Working with Craig Conley/Prof. Oddfellow and his fabulous friends on the previous album was a wonderful dream.

To continue the positivity, Prof. Oddfellow was consulted to help guide this reworking of 'Here, a Miracle' through a process of 'divination' with numerology to 'remix' a song. Cuddlebot requested some various sets of numbers representing some themes tangentially related to 'Miracles', which he graciously provided. Of these sets of 'numbers', five were selected.

These were used to alter the song in the following ways/stages:

Stage 1) 107 = 'Visions'
The BPM was changed to 107.

Stage 2) 139 = 'Hallucination'
The song then begins with a sequence for 'hallucination'. The 1st, 3rd, 9th chords were extracted from the chorus and used to build the first half of the initial sequence.

Then, (from top to bottom, and left to right) the 1st, 3rd and 9th note of each respective chord (e.g., 1st chord, 1st note, 9th chord, 9th note (The 9th note would be the 2nd note of a 4 note chord)) was moved higher/lower for the same number of steps.

Stage 3) 124 = 'Cosmology'
(As this stage is not an act or direct experience in the same way as the other stages, this is omitted from the title)
The 1st, 2nd, and 4th chords of the verse were used to build the first half of the next sequence. No additional shifting happened because the song is 'becoming more coherent' . A rough sketch/understanding of the scope and shape (i.e., cosmology) of the song is coming into view.

Stage 4) 95 = 'Anamnesis'
The 9th and 5th chords of the chorus were selected, but since it is only a remembrance of the past, the order is mixed. Thus, the 9th chord precedes the 5th.

Stage 5) 83 = 'Gnosis'
The 3rd chord follows the 8th chord. Things are simplified, but clearer.

Stage 6) The song returns 'the Tumbling Result' (in it's new form, eventually dissolving and ambiguates over time).

Prof. Oddfellow has created a video with an earlier version of the 'Conjuring' that can be watched by searching YouTube for 'An Otherworldly Transmission: Prof. Oddfellow's Penetralia'.

Here, A Miracle (Oddfellows Numerical Conjuring And Result Combo)

20Sep21

For your listening pleasure - Neons Gone Mad / Prof. Oddfellow's mix of my track 'Guisolograli'
Please make sure you view ProfessorOddfellow's accompanying video on YT;
https://www.youtube.com/watch?v=hwvrrkMmSvY&list=LL&index=8&t=57s

And don't forget to visit 
https://soundcloud.com/prof-oddfellow

Thank you Craig :)

Guisolograli [Neons Gone Mad / Prof. Oddfellow mix]

This Is Jennifer 2.1

test run of the Make Noise tape and microsound machine. Only using the unit and a Boss sy300 with guitar.

Guitar Store Mixdown

Music video: https://youtu.be/92_z9CmIqk0

Neons Gone Mad and Bearcraft.

We Don't Deserve To Die (VIDEO in description)

Badarchin vol. 6

Track:
Omaro - Kombilesa

Follow & Support
https://soundcloud.com/emmanuel-ortiz-alvarado

Beatport
https://www.beatport.com/release/badarchin-vol-6/3797833

Badarchin, Vol. 6

Omaro - Kombilesa

Written and Produced by Agustín Mena
Mastered at Artefacts Mastering
Photography by Alexander Kopatz.
www.go70north.com
Faint031 // FaintCD031
Faint / 2022

SVLBRD - Decay

To Be Free - KL - EDIT 01 - DEMO

Anagrammatical (Spoken Word / Magick)

"None of This Will Matter in Time" is the debut album from Seattle electronic-rock duo The Never Were.

You need to stay and never go
and I am the one for you
and you need to stay and never go
and I am your destiny

need you now
I need you now
here and now
I need you now

Credits:
Conceived and composed by Joe Love
Lyrics, vocals, guitars, and programming by Joe Love
Backing vocals by Angela Love
Produced, arranged, manipulated, enhanced, re-programmed and mixed by Kurt Lorenz

None of This Will Matter in Time

Buy on Bandcamp

Elevation

We are The Never Were
 
Multi-instrumentalists Joe Love & Kurt Lorenz are an electronic-rock/industrial duo from Seattle WA. They have been playing together since early 2013 but each has more than 20 years experience creating, producing & playing music. 

Joe is an accomplished guitar player and instructor whose style ranges from classic blues to hard rock to experimental textures. He has played with local Seattle bands Loaded Fiction, Alien Autopsy, and Black Atmosphere. 

Kurt has been producing electronic music since the mid-1980’s and has released material on several independent labels. He was also co-founder of Ember Music, an international artist-run electronic music label. (2010-2020)

Elevation

The Never Were

Recent comments

SolNDot

Related tracks