ain’t no vibe like that Freddie vibe...

@haarplife

kool cat

“The terms ‘New World’ and ‘Old World’ feel completely outdated today,” says Mühlhoff. “This track is my ironic commentary on that.” In contrast to his debut, which oscillated between chillwave and downbeat, Hyper New World Symphony surprises with unexpected instrumentation: it begins with an Arabic guitar before electronic beats kick in. Later, the piece quotes the James Bond theme, a deconstructed guitar solo from Stairway to Heaven, French house grooves, and field recordings—chirping birds, the crackle of a film projector, and a crowing rooster as a wake-up call.

“The piece is a parody of much of what’s going on in the world right now,” Mühlhoff explains. “Loud, flashy, full of stimuli. I probably won’t make another track in this style—but I wanted to play once with the idea of the New and Old World. Without questioning Dvořák’s work—it is and remains a brilliant symphony. But we simply live in a different time today.”

Hyper New World Symphony

Number One

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John Hammond - Evil Is Going On (DiPap Remix)

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It's very hard to do a MJ edit and make it sound original.... 'Jamie @fatneck Low' did just that... 

https://www.gourangamusic.com
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Michael Jackson - Billie's Had Her Jeans Acid Washed (Fatneck Rework)

Jamaican saxophonist & arranger Cedric Im Brooks is one of my most cherished reggae artist. Actually, confining him to the reggae scene would be a massive understatement. 
A brilliant musician, he kept on blurring the lines between spiritual Free-jazz (think Sun Ra), Afro grooves (think Fela), Latin rhythms and, of course, Reggae. 
A cornerstone of legendary label Studio One, his musical legacy is impressive and if you're not familiar with him, I urge you to dig into his most famous albums, mostly recorded in the 70's with his band The Light Of Saba ("United Africa", "Im Flash Forward" or "The Magical Light Of Saba") & get ready for some colourful funky journey.

"Africa" is one of my favorite track by him, an afro-funk jam whose joyful & infectious horns chorus is hard to resist. With a clear hint at the "back to Motherland" Rasta myth, "Africa" is also a great example of Cedric's spiritual Rastafari faith, often present in his songs lyrics.
Here is my DJ-friendly nudisco-flavored edit of it.

Cheers,

Jm / V4YS

<a href='https://theartistunion.com/tracks/c95874'>Download for free on The Artist Union</a>

Free Dwnld

Cedric Im Brooks - Africa (V4YS Motherland Edit)

LONG LIVE THE STONES

Listen to my edit of M83 here:
https://soundcloud.com/troykurtz/m83-you-appearing-troy-kurtzs-misty-eyed-reinterpretation

The Rolling Stones - Miss You (Troy Kurtz & Pirate Stereo Mix)

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MOODYMANN // SHADES OF JAE //  THE ODDNESS REWORK

Instruments:

Guitar: Salman Ahmed

Bass: Zeeshan Athar

Original Sample by "Glory Box - Portishead"

Bandcamp: https://bit.ly/2WlZfpA

Portishead - Glory Box (Kakes Edit)

Buy / Stream: https://ffm.to/bj31

Phonk D is back on Exploited’s hallowed Black Jukebox series following the success of his #29 takeover earlier this year. You just can’t keep a good man down...

‘Let’s Shake’ leads the way with serious funk intent, mixing a thumping MJ-esque bassline with some of that late ‘70s / early ‘80s synth magic. Phasing guitar licks sidle up against spunky horn swells and sassy vocal blasts. It’s a track that has ‘party-starter’ written all over it.

‘Reality Dance’ is a chuggier beast, building slowly through looping guitar-and-bass plucks until a feel-good melody emerges. This low-slung, low-tempo groove is in no hurry to lay out its funky machinations, making for a perfect early-evening floor-filler as cocktail glasses clink and glitterballs bling.

‘Players Anthem’ chunks things up with conga-inflected groove and an arpeggiated bassline throb underpinning swooning female vocal harmonies. It rocks a simple arrangement that lets the groove do the talking, with sustained string notes adding an element of tension at the requisite moments.

‘No Limits’ sees Phonk D team up with old sparring partner Sascha Ciminiera for another hot collab. The bouncing off-beat groove pumps pleasingly in classic disco fashion, with a joyous mood built through Rhodesy chords and a scintillating synth line. Swelling horns are buried deep in the mix in the second half to help propel the track higher.

Label: Exploited
LC: 15799
Artist: Phonk D
Title: Shir Khan Presents Black Jukebox 31
Cat: BJ31
Vinyl Release: 15.01.21
Beatport & Spotify: 05.03.21
Global Release: 19.03.21

Shir Khan Presents Black Jukebox 31

Reality Dance

Buy / Stream

Phonk D - Reality Dance I Exploited

BOOKINGS / PROMOS / REMIX REQUESTS theoddnessmusic@gmail.com

LABELS // BEAT & PATH, ESKIMO RECORDINGS, SOL SELECTAS, SOFA BEATS, KOSA, PIPE & POCHET, SHANGO, LNDKHN

Huge bass lines, tribal drums and infectious grooves are the building blocks of the Melbourne producer and performers signiature sound.
Sitting at the forefront of the Downtempo / Organic house scene in Australia, the last 4 years has seen him perform at Australia’s premium festivals including Rainbow Serpent, Elements and Esoteric, both as a solo act and with his 3-piece band including multi-instrumentalists Dylan Jarrad and Timmus.
A prolific output of music, including three Albums, have been released through labels including Sol Selectas, Beat & Path, Eskimo Recordings & Sofa Beats as well as his own label Smash Bang.
In 2023 the Oddness was nominated for best electronic work at the Victorian Music Awards for his track Let it Move featuring the amazing vocals of Ellika.
As well as his original music he is widely know for his re-interpretations of
classic tracks though his ‘Reworks, Edits and Bootlegs’ series.

MOODYMANN // SHADES OF JAE // THE ODDNESS REWORK

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