West Coast Pop Art Experimental

Temporal

<p>Excerpt from the album, available from <a href="http://www.soundohm.com/product/Ennio-Morricone-/Controfase/pid/24158/">soundohm.com</a>. First ever commercial release for this Holy Grail 1972 Library LP of brooding avant orchestral, abstract percussion and analogue synth genius. Controfase is an unknown (and almost lost) masterpiece. A shadowed giant of compositional skill and deft application - a moment when all the stars and their cycles align - unique, harmonious, undeniably perfect. From Walter Branchi's skeletal web of processed VCS3 duetting with mournful violin, to Egisto Macchi's demonstrative percussion, jousting Edda Dell'Orso's breathless siren's call, Ennio Morricone and Bruno Nicolai have crafted a radiant, forbidden jewel." ~Alvin Lucia. Originally released in 1973. Features special guest appearances from Gruppo Di Improvvisazione Nuova Consonanza and Edda Dell'Orso. Shipping on Tuesday

"Deep in the phone-book-sized discography of Ennio Morricone is a series of collaborative free-improv recordings with the avant collective Gruppo di Improvvisazione di Nuova Consonanza, just some of the work that gave him nearly as much esteem in contemporary classical circles as it did among film buffs. (Just ask John Zorn.) And while it might seem strange to consider Morricone part of the library music canon—a soundtrack written without a film in mind is a singular oddity in his catalog—it’s also a good entry point into his avant tendencies. Contro Fase was released in the midst of a repertoire of early ’70s soundtracks that stretched Morricone’s compositional mastery through the context of suspense thrillers, crime dramas, supernatural horror, and the last wave of spaghetti Westerns. Its ominous string section is like Morricone’s permutation of the motifs in the theme to Psycho, which is the kind of thing most people don’t know they want to hear until they know it exists—but the album also seems at home alongside the orchestral minimalism of Philip Glass and Kronos Quartet."
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Ennio Morricone  - Controfase - soli

Peter Olof Fransson: Organ/Keyboard, Sound & Rhythmic Collages, Lead Vocals.
Svante Sjöstedt: Electric Guitar, Slide Guitar, Backing Vocals.

This composition "Something Comes" was partly recorded in May 2014, and in March/September 2015.

/The Owl Report

Something Comes

<p>Excerpt from the album, available from <a href="http://www.soundohm.com/product/Egisto-Macchi-/Citta--Notte/pid/24521/">soundohm.com</a>. A wonderful blend of organic rhythms and weird electronic sounds from groundbreaking sound library artist Egisto Macchi – served up here on a record that is posibly on of his best. Truly a compelling work, with a range of styles from minimalist soundtrack music, to fairly dramatic grooves with squeaky sounds, plonking string instruments, illustrative percussion, whistling and howling.  A walk through the city and it's parks by night with your own breath and footsteps, birds singing, hissing insects and neon lights. Citta Notte’s heady melange of cosmopolitan folk tropes, abstract sonic gestures, distressed and scattering percussion, beatific melodies and ominous VCS3 drones exists in a sublime universe all of its own.

Atmospheric, smokey, urbane and sophisticated “Citta Notte” is a seamless and stunningly timeless jewel in the expanding cosmology of rediscovering Library/Production music. Haunting, profound and hypnotic, one of the rarest Library LPs is no doubt also one of the most beautiful and rewarding.
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EGISTO MACCHI Terza Eta' (from "Citta' Notte")

A Child's Guide To Good And Evil

A Child's Guide to Good and Evil

Taken from the album "Infini" released by Roundtable (Catalog n. ROMA110LP)

Fabio Fabor "Postdoctoral"

Belbury Poly - The Geography (clip)

La Moda by Ennio Morricone  (1969)

Voice & lyrics: Emily Brown Solberg
Music: Retep Folo

The light

Voice, lyrics, guitar: Emily Brown Solberg
Editing: Retep Folo

Climb

Peter Olof Fransson: Organ/Keyboard, Sound & Rhythmic Collage, Lead Vocals, Add. Backing Vocals.
Svante Sjöstedt: Electric Guitar, Slide Guitar, Banjo, Mandolin, Backing Vocals.

Also feel free to check out other music from Peter Olof Fransson here:

Retep Folo: https://soundcloud.com/peter-olof-fransson

/The Owl Report

© 2015 Peter Olof Fransson/Svante Sjöstedt/The Owl Report. All rights reserved.

Contact info:

Peter Olof Fransson 
Email: korpochskata@yahoo.se  
https://www.facebook.com/peter.o.fransson.3

Svante Sjöstedt 
Email: ssjostedt@tele2.se 
https://www.facebook.com/svante.sjostedt?fref=ts

Something Comes

The Owl Report

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