Why is there so little such beautiful music in the soundcloud!

Magnificent track...an elegant and pleasant electronic rhythm...an changes in the ascending transitions ... fascinatings...Sublime sensory electronic effects...An excellent electronic production!!!🔝👌💯

⚡️🔱👿⚡️🌊🗺️⚡️🫡🔥🔥🔥

I'm fighting with this track for a long time now. First drafts were created back in 2018 august. At the moment it was a post-rock / progressive rock epic that included every trick and practice i knew about music composition. Then i stopped writing music for a few years and it stayed in it's unreleased demo form for long.

Since last year i started this new electronic project, i thought some of my older, unrealised music should be repurposed to finally come to life. I pictured it will be a quite easy task.

Well, it was an extremely hard undertaking for me to strip this one to it's bare minimums and reshape it into a more ambient / chillout sounding thingy. But i learned so much about music and myself along the way...
I've written and erased melodies and chords in this track for so long that i could have written a whole album from the deleted ideas only.

The cover art is a Midjourney generated image with a strong influence from The Fountain (2006), a movie in which a man learns to let things go and embrace fate after a 500 years long journey. I think it is rather fitting. 

Thanks again for the beautiful mixing and mastering work to https://soundcloud.com/forgottendreams

Hope you will like it.

Travelers

‘omnes stulti, et deliberationes non utentes, omnia tentant’
Modular Hedonism.
Track created in 2023.

A minimalist piece inspired by the film Les Tontons Flingueurs (directed by Georges Lautner, dialogue by Michel Audiard, co-produced with Germany and Italy - Mein Onkel, der Gangster / In Famiglia si Spara - 1963).

Kitchen scene, dialogue between Fernand Naudin (Lino Ventura) and Raoul Volfoni (Bernard Blier) enjoying their glass of whisky ‘the three Kings’:

- Raoul Volfoni : “Tu sais pas ce qu'il me rappelle ? C't'espèce de drôlerie qu'on buvait dans une petite taule de Biên Hòa, pas tellement loin de Saïgon. Les volets rouges… et la taulière, une blonde comac… Comment qu'elle s'appelait, nom de Dieu ?”
- Fernand Naudin : “Lulu la Nantaise”.

(Dialogue in slang French, difficult to translate without betraying its flavour, about a woman met in Saigon - Ho Chi Minh City - nicknamed Lulu la Nantaise).

Tools :
Pam’s, Varigate, SIG.
- Plaits (pair of classic waveforms) > A-138s.
- Pluck > A-138s.
A-138s > FX Aid (reverb room stereo).
- Rings > DSP (stereo delay).
- One (personal perc sample).
- Drum2 (space snare).
Diode Chaos, Buff Mult, Mutes.
Quad Vca, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Lulu la Nantaise [modular hedonism]

Karusellheim

Nervaeindir Uppreisnir

destruction

atoumsliof_01

Dance track Electronic EDM. Using Arturia Astrolab . All Music composed and performed by Myself using Vocals from Splice 

Helpless

Kiss me again

A dystopian journey into the heart of the neon night. Pulsating rhythms, deep pads, and driving drums with the cold glow of a cyberpunk city. This is the soundtrack of a sleepless metropolis where silence is broken only by the protocol of sound.

Midnight Protocol

THIS IS SOUL FLORENTINE AREA TEL AVIV ISRAEL

iTunes

SALAME

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