I swear there's a silent hill sample in this

shouldve known this was kitty from the instrumental— always amazing, ethereal work!!

going to your show! this will melt face I can't wait!

Stream/Download: https://chemicalx.ffm.to/scripture

Eartheater Socials:
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Scripture

Trinity

Supersoaker

Trailblaze ☆ by Cowgirl Clue

written/produced by cowgirl clue
mixed/mastered by oren ratowsky
album cover by jaxon whittington
vada vada
lyrics
Trailblaze ☆

𝓛𝔂𝓻𝓲𝓬𝓼

𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓌𝒶𝓎
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎, 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎

𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓌𝒶𝓎
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎, 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎

𝓎𝑜𝓊 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉, 𝓎𝑒𝒶𝒽
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓇𝑜𝓊𝓉𝑒, 𝒽𝑒𝓎
𝓎𝑜𝓊 𝒸𝒶𝓃 𝒸𝑜𝓊𝓃𝓉 𝒶𝓁𝓁 𝓉𝒽𝑒 𝓈𝒽𝑒𝑒𝓅, 𝓎𝑒𝒶𝒽
𝒾 𝒸𝒶𝓃 𝓀𝑒𝑒𝓅 𝓉𝒽𝑒 𝒷𝑒𝒶𝓊𝓉𝓎 𝓈𝓁𝑒𝑒𝓅, 𝓀?

𝓎𝑜𝓊 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉, 𝓎𝑒𝒶𝒽
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓇𝑜𝓊𝓉𝑒, 𝒽𝑒𝓎
𝓎𝑜𝓊 𝒸𝒶𝓃 𝒸𝑜𝓊𝓃𝓉 𝒶𝓁𝓁 𝓉𝒽𝑒 𝓈𝒽𝑒𝑒𝓅, 𝓎𝑒𝒶𝒽
𝒾 𝒸𝒶𝓃 𝓀𝑒𝑒𝓅 𝓉𝒽𝑒 𝒷𝑒𝒶𝓊𝓉𝓎 𝓈𝓁𝑒𝑒𝓅, 𝓀?

𝒾 𝑔𝑒𝓉 𝓉𝒽𝑒 𝓂𝑒𝒶𝒹𝑜𝓌𝓈 𝒶𝓃𝒹 𝓉𝒽𝑒 𝓁𝒶𝓀𝑒𝓈
𝓉𝒽𝑒 𝒹𝒶𝒻𝒻𝑜𝒹𝒾𝓁𝓈, 𝓈𝓊𝓃𝓈𝑒𝓉𝓈, 𝒶𝓃𝒹 𝓈𝓃𝒶𝓀𝑒𝓈
𝓌𝒽𝑒𝓃 𝒾 𝒹𝓇𝒾𝓋𝑒 𝒾𝓃𝓉𝑜 𝓉𝒽𝑒 𝒸𝒾𝓉𝓎
𝓁𝒾𝓀𝑒 𝒶 𝓂𝓊𝓈𝓉𝒶𝓃𝑔 𝑜𝒽 𝓈𝑜 𝓅𝓇𝑒𝓉𝓉𝓎
𝑒𝒸𝒽𝑜 𝓂𝓎 𝓈𝓉𝒾𝓁𝑒𝓉𝓉𝑜 𝒸𝒶𝓊𝓈𝑒 𝒾𝓉'𝓈 𝓃𝑜𝓉 𝒶 𝓇𝒶𝒸𝑒
𝒿𝓊𝓈𝓉 𝓀𝓃𝑜𝓌 𝓂𝓎 𝓅𝒶𝓉𝒽 𝒾𝓈 𝓅𝑒𝓇𝒻𝑒𝒸𝓉
𝒾𝓉'𝓈 𝓂𝓎 𝒻𝒶𝓋𝑜𝓇𝒾𝓉𝑒 𝓅𝓁𝒶𝒸𝑒

𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓌𝒶𝓎
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎, 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎

𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓌𝒶𝓎
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎, 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎

𝓎𝑜𝓊 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉, 𝓎𝑒𝒶𝒽
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓇𝑜𝓊𝓉𝑒, 𝒽𝑒𝓎
𝓎𝑜𝓊 𝒸𝒶𝓃 𝒸𝑜𝓊𝓃𝓉 𝒶𝓁𝓁 𝓉𝒽𝑒 𝓈𝒽𝑒𝑒𝓅, 𝓎𝑒𝒶𝒽
𝒾 𝒸𝒶𝓃 𝓀𝑒𝑒𝓅 𝓉𝒽𝑒 𝒷𝑒𝒶𝓊𝓉𝓎 𝓈𝓁𝑒𝑒𝓅, 𝓀?

𝓎𝑜𝓊 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉, 𝓎𝑒𝒶𝒽
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓇𝑜𝓊𝓉𝑒, 𝒽𝑒𝓎
𝓎𝑜𝓊 𝒸𝒶𝓃 𝒸𝑜𝓊𝓃𝓉 𝒶𝓁𝓁 𝓉𝒽𝑒 𝓈𝒽𝑒𝑒𝓅, 𝓎𝑒𝒶𝒽
𝒾 𝒸𝒶𝓃 𝓀𝑒𝑒𝓅 𝓉𝒽𝑒 𝒷𝑒𝒶𝓊𝓉𝓎 𝓈𝓁𝑒𝑒𝓅, 𝓀?

𝒾 𝑔𝑒𝓉 𝓉𝒽𝑒 𝒷𝓇𝑒𝒶𝓉𝒽𝓉𝒶𝓀𝒾𝓃𝑔 𝓋𝒾𝑒𝓌𝓈
𝓉𝒽𝑒 𝒶𝓅𝓅𝓁𝑒𝓈 𝒶𝓃𝒹 𝓃𝑜𝒸𝓉𝓊𝓇𝓃𝒶𝓁 𝓉𝑜𝑜
𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝓇𝒶𝒾𝓁𝒷𝓁𝒶𝓏𝑒 ☆ 𝓉𝒽𝓇𝑜𝓊𝑔𝒽 𝓂𝑒
𝓁𝒾𝓀𝑒 𝒶 𝒹𝑒𝑒𝓇 𝒾𝓃 𝓉𝒽𝑒 𝒽𝑒𝒶𝒹𝓁𝒾𝑔𝒽𝓉𝓈 𝓎𝑜𝓊'𝓁𝓁 𝓈𝑒𝑒
𝑒𝒸𝒽𝑜 𝓂𝓎 𝓈𝓉𝒾𝓁𝑒𝓉𝓉𝑜, 𝑜𝑜𝓅𝓈 𝒾 𝓈𝓌𝑒𝑒𝓅 𝓂𝓎 𝓉𝓇𝒶𝒸𝓀𝓈
𝒷𝓊𝓉 𝒾'𝓂 𝓃𝑜𝓉 𝑔𝑜𝒾𝓃' 𝒹𝑜𝓌𝓃 𝓉𝒽𝒶𝓉 𝓇𝑜𝒶𝒹
𝓈𝑜 𝓈𝒾𝒸𝓀 𝒷𝒶𝒸𝓀 𝒶𝓃𝒹 𝓇𝑒𝓁𝒶𝓍

𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓌𝒶𝓎
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎, 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎

𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓌𝒶𝓎
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎, 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎

𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓌𝒶𝓎
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎, 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎

𝒾𝒻 𝓎𝑜𝓊 𝓌𝒶𝓃𝓃𝒶 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒽𝑜𝓇𝓉 𝒸𝓊𝓉
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝒾𝒸 𝓌𝒶𝓎
𝒾 𝒸𝒶𝓃 𝓉𝒶𝓀𝑒 𝓉𝒽𝑒 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎, 𝓁𝑜𝓃𝑔 𝓌𝒶𝓎
credits
released June 21, 2022

Trailblaze ☆

Picket Fence

https://chemicalx.ffm.to/puresmilesnakevenom

Song Credits - 
Performed by Eartheater
Produced by Eartheater and Sega Bodega
Mixed by Gabriel Schuman
Mastered by Joe LaPorta

Pure Smile Snake Venom

New track peeps - this is Seduction Feat. Michelle Garrett.

Dj J Instinct - Seduction Feat. Michelle Garrett

summeryyyy bootleg of Just Won't Do by Tim Deluxe Direct Dls on and free dl on bandcamp

FREE DOWNLOAD

Just Won't Do (FREE DOWNLOAD)

This is an album for myself, my friends, and all of the sweet people that have supported me and inspired me, I love you. Let’s celebrate

OIL OF EVERY PEARL'S UN-INSIDES

Is It Cold In The Water?

The Pom-Poms = Kitty + Sam Ray
email us! pompomsband@gmail.com

FULL CIRCLE

Written and performed by Eartheater
Produced by AceMo & Eartheater
Mixed by Kiri Stensby
Mastered by Heba Kadry

Eartheater - Supersoaker (prod. Acemo)

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

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The Pom-Poms

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