stef lijst

Slam/Out Here

Slam

This song… it’s more than lyrics or beats.
It’s a piece of me — the part of me that never fit in, never blended, never softened myself just to make the world comfortable.

I’ve spent years being told I was “too much,”
too loud,
too emotional,
too real,
too honest,
too different.

And for a long time, I let that hurt me.
I tried to shrink, tried to hide my fire, tried to quiet down the parts of me that made others uncomfortable.
But all it did was dim my own light.

“One of a Kind” is the moment I stopped apologising for who I am.
It’s the sound of me standing tall,
hands in the air,
heart wide open,
owning every scar, every laugh, every flaw, every victory.

This track is powerful because I finally wrote from the place I always feared the most — the truth of being misunderstood, but choosing myself anyway.

The rave drops represent my freedom.
The emotional verses represent my past.
The euphoria in the chorus is me stepping into who I was always meant to be.

I wanted this song to feel like:

✨ A woman rising after being broken
✨ A soul that refuses to blend in
✨ A fire that refuses to go out
✨ Strength born from pain
✨ A reminder that being different is a gift, not a burden

When people hear this song, I want them to feel the same thing I felt writing it:
that you don't need the world’s approval to be powerful…
you just need your own courage.

“One of a Kind” isn’t just a title.
It’s a declaration.
It’s a promise to myself.
It’s a love letter to every wild, misunderstood, beautiful, unstoppable soul who never gave up — even when the world didn’t understand them.

This is me.
This is my truth.
This is my heartbeat in music form.
I am one of a kind…
and I finally love that.

— Shauna Hills💯💪


ONE OF A KIND

Light Up the Sky

Fight Fire with Fire (feat. Ho99o9)

We Live Forever

No Tourists

Timebomb Zone

Appendix churning bass , warehouse sound of 1990-1992 , lydons wit and sneer , bomb squad production ,1950s sci fi horror , ultra magnetic mc's, bruce lee,billy childish, qotsa ,the eighties matchbox b-line disaster ,60 hz ,1990 pills ,rick rubin,mr oberheim 2 voice and mr ms20 sub bass breaker, veuve clicquot yellow label lubrication, mr crabs, roger moore , 4 in the morning bullshit.

Manager:
John Fairs
info@jcfmgmt.com

Light Up the Sky

The Prodigy

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