Liking this :) Based in Leeds too with similar ideas we should colab, remix or summit

Kara-Lis Coverdale - "Aftertouches" out on Sacred Phrases March 2015. 

Video for "Touch Me & Die" https://vimeo.com/123012895

download: https://sacredphrases.bandcamp.com/album/aftertouches


Kara-Lis Coverdale - Touch Me & Die

After three pop records from East India Youth, The Charlatans and Grumbling Fur, plus the murderous excursion of John Doran's spoken word collaboration with Arabrot, Nik Void, Perc, Nicky Manics, and British Sea Power, we thought it was about time that The Quietus Phonographic Corporation gave you all the chance for a knees-up. This comes with a record that exists as an LP that'll also suit a knees-up, and is by Leeds duo Chrononautz. Noments is two sides of tough techno oddness that, for all the M62 grit, never forgets that raving ought to be an absolutely massive, hectic hoot. Noments is released via all good record shops on strictly limited 12" on July 19th, with the digital release also featuring remixes from Bleaching Agent and Photonz.

Chrononautz on Facebook: http://www.facebook.com/Chrononautz
and Twitter
http://www.twitter.com/Chrononautz

Chrononautz - Noments (sampler)

Strands

steve hauschildt 'strands'

A track from the album 'UV Sea' out 02/13/16 on Constellation Tatsu.

Forest Walker - Desert Lighthouse

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

Mirage

Chihei Hatakeyama - starlight and black echo

Iury Lech - Barreras

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Jon Hassell - Dreaming

from "Gave In Rest," Sarah Davachi's new album out September 14th, 2018, from Ba Da Bing Records, Preorder here:https://tinyurl.com/y93h4zbl

Gave In Rest

Pre-order

Sarah Davachi - Evensong

from the album ~~~
https://anaroxanne.bandcamp.com/album/-

Ana Roxanne is an intersex Southeast Asian musician based in Los Angeles. Born & raised in the Bay Area to immigrant parents, Ana's love for music and singing began through her mother's cd collection of 80's/90's R&B divas. Raised in the catholic church, she became a devout choir nerd and found any opportunity to sing, whether for religious mass, the jazz ensemble of her catholic high school, or karaoke at family gatherings. Her commitment to singing led her to a brief stint at a vocational jazz program in the cornfields of the midwest; in a remote town of 7,000 people, she began a formal study of jazz and classical music. During these years she would tour with her jazz and chamber ensembles to beautiful old cathedrals in nearby cities and became enamored with the sacredness of choral music, as well as the enveloping sound of harmony. 

A near death experience, too, served as a connection between music and spirituality, and music as a healing art after facing tragedy. 

In 2013, Ana was also fortunate enough to spend a few months in Uttarkhand, India where she met an incredible voice teacher who introduced her to classical Hindustani singing. Living and studying with this teacher deeply impacted her outlook on the voice as art. It was there that she began to see the singer - the Diva - as a symbol of divinity; that the unique power of one's voice comes from the vulnerability of using the body as an instrument. Be it romance, love, or worship of a deity - in order to access such depths of emotional expression, one must be willing to be intensely vulnerable, lay one's heart in the open air, expose what is kept hidden. This brief study was the catalyst that led her to finish her music study at the experimental Mills College in Oakland, CA, where she began to combine all of these influences into her current self-titled project. This album ~~~ was created during her last years residing in the Bay Area, a tribute to the great musicians who inspired her and the landscape where she spent her formative years. 

In addition to the worship of R&B and pop divas, Ana's current practice explores themes of gender & identity. In October of 2018, she decided to come out publicly as intersex, and is dedicated to being a voice for her community and speaking out about social justice for intersex youth.

Ana Roxanne - Nocturne

from the album 'because of a flower' available 11/13

because of a flower

ana roxanne 'suite pour l'invisible'

The Quietus is an online magazine devoted to music, film and popular culture. We travel the world chasing tinnitus and the ultimate brew. Check our website for music reviews, news, interviews and extraordinary things.

Chrononautz - Noments (sampler)

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