How are there not more comments on this track!? This is probably my favorite track you guys have done!

loving Paige's whispered lyrical delivery

khodam 14

Sleep

Second single from the upcoming Big Fox album "Now". 
Single release: Sept 10, 2013

iTunes: https://itunes.apple.com/se/album/shadows-single/id699550828
Spotify: http://open.spotify.com/track/2TmjUKA7VKZ4vcz7yRs2z2

Album release: Sept 25, 2013 (Sweden), Nov. 9, 2013 (Europe).

more info: http://www.bigfox.se
press etc: contact@hybr.is

Released by Hybris - http://www.hybr.is

Buy on iTunes

Big Fox - Shadows

Get this song now on itunes: http://smarturl.it/In-The-Seams
Preorder new album: http://po.st/seamsfans (with signed CDs and vinyl)
LIVE co-headline tour with Bill Ryder Jones on sale NOW http://bit.ly/ssbrjtour

'I Remember' Lyrics: 

I remember when we were skin and bone, tough and cruel  
But bruises brown and fade away
Trinkets in a coat pocket stolen from kids at school
Burned a hole and fed a shame

Someone should have told you that you'd always have a place to go
Uh oh I thought you would have known  
Someone should have told you that you'd never find yourself alone
Uh oh, we lost you to the snow  

I remember when we would hang about in hollow trees  
New sounds, sitting smoking leaves
Walking past boarded up windows gets you down
Sh*t town, knew you couldn't breathe  

Someone should have told you that you'd always have a place to go
Uh oh I thought you would have known  
Someone should have told you that you'd never find yourself alone
Uh oh, we lost you to the snow  

Or maybe you climbed out after all  
I didn't wait around to see you fall
Found you on facebook soft and warm
You must have known it. You must have known it
You must have known it. You must have known it

Saint Saviour - I Remember

Release Date : 23rd February 2015

Grasscut, the duo of Andrew Phillips and Marcus O’Dair, return in February with a new single, Curlews/September Night’s Sky – the first single from the band’s forthcoming third album, Everyone Was A Bird, to be released by Lo Recordings in May 2015. 

Whilst first performed in collaboration with the Kronos Quartet to over 4,000 people in a warehouse in Poland, Curlews origins lie much closer to home. It’s meditative piano intro, soaring strings and sense of open skies and distant horizons inspired by the British coastline. “I’d started it on the train from Birmingham to Wales,” say Phillips, “and as I reworked it later for the album the music, especially the piano and string rhythms, kept pulling me back back to the Mawddach Estuary. I kept stripping layers and layers away, till eventually the melody, mood, and words were exposed – like they'd always been there.”

“The poet Harriet Tarlo cautions against the lazy use of ornithological metaphors for human emotion, but watching the curlews on the estuary, I really thought: this is me, digging around in the mud till I find it. I hope that's not lazy.”

That sense of place and belonging resonates throughout much of Grasscut’s work, and the forthcoming album features liner notes from the renowned landscape writer Robert Macfarlane. 

Alongside Curlews comes September's Night Sky, a story of a spring equinox in the Southern Hemisphere. Scored by fragmented keyboards, guitars and sweeping strings it brings to mind the sense of both majesty and fragility that a starry night can inspire.

http://www.grasscutmusic.com
http://www.lorecordings.com  


www.grasscutmusic.com

www.facebook.com/GrasscutMusic
www.twitter.com/GrasscutMusic
www.youtube.com/GrasscutMusic

iTunes

Curlews

After "Theater Island," last year's 6-track EP, Sóley returns with her first full-length, an album full of rhythmic makeshift creatures, of handclaps hidden in the undergrowth, tempting us to join in. The 13 tracks are sometimes incredibly catchy; amazingly quirky at other times: think cardigan-folk from the northern hemisphere, an ocean of stained glasses bopping up and down in the shared apartment's dishwater, leeward in limbo. The result is refreshing in its lack of edginess; think Joanna Newsom minus her harp, or the Casady sisters circa 2004, but then clearly better trained, less crooked. In other words: her voice, those loops moving around like wooden toys, and finally the piano – that's the backbone, the essence of her compositions; at least until some unexpected element appears elsewhere, a rhythmic creaking or the lack thereof, like a hidden Rube Goldberg machine, setting off yet another component, thus paving the way across the threshold and on into the next realm of sound. And thus we keep on sinking, deeper and deeper, until we stand on terra firma once again, realizing that somehow, next to us, above us, around us, a beat is laid out, hesitantly moving along at first, then careering… 

Sóley: I'll Drown

Unter - Tristana - Ambre-Nils Frahm

Goodbye

Abel Korzeniowski - Tango

Narrow

Wonder

Soap&Skin - Wonder

Infiniment Bach

Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio

Rubbles

Do For Me

Efterklang - Sedna

کتیبه

(2)گرم و زنده بر شنهای تابستان زندگی را بدرود خواهم گفت
(2)تا قاصد میلیونها لبخند گردم . تابستان مرا در بر خواهد گرفت و دریا دلش را خواهد گشود
زمان در من خواهد مرد و من بر زمان خواهم خفت
زمان در من خواهد مرد و من بر زمان خواهم خفت
زمان در من خواهد مرد و من بر زمان خواهم خفت
آخ . زمان در من خواهد مرد و من بر زمان خواهم خفت 

ترانه سرا : فریدون رهنما 
آهنگ ساز و خواننده : فرهاد
آلبوم برف

Farhad-Katibe(کتیبه-فرهاد)

Following last year's critically acclaimed ‘Aching Bones’ EP, Nadine Shah has found a new home with R&S Records imprint Apollo, who will be releasing her brand new ‘Dreary Town’ EP on 15 April 2013. Picking up where her debut left off, ‘Dreary Town’ continues the emergence of a significant talent.

Hailing from the north east town of Whitburn, yet London based, this young artist's compositions lean towards the dramatic, with her smoky husky-hued vocals imbued with an understated unease, with a stage presence that belies her youthful age.

Lead track 'Dreary Town', with its plummeting melodies and anguished vocals, is the most personal of all three and the track that convinced producer Ben Hillier (The Horrors, Blur, Depeche Mode) to work with her upon hearing an early version uploaded to youtube. Closely followed by 'Bobby Heron' with creeping guitar strums driving a story about her great grandmothers only boy. “He died at sea” Nadine reveals, “my great gran was obviously distraught but even more so because she couldn't bury her little boy. There was this clairvoyant in our hometown, a blind guy everyone knew. She went to see him and he told her exactly where the body was. That night my great grandad went out in his fishing boat. Sure enough the body was where they'd been told it would be, and with a grappling hook he retrieved Bobby's body. My mam and Aunty always tell that story. I wrote the song for my mum really, I wanted to ensure that her tale lived on.”

The new EP is topped off with the singer's wonderfully sinister take on 'Cry Me A River.' Having begun singing it when she was a much younger jazz singer, Nadine just loved how you could “really twist the lyric and rather than sounding like a wounded woman you can be more of madwoman seeking revenge!”

Press for Aching Bones:
‘Face to Watch’ Independent on Sunday
‘Expect her to be next year’s critics’ darling’ The Independent
'The emotional and sonic depth she attains on the glowering debut EP ‘Aching Bones’ is the work of a singularly unique artist' Daily Mirror
'Her dark tales of lust, loss and vengeance bring to mind Broken English-era Marianne Faithfull and are due belated critical acclaim’ Guardian ‘New Band of the Day’
'Shah possesses one of those pin-you-to-your-seat voices that will penetrate even the thickest layer of cynicism and jadedness' Sunday Times
'An Album is due next autumn – and it already looks to be one of 2013's most promising debuts.' NME
‘An enticing debut’ Mojo
'Keep your eye on this one, because I can see 2013 being a big year for her’ DiS
'Shah’s voice marks her out as someone distinctive and to very much keep an eye on.' CMU
'If you fancy a cheeky flutter you’ll get a decent price on this girl to win awards next year.' 
8/10 This is Fake DIY
'That intangible, emotive sense of foreboding leaves you mesmerized, intoxicated and just a tiny, tiny bit in love.' 8/10 DJ Magazine
'If all live debuts were as breathtaking as Nadine Shah's then the walls of the music industry as we know it would crumble to dust, and in their place proud palaces of hope and beauty would spring forth.' 
BBC Manchester
'Like early Bad Seeds, searing, intense, frightening and amazing' Notion Magazine
'It can take just 44 seconds to fall in love. That’s the exact time it takes for Nadine Shah’s haunting croon to kick in over an ominous piano refrain on the title track of her debut EP, Aching Bones. Sounding like a young, desolate Polly Harvey, the former jazz singer delivers huge gulps of emotion over the EP’s three Ben Hillier-produced tracks.' The Line of Best Fit
‘Channels the towering intensity of To Bring You My Love-era PJ Harvey with a hint of Philip Larkin-esque humour and the intoxicating sadness of her father’s Urdu ghazals' 
Time Out ‘Ones To Watch for 2013’

1: Dreary Town 
Cat No: AMB1306
Produced by Ben Hillier for 140dB 
Written by Nadine Shah & Ben Hillier
Recorded at The Pool, London. 
Tracks 1&2 P&C 2013 Apollo is a division of R&S Records 

1. Dreary Town

Off the debut LP titled "Hazel", out June 11th 2013 on Gold Robot Records as a limited edition 12" record.  (Pre)Order here - http://tinyurl.com/c96ewyt

Hazel

Maze

Young Hunting - Maze

A sultry and sweet pair. Paige Wood and Steven Dies.   Formed in California but existing elsewhere. Crispy velvet-dipped pieces of psychedelic doo-wop soul, electric riff country and interstellar outlaw jazz.

Together they have aggregated their influences and landed between genres, citing inspiration from artists like PJ Harvey, Gary Numan, Nancy Sinatra, The Cramps, Lee Hazelwood, Lou Reed, Iggy Pop, Led Zeppelin, DEVO, and Portishead. The Peach Kings live in a sweet spot between the polish and the dirt, the glide and the swagger, the analog and the digital.

Do For Me

The Peach Kings

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