Theorems Beat ideas recorded by him; except "Shift"-recorded by Minus; in 1999.

theorem

Four new slabs of ZillaMusik heading in all possible demonic directions–hell’s bells chiming for an eternal assassin with teeth for eyes (“The Corinthian”); slow-mo sleigh rides through the night with frequent Girls Chat Room collaborator Babystar (“Yes She Dub”); an acid ode to a girl who never quite was (“Dora”); and a computer club call to arms for Nonexistence as lifestyle (“How I Became Invisible”). AND: Three remixes from freakish fellow travelers Flore, Lo Kindre, and Sara Dziri extending the Zilla sound into all possible moods, speeds, WAYS OF BEING.

Tracklist :
The Corinthian
Yes She Dub (feat. Babystar)
How I Became Invisible
Dora
The Corinthian (Flore Remix)
Dora (Lo Kindre Remix)
How I Became Invisible (Sara Dziri Remix)

releases July 29, 2022

Artwork by Basile Fournier
Mastering by The Wall Studio
Additional remixes by Flore, Sara Dziri & Lo Kindre
Songs 1-4 mixed by Justin Geller
All music written and produced by Zillas On Acid

BUY HERE

Yes She Dub (feat Babystar)

Unreleased - Recorded in 1997 along with the track Lost in between the release of Theorem's debut album Nano in 1996 on Plus 8 records and the follow up release Plus8070, featuring Mantra One, Clone, Os, and Dos, in 1997.

The dynamic plot, combined with a set of glossy basses, whispering percussion and classical delays, jogs the memory of the old-school shades. Its deep intonations fit perfectly into the solid arrangement, representing the energy of the sea surf. The reunion with the natural principle is in full swing in the continuous version by Havantepe.

@seven-villas-records
@pablo-bolivar @havantepe

Remixed Details Part​.​3

Premiere: Pablo Bolivar & Sensual Physics – Tapes + Squids (Havantepe Remix) [7VA007X3]

Textured ambient soundscape. Lush with decay. Crisp dry air grinds the trees back down into the insatiate earth.

Autumn

Stabile (James Rod Cosmic Remix)

🐯 Tiger Tapes #54 is here! 🐯

This time we’ve got @albertomelloni —Italian DJ, producer, and co-owner of @raibanorecords . From riffing guitars across Europe to crafting some serious electro-disco heat on many labels including our sibling @fauverecords , he’s been shaping sounds that sit somewhere between disco, italo, afro, techno, and rock.

Expect that signature Melloni energy with some unexpected twists.⚡

Tiger Tapes 054 - Alberto Melloni

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Dylan Thomas - We Don't Own, We Create LP (Futurepast)". Out May 09th 2025. Buy here : https://futurepast.bandcamp.com/album/dylan-thomas-we-dont-own-we-create

Dylan Hayes' album debut (LP), We Don’t Own, We Create, released on Futurepast, is a sonic trip balancing club functionality with experimentation. The two-discs project is a bold statement of artistic intent—where minimalism, industrial textures, and introspective loopy moods collide.
As the result of 8 years of research and experimentation, We Don’t Own, We Create is an electronic sci-fi odyssey, unfolding across eight tracks balancing structure with unpredictability. Co-produced and mixed by Davy Vandegaer, this album is also the story of a friendship rooted in a shared vision—crafting a signature ‘futurepast’ sound where old-school techno aesthetics meet fresh, yet edgy, sonic treatments.
The first disc unfolds like a waking dream. My Ikigai sets the tone with pulsating, introspective club energy, blending loopy synths and a growling bass. Plastic World plunges into eerie depths, weaving spectral vocals and fragmented rhythms. Silent Reverie in To Memory drifts through textured atmospheres and layered percussive echoes. Remind Me Ridley twists hypnotic techno into a dense, mantra-like piece—its reverbs and delays build an intensity conjuring into a foggy, shifting auditive illusion.
The second disc marks the awakening, shaking off the haze with Beautiful Struggle, where abrasive loops, industrial bass surges, and dissonant synth layers build tension. Echoes of Fate condenses the album's ethos, unleashing pulsating stabs and humming rhythms that slice through the mix with razor-sharp precision. The eponymous We Don’t Own, We Create is an electronic ode to the creative process, where haunting vocal loops weave through deep, trippy synth lines, blurring the boundaries between organic and synthetic. Closing on Mizze, the journey dissolves into pure introspection, fading into the ether.

Artist social media :

https://soundcloud.com/dylan-thomas-hayes
https://www.instagram.com/dylan.thomas.hayes

Label social media :

https://soundcloud.com/futurepastnosenseoftime
https://www.facebook.com/Futurepastnosenseoftime
https://www.instagram.com/futurepast____

PREMIERE : Dylan Thomas - We Don't Own, We Create (Futurepast)

Please support me on HÖR🙏

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HÖR

Billion with a B

Infinty

Shift

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Cinder

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The Point G experience

The Point G Experience (Continuous Mix )

Taken from the EP "Tamayura" released on RORA.

Released: 08 Apr 2014
Label: RORA ‎– RORA007
Genre: Electronic
Style: Techno, Deep House, Minimal

Takashi Himeoka - Sesshu - RORA007

Founded 19.11.2020.

Drone is my passion.

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theorem

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