Released 2 December, 2022

Engineered and mixed by Renn Picard at his home studio, Belgrave
Mastered by Joe Carra at Crystal Mastering, Melbourne
Artwork by The Northern Folk and Mark Day
Written and performed by The Northern Folk

Jacarandas (single)

Jacarandas

Released 23 June 2023

Engineered and mixed by Renn Picard at his home studio, Belgrave
Mastered by Joe Carra at Crystal Mastering, Melbourne
Artwork by The Northern Folk
Written and performed by The Northern Folk

Keep On Coming Over (single)

Keep On Coming Over

Released 1 Dec 2023

Engineered and mixed by Renn Picard at his home studio, Belgrave
Mastered by Joe Carra at Crystal Mastering, Melbourne
Artwork by Simon Pickering and The Northern Folk
Written and performed by The Northern Folk

Thank God (single)

Thank God

The Northern Folk’s latest standalone single ‘Get On’, recorded with Callum Barter (British India, Courtney Barnett, Saskwatch), sees them reaching further into uncharted territories, in their most focused release to date.

To be released October 12 2017
Engineered and mixed by Callum Barter at Newmarket Studios, Melbourne
Mastered by Joe Carra at Crystal Mastering, Melbourne
Artwork by Gemma Keating
Written and performed by The Northern Folk

Get On (Single)

Get On

Released November 2 2018
Engineered by Julian McKenzie at Newmarket Studios, Melbourne
Mixed by Callum Barter at Remo Music, Highland Park, Los Angeles
Mastered by Joe Carra at Crystal Mastering, Melbourne
Artwork by Amber Gittins
Written and performed by The Northern Folk

Cold (single)

Cold

Released February 8 2019
Engineered by Julian McKenzie at Newmarket Studios, Melbourne
Mixed by Callum Barter at Remo Music, Highland Park, Los Angeles
Mastered by Joe Carra at Crystal Mastering, Melbourne
Artwork by Amber Gittins
Written and performed by The Northern Folk

Atticus (single)

Atticus

Hailing from Albury, NSW and based in Melbourne, The Northern Folk are a unique collective of eleven songsmiths and instrumentalists, wielding a brand of tightly woven alt-folk magnified by massive arrangements and colourful indie-pop sensibilities. With two charismatic vocalists, they defy the odds to avoid overcrowding- in sound, if not on stage- creating songs that deftly move from poetic lyricism to horn-saturated eruptions, and creating live shows with a “strength of performance second to none” (Beat Magazine).

The Northern Folk

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