Mastered by theMuzzl3.


Copywrite isn't copyright blah blah blah you suck at naming dates and times

~keymark/-/-/-\ @ http://www.keymarkhha.tumblr.com



Spacey Blurr Stays Alive With TheMuzzl3 - 144BPM - V1.09

After the 4:40 mark -- is the best example of Jim Tom saying trippy stuff in reverse.

Credit to Jim Tom for the vocals on his 'Rye Whiskey' song.  Jim Tom is on the TV show called Moonshiners.

An old warped sample from @ShockerTV was also used.

Effects, Ableton Live warping, additional audio tracks (drum layers, synths, and feedback recordings from hardware), mixing and mastering by David Pixley @theMuzzl3

This track may end up being a project for Pixelgasm, or I might end up working on it some more.  It was done in about 8 hours.

Jim Tom Rye Whiskey Moonshiner Meets Shocker_TV

I am now offering mastering services.  I'm charging $30 per track for mastering jobs. $50 per track if you want .DDP for CD's.  see facebook.com/theMuzzl3.Mastering for details. I do not require payment up front and you're not obligated to purchase the final product of my mastering work.  I will master your track & send it back to you (with watermarks in spots so you can't use it without paying me).  If you'd like adjustments, I will do so and send it to you again.  You then have the option of either paying me for the finished product, or not.  Please list me as the mastering engineer at the bottom of your track description if you publish the tracks with my engineering work.

Testimonials to my recent mastering work:

"dude, im gonna leave you a huge testimonial, cause it sounds so fucking good,... youve gone so above and beyond that i want to pay you for future work too, youre amazing...." ~Infinati
David Pixley ₮he〽️uzzl3 is a founding member of Pixelgasm, found here:
http://soundcloud.com/Pixelgasm
https://www.facebook.com/Pixelgasm
https://www.twitter.com/Pixelgasm
Pixelgasm.bandpage.com

Pictures of and by theMuzzl3:
https://www.flickr.com/photos/142413747@N06/
theMuzzl3.bandpage.com

Pixelgasm is currently a collective of artists, consisting of Spacey Blurr, Infinati, Scott Anderson, Joseph Wozniak and theMuzzl3. Original tracks that created Pixelgasm was theMuzzl3, Spacey Blurr, and Infinati.

Artists from Pixelgasm have individual soundclouds, Twitters, websites, and blogs:

Spacey Blurr:
http://soundcloud.com/spaceyblurr
http://soundcloud.com/splurr
http://soundcloud.com/keister_SBK
https://twitter.com/SpaceyBlurr

theMuzzl3:
https://soundcloud.com/theMuzzl3
https://soundcloud.com/keymarkHHA
https://twitter.com/theMuzzl3
http://keymarkhha.tumblr.com
https://www.pinterest.com/davidpixley/
https://www.facebook.com/theMuzzl3.Mehgaman

Infinati:
https://soundcloud.com/infinati
https://twitter.com/fractelf

Scott Anderson:
https://soundcloud.com/causedbythesun

Joseph Wozniak:
http://fccmusic.com
https://soundcloud.com/joseph-wozniak
https://soundcloud.com/malo-jones-woz-supposedly
https://twitter.com/wozthatisnoisy


The original long recordings happened in June of 2013, consisting of:

Sync'd Ableton Lives and electronic hardware with:

Spacey Blurr on synths, vocals, beats, sounds, remix effects; Infinati on synths, vocals, beats, sounds; theMuzzl3 on vocals, percussion, and remix effects.

Further projects were done by collaborating online.

New tracks are in progress, so check back soon!

Check out soundcloud.com/Pixelgasm for a more up-to-date full list of contributors -- need to keep updating it... we have 15 contributors now, and 16 potential contributors for the future.