love your work, also i would like to know this music id, if you may, thank you

SO NICE ! GOOD JOB, I REPOST ON MY PROFILE RIGHT NOW !!

very similar to amarsi un po, can u give ID plz, very nice edit!

Что это за трек?очень классный

Funk Disco

ReCollection Mix Vol. 16 – 8 Mai 2021
https://www.recollection.fr

1.	Philippe Sarde & Patrick Dewaere – BeauPère (feat. Stéphane Grappelli & Eddy Louiss)
2.	Tanerélie – Continuum
3.	Pat The Cat & Will Ika – Deeper In You (Leendder 90’s Mix)
4.	V – Faux
5.	Renato Carvalho Cohen – Freno
6.	Simiane Mobile Disco – Snake Bile Wine (Trevino Remix 2)
7.	Portishead – Roads
8.	Jerome Prister – Say You’ll Be
9.	Change – Hold Tight
10.	Scones – A Day Before
11.	Leendder feat. Chiara De Rös – Blast
12.	Fischerspooner – Emerge
13.	Joe Lewandowski – Regazzi
14.	Loïs – Quintessence
15.	Satoshi Fumi – Manis
16.	Saytek – Butterfly
17.	Björk – Hunter (Gus Gus Remix)
18.	Uner – Lfo
19.	The Future Sound Of London – Papa New Guinea (Translation 2 – Paspico)
20.	Global Communication – 8 : 07

ReCollection Mix Vol. 16 - 8 Mai 2021

Out Now on W+L Records

https://wolfandlambrecords.lnk.to/wlm98

Love 2 Dance

Listen

jack Priest - Jacket Leather

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

We've got a tasty exclusive for you today from Luxxury. His much lauded edit of 'Riders On The Storm' made some waves last year and then it vanished into a haze of legal ambiguity and only strong supporters of the track like Greg Wilson had it. Well we've got our hands on a live remix version from one of his 'Live Remix' shows to give you. His first every European Tour is coming up in September and I look forward to seeing this one in person. The first show of the tour is a show at Festival Number 6 where he's playing the Super Weird Happening Stage. 

Luxxury's version is one of the most interesting edits we've heard for a long time. Sultry as hell with vocoder vocals and a feeling that echoes in your head long after the track has finished. His additions are beautifully produced and this version brings to the fore background melodies from the original and puts them front and centre. Accomplished stuff

FREE DOWNLOAD

The Doors - Riders on the Storm (Luxxury Live Remix)

Recording from my final appearance at the Garden Festival in Croatia earlier this month when I played the Main Stage on the Friday night. The Garden, of course, was a gathering close to my heart - I'd appeared there every year from 2007 onwards, enjoying many memorable nights and days in Zadar, Tisno and on the Adriatic. Best wishes to Charlotte, Gail, Eddie & Nick and the crew behind the Garden, as well as Dave Harvey, who takes over the event next year, re-branding as Love International, and hopefully building from the solid legacy now in place.

Thanks for all the fun, love and good vibes I've experienced throughout these past 9 summers.

greg

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GARDEN FESTIVAL MAIN STAGE TISNO CROATIA 03.07.15 (greg wilson live mix)

In session @ BBC2 With Dermot O'Leary 2015

glass💎💎hearted 💖💗🥰💞

Recording from Friday afternoon appearance on The Port stage at Bestival, Isle Of Wight 11.09.15.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

BESTIVAL THE PORT 11.09.15 (greg wilson live mix)

An-2 - 'Ghost Train' Mix

Full live recording from the Glitterbox Closing Party @ Space, Ibiza 25.09.15.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GLITTERBOX CLOSING PARTY @ SPACE TERRACE IBIZA 25.09.15 (greg wilson live mix)

Quakers & Mormons - New York Town (Xinobi Remix)

Afacan Sound System - Biz Salkimiz (instrumental edit)

This live recorded VIP toilet disco set at The Temple , Porto Cervo, includes only italo disco original hidden and forgotten items (and one track from DM, my favorite music group of all time) with a big dose of carpe diem and feelgoodness inside. Enjoy this mix

Grtz and love, René.

René Opsedee's italo disco VIP toilets at The Temple, Porto Cervo 13-08-2020

STYOPA: PODHOUSOM 02

Live from The Beach @ Home during Lockdown part 2
Here is some material to make you Travel through your mind & why not dance @ home
Great Spiritual journey into the Electronic Music

mAnu+ Live @ The Beach 23 11 2020

The last Music For Dreams Radio Show on Ibiza Sonica 2020 features Bongo Entr., Copenema, Willie Graff, Dj Pippi, Reinhard Vanbergen, Rheinzand, Be Svendsen, islandman, Kenneth Bager, Dj Divo, OliO, Sault, Troels Hammer, Be.Lanuit, Orte, Dj Food, The Swan And The Lake & Santino Surfers. 

Listen to Music For Dreams Radio on TuneIn, Sonos, musicfordreams.dk or get the Music For Dreams Radio app in your App store : apple.co/2bli4ko ☏

Connect with Kenneth Bager
FB : facebook.com/kennethbager
SC : @kennethbagerofficial
Twit : twitter.com/Kenneth_Bager
Insta : instagram.com/kennethbagerofficial/
Home : musicfordreams.dk

Connect with Music For Dreams
FB : facebook.com/musicfordreams
SC : @music-for-dreams 
Twit : twitter.com/musicfordreams
Insta : instagram.com/musicfordreams.dk
Home : musicfordreams.dk

KENNETH BAGER - MUSIC FOR DREAMS RADIO SHOW - IBIZA SONICA 28. DEC 2020

WWW.THEOMATIC.COM

THEOMATIC is an independent record label from St.Petersburg, Russia dedicated to releasing music from people who still prefer quality to quantity, looking inside themselves to looking to someone else and being to pretending to be.

CONTACT: theomatic(a)gmail.com


An-2 - 'Ghost Train' Mix

Theomatic Recs.

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