❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽🐽🐽 ❌🅾️❌🅾️L обнаружен‼️‼️‼️🗣️🐽🐽🐽🐽

Ахуенный трек без слов

TYSHA (Ukrainian for silence) is the second longplayer of Ukrainian-born, Poland-bread and Austria-based multi-instrumentalist and singer Katarina Gryvul. Following her enigmatic song ”In Coma”, which released in 2020 on Standard Deviation, Gryvul delivers an 8-track long album of blooming, emotional and tactile electronica pop ballads, resulting in an intensely personal journey into the artist's inner world at the most silent time of her life.

In an attempt to deal with her decaying perception of reality and the overwhelming sense of isolation caused by the experience of global pandemic, Gryvul finds refuge in silence. She is mesmerized by the all-consuming absence of sound, and the many ways in which silence can be perceived: silky, enveloping, calm, but also caustic, fractured and sharp. TYSHA was written entirely during the pandemic. Gryvul describes that being surrounded by people during that challenging period started feeling like ”a potential threat” and as something unnatural and artificial.” She says: “It made me feel like I was torn between two realities, virtual and real, and did not belong to any of them”.  

TYSHA sounds imminently disturbing, yet soft, with ghostly harmonics, tempis and a wide variety of   musical and lyrical influences. The album feeds from ”something that has already vanished” - a feeling of  longing in a moment of uncertainty, crystallized in balladic writing and subtle elven-like soundscapes. 

Gryvul, who usually works with classical instruments, now explores a more electronic sound with beats and apparent beatgrid structure, referencing the environment in which what once felt natural and  organic started feeling artificial and synthetic.  Varying in tempo, moods and instruments, TYSHAcreates an emotional journey, exploring different forms of silence, representing the tension between the virtual and the real world and reflecting Gryvul’s feelings of hostility and alienation in contrast with her longing for connection.

The album is supported with remixes by London-based artist Flora Yin-Wong, contributing on ”Bezodnya” with an ethereally soft and lyrically poetic rework and Belgian experimentalist  Maoupa Mazzocchetti reinterpreting ”Tysha” as a gloomy, ecstatic and roaring piece for the dance floor.

TYSHA releases on February 9th 2022.

Katarina Gryvul - Tysha (STDEV009)

01 Tysha (3:40)
02 Zvuchy (3:59)
03 Vidsutni (4:03)
04 Bezodnya (4:54)
05 Inshi (3:42)
06 Ruyina (3:01)
07 Porozhn’o (3:30)
08 Rozpad (3:01)
09 Bezodnya (Flora Yin Wong Remix) (4:09)
10 Tysha (Maoupa Mazzocchetti Remix) (3:30)

Written and produced by Katarina Gryvul
Remixes by Flora Yin Wong, Maoupa Mazzocchetti
Mixed by Katarina, Flora, Maoupa
Mastered by UTC+16, Odessa
Artwork photography by Sam Clarke
Artwork costume design by Malyuk Sashko
Art Direction and design by RAM

Published by Standard Deviation, 2022

Bandcamp

STDEV009 - TYSHA

TYSHA (Ukrainian for silence) is the second longplayer of Ukrainian-born, Poland-bread and Austria-based multi-instrumentalist and singer Katarina Gryvul. Following her enigmatic song ”In Coma”, which released in 2020 on Standard Deviation, Gryvul delivers an 8-track long album of blooming, emotional and tactile electronica pop ballads, resulting in an intensely personal journey into the artist's inner world at the most silent time of her life.

In an attempt to deal with her decaying perception of reality and the overwhelming sense of isolation caused by the experience of global pandemic, Gryvul finds refuge in silence. She is mesmerized by the all-consuming absence of sound, and the many ways in which silence can be perceived: silky, enveloping, calm, but also caustic, fractured and sharp. TYSHA was written entirely during the pandemic. Gryvul describes that being surrounded by people during that challenging period started feeling like ”a potential threat” and as something unnatural and artificial.” She says: “It made me feel like I was torn between two realities, virtual and real, and did not belong to any of them”.  

TYSHA sounds imminently disturbing, yet soft, with ghostly harmonics, tempis and a wide variety of musical and lyrical influences. The album feeds from ”something that has already vanished” - a feeling of longing in a moment of uncertainty, crystallized in balladic writing and subtle elven-like soundscapes. 

Gryvul, who usually works with classical instruments, now explores a more electronic sound with beats and apparent beatgrid structure, referencing the environment in which what once felt natural and  organic started feeling artificial and synthetic. Varying in tempo, moods and instruments, TYSHAcreates an emotional journey, exploring different forms of silence, representing the tension between the virtual and the real world and reflecting Gryvul’s feelings of hostility and alienation in contrast with her longing for connection.

The album is supported with remixes by London-based artist Flora Yin-Wong, contributing on ”Bezodnya” with an ethereally soft and lyrically poetic rework and Belgian experimentalist Maoupa Mazzocchetti reinterpreting ”Tysha” as a gloomy, ecstatic and roaring piece for the dance floor.

TYSHA releases on February 9th 2022.

Katarina Gryvul - Tysha (STDEV009)
Format: Digital

01 Tysha (3:40)
02 Zvuchy (3:59)
03 Vidsutni (4:03)
04 Bezodnya (4:54)
05 Inshi (3:42)
06 Ruyina (3:01)
07 Porozhn’o (3:30)
08 Rozpad (3:01)
09 Bezodnya (Flora Yin Wong Remix) (4:09)
10 Tysha (Maoupa Mazzocchetti Remix) (3:30)

Written and produced by Katarina Gryvul
Remixes by Flora Yin Wong, Maoupa Mazzocchetti
Mixed by Katarina, Flora, Maoupa
Mastered by UTC+16, Odessa
Artwork photography by Sam Clarke
Artwork costume design by Malyuk Sashko
Art Direction and logo design by RAM

Published by Standard Deviation, 2022

Tysha

Preorder via Bandcamp

KATARINA GRYVUL - TYSHA (PREVIEWS)

Classically-trained experimentalist Katarina Gryvul conjures spectral electronics on Kyiv's Standard Deviation label.

'TYSHA' is out February 9th on Standard Deviation.

@katarina-gryvul
@standard-deviation

Premiere: Katarina Gryvul - Zvuchy [Standard Deviation]

Bezodyna remix  by Flora Yin Wong (@floraytw). Taken from Katarina Gryvul (@katarina-gryvul) new album Tysha, out February 9, 2022, via Standard Deviation (@standard-deviation)

Read: https://bit.ly/3ghtnvj
Pre-order: https://bit.ly/3GffPuQ

TYSHA (Ukrainian for silence) is the second longplayer of Ukrainian-born, Poland-bread and Austria-based multi-instrumentalist and singer Katarina Gryvul. Following her enigmatic song ”In Coma”, which released in 2020 on Standard Deviation, Gryvul delivers an 8-track long album of blooming, emotional and tactile electronica pop ballads, resulting in an intensely personal journey into the artist's inner world at the most silent time of her life.

In an attempt to deal with her decaying perception of reality and the overwhelming sense of isolation caused by the experience of global pandemic, Gryvul finds refuge in silence. She is mesmerized by the all-consuming absence of sound, and the many ways in which silence can be perceived: silky, enveloping, calm, but also caustic, fractured and sharp. TYSHA was written entirely during the pandemic. Gryvul describes that being surrounded by people during that challenging period started feeling like ”a potential threat” and as something unnatural and artificial.” She says: “It made me feel like I was torn between two realities, virtual and real, and did not belong to any of them”.

TYSHA sounds imminently disturbing, yet soft, with ghostly harmonics, tempis and a wide variety of musical and lyrical influences. The album feeds from ”something that has already vanished” - a feeling of longing in a moment of uncertainty, crystallized in balladic writing and subtle elven-like soundscapes.

Gryvul, who usually works with classical instruments, now explores a more electronic sound with beats and apparent beatgrid structure, referencing the environment in which what once felt natural and organic started feeling artificial and synthetic. Varying in tempo, moods and instruments, TYSHAcreates an emotional journey, exploring different forms of silence, representing the tension between the virtual and the real world and reflecting Gryvul’s feelings of hostility and alienation in contrast with her longing for connection.

The album is supported with remixes by London-based artist Flora Yin-Wong, contributing on ”Bezodnya” with an ethereally soft and lyrically poetic rework and Belgian experimentalist Maoupa Mazzocchetti reinterpreting ”Tysha” as a gloomy, ecstatic and roaring piece for the dance floor.

Artwork photography by Sam Clarke

Art Direction and logo design by RAM

Mastered by UTC+16, Kyiv

Released by Standard Deviation

Premiere: Katarina Gryvul - Bezodnya (Flora Yin Wong Remix) [Standard Deviation]

>< CRUDE Premiere ><


Artist: Katarina Gryvul
Title: Ruyina
Label​: Standard Deviation // TYSHA LP
Release date: 9th Feb 2022

Support the artist & label:
>> https://standard-deviation.bandcamp.com/album/tysha

CRUDE Premiere: Katarina Gryvul - Ruyina [Standard Deviation]

Pre-order: https://standard-deviation.bandcamp.com/album/tysha

'TYSHA' (Ukrainian for silence) is the second LP of Ukrainian-born, Poland-raised and Austria-based multi-instrumentalist and singer @katarina-gryvul. Following her enigmatic song 'In Coma', which released in 2020 on @standard-deviation, Gryvul delivers an 8-track long album of blooming, emotional and tactile electronica pop ballads, resulting in an intensely personal journey into the artist's inner world at the most silent time of her life.

In an attempt to deal with her decaying perception of reality and the overwhelming sense of isolation caused by the experience of global pandemic, Gryvul finds refuge in silence. She is mesmerized by the all-consuming absence of sound, and the many ways in which silence can be perceived: silky, enveloping, calm, but also caustic, fractured and sharp. 'TYSHA' was written entirely during the pandemic. Gryvul describes that being surrounded by people during that challenging period started feeling like ”a potential threat” and as something unnatural and artificial.” She says: “It made me feel like I was torn between two realities, virtual and real, and did not belong to any of them”.  

'TYSHA' sounds imminently disturbing, yet soft, with ghostly harmonics, tempis and a wide variety of   musical and lyrical influences. The album feeds from ”something that has already vanished” - a feeling of  longing in a moment of uncertainty, crystallized in balladic writing and subtle elven-like soundscapes.

The album is supported with remixes by London-based artist @floraytw, contributing on 'Bezodnya' with an ethereally soft and lyrically poetic rework and Belgian experimentalist @maoupa-mazzocchetti reinterpreting 'Tysha' as a gloomy, ecstatic and roaring piece for the dance floor.

More exclusive music

Premiere: Katarina Gryvul 'Tysha' (Maoupa Mazzocchetti Remix)

https://buttechno.bandcamp.com/album/untitled-2017
This track was recorded in Kyiv in 2017
All proceeds from this and other releases constantly go for the needs of Ukraine defence from r*ssian invasion 🇺🇦🇺🇦🇺🇦

Ihor Okuniev & Pavel Milyakov — Untitled (2017)

Introducing Im Osten Geht Die Sonne Auf, the second full-length album release by duo Recht auf Rausch from Offenbach, Germany. This 12-track album features the captivating vocal stylings of Momo paired with Kalocain's masterful electronic production. Together, they create a cold and immersive environment that will leave you entranced from start to finish.

The album doesn’t follow homogenous guidelines nor conceptional requirements.
It’s a spontaneous expression of our moods facing obstacles of society.
Producing music to connect, grow, heal - a cathartic process.

While drinking tea and smoking cigarettes in our bedroom studio the procedure of making music starts with some sounds till we feel the direction of the song, then we begin to implant the lyrics.
The fast flow defines our collaboration which feels mostly symbiotic and unforced. In this way our creations become raw, honest and vulnerable.

https://soundcloud.com/rechtaufrausch
https://soundcloud.com/metamoto

PREMIERE⚡️Recht Auf Rausch - Im Osten Geht Die Sonne Auf [META MOTO]

"Tribal Synchronizer" is a multi-genre collaboration between yutani and 666.28, aimed at blending tribal and ethnic elements with a dark electronic sound.

666.28 https://soundcloud.com/66628
mastering https://soundcloud.com/t_story_matters

Tribal Synchronizer

Yentadatel

Sonidos Subterraneos is pleased to premiere a new track, this time we have the great London based label: Meta Moto, with the track of: yutani - Dle Yama
"Dead Whales" is the release name!
The album contains 4 electronic music original tracks . ENJOY
Next we leave you the description of the release_

Kicking off the New Year with Yerevan-based DJ and producer yutani and his latest EP, Dead Whales. This four-track release explores ritualistic, esoteric electronica, crafted using a combination of DAW production and field recordings. Active in the music scene since 2020, yutani has released tracks on labels like Ferma, Get Busy, and many others.

Dead Whales is a sonic journey filled with rhythms and textures designed to evoke an esoteric atmosphere, drawing inspiration from yutani's childhood memories. The EP's title track incorporates whale sounds that are eerie and otherworldly, a choice so striking it inspired the EP’s name. In “Dle Yaman,” yutani weaves the vocals of legendary Armenian folk singer Hayrik Muradyan, performing the traditional song “Dle Yaman,” into his composition.
Dive into this esoteric blend of mysticism and sound. Enjoy the journey.

Artist_ yutani 
Title_ Dead Whales
Label_ Meta Moto
Format_ Digital
Produced and mixed_ yutani
Mastering_ Davit Sukiasyan (hopdop) https://www.instagram.com/hopdop_d/
Artwork_ Diana Tolstovaite
Catalogue_ MMD007
Release Date_ February 13, 2025
Buy_ https://metamoto.bandcamp.com/album/yutani-dead-whales-ep

Follow Meta Moto_

SoundCloud_ @metamoto
Instagram_ www.instagram.com/metamotometamoto/
Facebook_ www.facebook.com/metamotometamoto/

Follow yutani_ 

SoundCloud_ https://soundcloud.com/yutani_ripley
Instagram_ https://www.instagram.com/yutani_ripley
Linktree_ https://linktr.ee/yutani_ripley


Follow Us
linktr.ee/ssubterraneos

| PREMIERE | yutani - Dle Yaman | [Meta Moto]

crystal lotus heart
it comes apart 
when it is broken 
it gets scarred & torn apart.

first mastered & composed demo, I like how it sounds best on apple headphones, would have to adjust the master cuz I don't like it sounded in my car lmfao.

Waiting For You demo 1 crystal lotus heart reupload

Gate146

http://honestjons.com/shop/label/Berceuse_Heroique

Interstellar Funk - Caves Of Steel (Convextion Remix)

"Those not familiar with Jones’ style, will listen slack-jawed at the shear anticipatory nature of his sound collage. The five lengthy tracks are based on hypnotic and somewhat menacing grooves: a repetitive dub bass beat, waves of Middle Eastern strings and voices, layers of building hand percussion. Each track is respective but the washes of sound/percussion come and go often creating a sense of motion and change. All of the tracks are similar and even share elements. Mid-East tension is so accurately captured through the use of the regions instrumentation (especially percussion), sinister electronics, samples of men chanting, women crying, sounds culled from the horrors of war, and occasional angry distortion that the listener’s listener will be transported to the belly of the beast.
‘Mullah Said’ displays two aspects of the work of Muslimgauze. Firstly, musically, it is in the delightful drifting ambient vein. The percussion is mainly acoustic hand drums - providing a rhythm of aural features - the trademark shimmering string sound heard on a number of releases is much in evidence, rhythms are generally slower, there are lots of samples of people speaking in conversation, markets wherever. ‘Mullah said’ opens the disc with the lovely mix of these sounds. ‘Every grain of Palestine sand’ continues the mood, with a slightly faster tempo, and more emphasis on the beat. But it soon locks into a mesmeric lassitude as various effects echo or smear the sounds, drums come in for short moments, different string sounds enjoin the play. ‘Muslims die India’ follows the mood though the voices seem darker, sadder, and then comes ‘Every grain of Palestinian sand’ followed by ‘Muslims die India’. Yes - not a typo, these tracks are repeated. Muslimgauze trend - to remix himself.  Prime Muslimgauze middle eastern ambience - if you like that side you will love this album. The final track is short and different, a crackling ground over which a singer chants a song interrupted by machine-gun percussive bursts - ‘An end’."

Engineered by John Delf.
Recorded at the Abraham Mosque, Manchester.
Originally released in 1998 as Muslimlim 018.

A2.  Muslimgauze "Mullah Said": Every Grain Of Palestinian Sand

AVC Feat E. Plotitsyn Instr.  - Vargo

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬


FREE DL : https://fanlink.to/compilsans1

Check Slowglide
https://www.facebook.com/slowglidemusic/
https://soundcloud.com/slowglide
https://www.discogs.com/fr/artist/5626511-Slowglide
https://www.instagram.com/slwgld/

Check Comic Sans Records
https://comicsansrecords.bandcamp.com/
https://www.facebook.com/comicsansrec/
https://soundcloud.com/comicsansrec
https://www.discogs.com/fr/label/1196495-Comic-Sans-Records
https://www.instagram.com/comicsansrecords/

Graphic Designer Was Too Expensive Volume 1

FREE DL

Slowglide - Vivarium [Comic Sans Records]

∄ is a cultural institution in Kyiv, established in 2019 on the territory of a former brewery, located at 41 Kyrylivska Street. It serves as a multifunctional space for club events like ∄ Community Events, Curated By, Enareї, for experimental music concerts like Miasma of the Real and other cultural events.

∄ also manages the in-house music label Standard Deviation. Established in September 2020, Standard Deviation is a multidisciplinary label for music, art and publishing, cultivating creative exchange between an aspiring Ukrainian scene and a global community.

K41 is the community-born name of the institution embraced and widely used by the public.

Tapping into the most vital

@noodsradio 3-4pm BST every 2nd Friday of the month

Premiere: Katarina Gryvul - Zvuchy [Standard Deviation]

If-Only

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