You have a beautiful musical arrangement in every song; your voices are the perfect touch!

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Under the Radar #6 (11.apr.2014)

I see where you've been, stuck in your doubt
I know where you are and I'm coming to bail you out
Engulfed in your sin, and what you have known
I know where you are and I'm coming to carry you home

In comfort I hold, unstable at most
leading to choices I knew I would later disown
They won't go on their own, and pearls on my brow
Work left in my hands if only I could use them now

All of the troubles that you push aside now
are no longer your stories to tell
All of the words that never left your mouth
are no longer what's holding you down

I'll carry you home


Carry You

Evenings we have gathered here
comfort songs, rows and pairs
to hear the tales of old
lessons learned, again retold

Oh, sing
Oh, sing my soul
as all the years foretold 
to hear the rings that change
oh, sing 
oh, sing my soul

waters that had once been clear 
are darker now, divert my stare
visions came in the night
never seen from my own eyes

Oh, sing
Oh, sing my soul
as all the years foretold 
to hear the rings that change
oh, sing 
oh, sing my soul

When I come back,
come back.
Will you be there,
Be there. 

Oh, Sing

Soft Opening is the second full-length from Seattle's Posse.

Buy / Stream it here:

MP3s: www.posseposse.bandcamp.com/

Vinyl: www.lightintheattic.net/releases/1190-soft-opening


Posse - "Shut Up"

'He's Leaving' is a previously unreleased track recorded during the 'Mug Museum' album sessions in Los Angeles. Mug Museum is out now! 

Watch Cate live this September on her upcoming UK Tour: http://po.st/CLBLive

Buy Mug Museum:
iTunes: http://smarturl.it/clb-mm-it
CD and Vinyl: http://bit.ly/ts-shop-clb

★★★★ - NME Magazine
★★★★ - MOJO
★★★★ - London Evening Standard

Follow Cate Le Bon online:
Website: http://catelebon.com/
Facebook: http://facebook.com/catelebon
Twitter: http://twitter.com/catelebon
YouTube: http://youtube.com/user/catelebon

Buy the album

Cate Le Bon - He's Leaving

All Is Well

Em tanto lugar pra você morar nessa cidade
Tanto lugar pra você ficar e você tá na minha cabeça
Você não sai da minha cabeça
Você me sufoca e é bom
Faz falta quando não tem
Tá na minha oração
Entre o Pai Nosso e o amém
Nem deu tempo de sentir de saudade
Mas me liga só de sacanagem
Sabe que tem gente perto
E pergunta tudo que já sabe
Só dá pra falar, aham!
Se eu gosto de te namorar? Aham!
Se eu tô louco pra te beijar? Aham!
Se eu tô com saudade do seu cobertor?
Tô com vontade de fazer amor?
Aham, aham, aham
Se eu gosto de te namorar? Aham, aham!
Se eu tô louco pra te beijar? Aham, aham!
Se eu tô com saudade do seu cobertor?
Tô com vontade de fazer amor?
Aham, aham, aham
É claro que eu tô
Tanto lugar pra você morar nessa cidade
Tanto lugar pra você ficar e você tá na minha cabeça
Você não sai da minha cabeça
Você me sufoca e é bom
Faz falta quando não tem
Tá na minha oração
Entre o Pai Nosso e o amém
Nem deu tempo de sentir de saudade
Mas me liga só de sacanagem
Sabe que tem gente perto
E pergunta tudo que já sabe
Só dá pra falar
Se eu gosto de te namorar? Aham, aham!
Se eu tô louco pra te beijar? Aham, aham!
Se eu tô com saudade do seu cobertor?
Tô com vontade de fazer amor?
Aham, aham, aham
Se eu gosto de te namorar? Aham!
Se eu tô louco pra te beijar? Aham!
Se eu tô com saudade do seu cobertor?
Tô com vontade de fazer amor?
Aham, aham, aham
É claro que eu tô
Claro que eu tô, aham!

Aham

MCIII

i) Alone

Well nighttime passes, but the dark remains
and I was feelin’ like a little child, but I am loathe to place blame
on that lioness-esque woman, who will go here unnamed
she was looking in me for a lion, when she found it so tame

On that erstwhile May morning, I took the 6 downtown to Spring
and I was writing something elegiac, that I never learned to sing
but I think that it was this song, just four years premature
and I remember crossing out the line - “all is fair in love and war”

Well if all is fair in love and war
then I don’t know what we’re fighting for

Cuz my baby she’s a real peach
even when the night come crashin’ down
real peach
and the nighttime rolls away, alright
and we’re comin’ back to the demon-killing work of love
(my god)

Well nighttime passes and the dark retreats
I hand it over to my upper angel who visits me in sleep
we’re in the field beyond the right and wrong and the fallacy of form
you can call it what you wanna call it, I just say “all is fair in love and war”

Well if all is fair in love and war
then I don’t know what we are fighting for
So if we don’t care to fight no more
let’s go upstairs and let’s shut the door

Cuz my baby she’s a real peach
even when the night come crashin’ down
real peach
and the nighttime rolls away, alright
and we’re comin’ back to the demon-killing work of love
(my god) illuminate

The Rains

Real Peach

From the 'Little Mersey EP', released November 26, 2017
Buy here: https://goo.gl/uS6EBU

⇩⇩⇩ Lyrics ⇩⇩⇩

Support Okay Mann
http://okaymann.com
facebook.com/okaymannmusic
instagram.com/okay_mann

More about Indie Feed:
www.indiefeedmusic.com
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youtube.com/indiefeedmusic

~ Lyrics:

You’d think I'd grow accustomed to you being away, but ever since you left me here, I see you every day. We might have made it work if you had had the guts to stay but oh my darling, it won’t be long. 

Winter’s on its way, yes I can feel it in my bones, and I swear it’s gotten colder ever since I've been alone, and it feels as though your memory’s the only thing I own, but oh my darling, it won’t be long before I see your smiling face and I can hold your hand, ‘cause then I’ll be right by your side. Oh my darling, it won’t be long. 

I’m starting to forget all of the ridges of your spine, and I can’t even tell if it’s the distance or the wine. You went to the West and left my spoiling on the vine, and oh my darling, it won’t be long. I doubt that you can hear me, but I guess you ought to know: I wish that I had told you, “take me with you when you go”, but I can keep from drawing holding on to the ago, and oh my darling it won’t be long before I see your smiling face and I can hold your hand, ‘cause then I’ll be right by your side. Oh my darling, it won’t be long. 

I’d walk through the fire for to find the love I knew, so darling would you blame me if I tried to see this through? Cause I’ll be at my best when I am lying next to you, and oh my darling it won’t be long. “There’s nothing to fear,” you said, “it’s just a change of state.” but my heart’s been defeated by this crooked twist of fate. So will you be there waiting when I reach those pearly gates? ‘Cause oh my darling, it won’t be long.

It Wont Be Long

Indie Feed on Facebook

Okay Mann - It Wont Be Long

The brainchild of 26-year-old Brighton born singer/songwriter Mike Rosenberg, Passenger is redefining the troubadour for the 21st century. Formerly a five-piece band, Passenger has now pared back to basics, quite literally bringing music to the streets on a series of lengthy busking journeys across Australia, America and the United Kingdom. A classic journeyman musician, cut from the same mould as Van Morrison, Neil Young and John Prine, Passenger has the unique ability to move from the humorous to heartbreaking with every song.

After a year spent crisscrossing the UK and US with his debut album Wicked Man's Rest, Passenger's markedly stripped down and soulful second album Wide Eyes Blind Love was brought to the public as it was created: on the road. Setting up on street corners across the UK and Australia, Passenger halted passers by in their hundreds; all connecting to the mellifluous tones and powerfully hewn lyrics emanating from this lone figure and his guitar. This is music as Passenger means it to be, unvarnished and honest, just pure talent and powerful tunes that tap straight into the heart of the crowd.

Struck by the dynamic freedom of the troubadour life, Passenger developed the grass roots method of Wide Eyes Blind Love into the germ of a new album. Impressively and entirely self funded through busking income, Passenger set about recording a series of collaborations with musical friends met along the way. Flight Of The Crow is the remarkable result of Passenger's intrepid journey, with Australian artists Lior, Josh Pyke, Katie Noonan, Boy &amp; Bear, Kate Miller Heidke, Philadelphia Grand Jury, Brian Campeau and Elana Stone, Matt Corby, Jess Chalker and Dead Letter Chorus all lending their voices to this serendipitous creative venture. Flight Of The Crow was recorded in Sydney's famous BJB studios over February and March of 2010, and co- produced by Berkfinger (AKA Simon Berkleman from Philadelphia Grand Jury). As a second album born of the road, Flight Of The Crow speaks to the compelling quality of Passenger's music and the striking sincerity of his lyrics, both of which are matched by his dedication to this grass roots style of craftsmanship and collaboration.

How utterly remarkable that a lone musician can travel the globe, and literally from the street, connect with some of Australia's finest musical talents to produce a self- funded album. This is the stuff of legend, with Passenger clearly evoking the humble, hardworking creativity of the troubadours of old.

Shape Of Love - Featuring Boy &amp; Bear

Make It Without You

"Shadows" by Canyon City

Release date 2.09.18

Written, produced, performed by Paul Johnson (Canyon City)
All copyrights owned by Paul Johnson - Paul J. Johnson Publishing, LLC

Shadows

Laurel & Sunset

Dance With Me

The Native Sibling released  their full-length debut, Letters Kept To Ourselves, in June of 2014. They received iTunes "Best Singer/Songwriter albums of 2014" and "New and Notable" on NoiseTrade.

It’s a cliché that often you must travel the furthest distance only to discover what was right under your nose all along. Yet this was precisely the experience of Ryan and Kaylee Williams, who together form the Santa Cruz brother-sister duo, The Native Sibling.

A couple of years ago, Kaylee was exploring a scholastic pursuit in a quaint town in rural Ireland. Already an accomplished singer, she found herself quickly assimilating with local musicians and singing traditional acoustic folk music at local pubs. Ryan, taking a break from his normal grind as a touring and session guitar player, came for a visit not knowing what to expect from new and unfamiliar territory.

These two siblings had clearly missed one another, and needed an outlet to rekindle their closeness. What happened next was a spontaneous flurry of songwriting that neither had anticipated. Inspired by their new surroundings, they spent many late nights crafting songs and discovering how seamlessly their voices harmonized into a singular sound and vision. “When I came to visit, it was the first time we had ever performed together. The foreign and musical environment sparked our curiosity to play a few songs together at a pub. It felt as if we had been singing for years,” said Ryan.

It was obvious to both that they should continue making music together, so they brainstormed a fitting moniker. “Ryan and I had finally met in a place where we wanted to make the same kind of music. The response assured us that our journey needed to continue as a combined effort,” said Kaylee.

Growing up beside the inspiring backdrop of the Santa Cruz mountains, Ryan and Kaylee shared a childhood blessed by a nurturing family, but also marred by the tragedy of their mother’s death just five years ago. They credit her for instilling in them a passionate spirit and a love of music. 

After releasing their first EP, recorded by a close friend in Santa Monica, the duo toured up and down the coast, which served to tighten their bond and hone their abilities. In an effort to build upon their momentum, they started a Kickstarter campaign and sought out New York producer Daniel Mendez (Noah Gundersen, Dashboard Confessional, Heart) to make their first full-length album. Ryan and Kaylee took a leap of faith and holed up at Mendez’ Brooklyn studio for a full two months. Fortunately, it was the precise chemistry they had been looking for. As Ryan explains, "Daniel listened to what we do naturally, found the best parts and brought them to the forefront of this album. He gave us the perspective to realize what we are capable of creating. I'll never forget him saying, ‘If I do my job right, nobody will know I was even here.’”



Carry You

The Native Sibling

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