is the bass panned right?btw it sounds great!

soul is recharging ... fucking raw power turned into the fines sonic nectar flowing in between all matter spawning intergalactic psy-embers With Intense Purrrrrrrrrrpose

a great song, precis vad jag gillar, bra!

MEDICATION TIME

ITS A STRANGE TIME

Don't Be A Square

MIX/MASTER - WOODS STUDIO

All that summer
I stayed dry
Though a sea breeze blew in
From the shore nearby

A hundred miles away
The one I loved was safe and sound
With me not around

Through the autumn
Our paths crossed
The one I loved walked on
While I stood looking lost

And yes they say time will heal
But is that just a lie?
Does time even try?
A half a year’s gone by

Deep in winter
Its cold embrace
I let the icy wind caress my tear-streaked face

I don’t want those tears to be my love’s testament
Though they’re hardly spent
9 months came and went…

Spring is waiting
Green and wet
And spring would also be the time that we first met

I will sit and look out on a garden of sand and stone
And face the unknown
After a year in love…alone

Sexagenrian II

A Year In Love

... groove and composition with some Clavinet emulations, "Organbass", two  Drum VSts and Soprano Saxophone. everything programmend and performed by me. photo by Julian Silverman, unsplash

almost silence

You quit the time
You urged to kill
You're travelling with Buffalo Bill
I was vaguely there
I can't complete
I tried to flirt
I puckered up and hit the dirt without a care
What could I do to win attention when I always lose at the fight?
What could I do to stand a chance to stay the night?

CHORUS
Hey Annie I'm still planning to take ya
Hey Annie I'm still inclined to take your hand and try to run
Hey Annie I'm still trying to see ya
Hey Annie there's a whole wide world awaiting for us to have some fun
So Annie get your gun

You drank a shot and then passed out
There's not that much you remember about that wonderful day
You shot your gun
I shot my load
We collapsed upon the open roan
Don't walk away
What could I do to win attention when I fall at the first post?
What could I do to win the heart I crave the most?

So full of fight
But still so fair
I hate it when you are not here
I always do
I'm smitten by your worldly charms so through and through 
What could I do to win attention when I always lose at the fight?
What could I do to stand a chance to stay the night?

CHORUS

Annie Get Your Gun

If you feel you can add somthing to this pleas do so :D
Sequence: BARP2600 analog synth(two voices) + B960-962-962 sequential controller(each 962 switch serves one voice of two voices on the 2600, one voice with one oscillator and the other with two oscillators)
String: Roland D70+ Roland Gaia.
Picture: https://no.pinterest.com/danpetkanych/_created/

Så Var Det Vel Så Da

I've seen the warning sign's
so often that I'm blind
The words have lost there ring
sound hollow like a lie
I  hear see speak no evil
it's my business what I do
I love the feeling of surprise
when the bottom drop's and I fall through

This world is full of poser's
phonies with pedigrees
slick parasites that manipulate you with your own dream's
Bad thing's happen to good people
they happen to us all
we have to take our lumps and learn to tumble when we fall

What I say is what I think
that don't make it what it is
I'm not trying to tell anyone how to live
But if you don't try , you'll never know
The joy of success
or see just how bad things can go

Like vivid fiction spilling from my dream's
Lacking the wisdom to sort out some things
seduced by flights of fancy, Distracted from my goals
Long on desire ,short on control

You've been re thinking everything hung up in your head
Placing new weight to words that wasn't there when they were said
when the trust is gone it's time to run
Because the trust has been replaced with a gun 
 

Warning Sign's

Based on H.P. Lovecraft's poem "The City", which was published in The Vagrant, October 1919

The song was created with the help of Generative AI (Udio.com)

Lyrics:

It was golden and splendid,
That City of light;
A vision suspended
In deeps of the night;
A region of wonder and glory,
whose temples were marble and white.

More lovely than Zion
It shone in the sky
When the beams of Orion
Beclouded my eye,
Bringing sleep that was filled with dim mem'ries
of moments obscure and gone by.

In that city effulgent
No mortal I saw,
But my fancy, indulgent
To memory's law,
Linger'd long on the forms in the plazas,
and eyed their stone features with awe.

I fann'd the faint ember
That glow'd in my mind,
And strove to remember
The aeons behind;
To rove thro' infinity freely,
and visit the past unconfin'd.

In that city effulgent
No mortal I saw,
But my fancy, indulgent
To memory's law,
Linger'd long on the forms in the plazas,
and eyed their stone features with awe.

Then the horrible warning
Upon my soul sped
Like the ominous morning
That rises in red,
And in panic I flew from the knowledge
of terrors forgotten and dead.

Eldritch Dreams

City of Light

A young man wishes to escape
Some place else it doesn’t matter where
In his heart he is already there

In his house he’s only a guest
His family is formed by strangers
He cordially said goodbye and left

(I) Can always find
A new way to move around
A new way to fall
To restart it all somehow

I can figure out
How to adapt to any town
Make them adapt to me
It seems I’m winning every round

It never stops he seems to learn it all
He made a mess? He doesn’t wanna know
Certain things are better untold

There’s nothing else there’s no choice at all
His eyes are paths they could as well be molds
They shape the ground and all that surrounds

Can always find
A new way to move around
A new way to fall
To restart it all somehow

I can figure out
How to adapt to any town
Make them adapt to me
It seems I’m winning every round

@NelsonDevereaux on Horns
@MaxDevereaux on Backing Vocals and Percussion
@JulioBaca on Electric Guitar

MUSIC VIDEO

Restart

the restless dreams of youth 
by Tamar Berk

Tamar Berk - vocals, guitars, piano, wurlitzer, harpsichord, synth, organ, bass
Matt Walker - drums
Chris Davis - lead guitar (Skipping the cracks, Socrates & Me, Better off Meditating, Heavy & Abusive, Red Ball, In the Wild)
Matt Thomson - bass (Skipping the Cracks, Outdated)

Mixed by Sean O'Keefe
Mastered by Justin Perkins at Mystery Room Mastering

MEDICATION TIME

The Photophonics

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