invisible Robots

Recording from nitsa night on december 17th 2021

John Talabot dj set @Nitsa (17Dec21)

Recording of John Talabot b2b Oberman at Draaimolen Festival 2022.

John Talabot B2b Oberman at Draaimolen Festival 2022

The Panorama Bar mix series on Ostgut Ton returns with volume 06, mixed and compiled by Panorama Bar and Berghain resident Ryan Elliott. Download the free .WAV file (1.46 GB).

Tracklist
1. Portable - Shadowdancing (Dancecapella) (00:00)
2. Newworldaquarium – Thousand Oaks (00:15)
3. Tuff City Kids – Breacher (00:54)
4. Daniel Jacques – End Of My World (03:41)
5. JT Donaldson – Mindsmoke (07:33)
6. Norm Talley – More Powder (09:22)
7. It's Not Over – Late At Night (VIP Mix) (11:16)
8. Different Noodles – Banana Resort (14:23)
9. Alex Falk – BF (17:49)
10. Makam – Girls Night (20:44)
11. Octave One – Track 3 (23:55)
12. James Duncan – Shades Of House (A2) (25:42)
13. Wincent Kunth – Re Entry (28:14)
14. A Sagittariun – Conquering Lions (29:15)
15. Deadbeat – Whoa! (31:27)
16. Hard House Banton – Reign (34:50)
17. K-HAND – Clap Yo Hands (38:28)
18. Groove Chronicles – Your Power’s Taking Over (42:15)
19. Head High – Power Seat (44:59)
20. Taka Boom featuring Chaka Khan – Groove Like That (48:07)
21. Mr. Tophat & Art Alfie – House Music (52:00)
22. Mr G – Womb (55:05)
23. eLBee BaD – Don’t Wanna Lose Ya Love (58:02)
24. Bluelite – Enlite (59:32)
25. Will Azada – Pump That Shit (1:01:55)
26. Tronic Pulse – Hit That (1:04:25)
27. Heiko Laux – The Bridge (1:07:18)
28. Roman Flügel – The Odd Lobster (1:09:43)
29. G. Marcell – Breathe (Exhale Mix) (1:12:56)
30. Borrowed Identity – Leave Me (1:14:29)
31. The Oliverwho Factory – Take It Slow (1:17:19)
32. Genius Of Time – Tuffa Trummor Med Röst (1:21:14)
33. Nick Höppner – Track For Eb (1:25:54)
34. Terrence Dixon – Innocence (1:29:10)
35. Marcel Dettmann – Light (1:30:17)

Mixed and compiled by Ryan Elliott

All tracks used by kind permission of the respective copyright holders.

Mastering by Jan Wagner at Faust Studio
Photography by Sven Marquardt

for full info, credits and extended artwork go to:
http://ostgut.de/label/record/120

This mix is dedicated to my friends.

mix releases

Panorama Bar 06 | Ryan Elliott

Echoes hum, bodies moving.
This is true spirit of Breakfast Club, unfolding.


Ogazón: "This set felt like a homecoming — warm, familiar, and charged with energy. The familiar faces and unwavering support are something I don’t experience anywhere else, and that drives me to perform at my absolute best. But the real magic? Locking into an effortless groove from the very start while playing alongside a legend like Marcel. That was the cherry on top: a true highlight I won’t be forgetting anytime soon."

Marcel Dettmann: "Playing at Breakfast Club in the early morning is always a unique experience — the people there are musically open, ready for experimentation, and come with a certain expectation: they want to be taken on a journey. What made this set special was the combination of Ogazón and me. I think we had a great feel for the moment, for the groove and the tension. The energy was electrifying."

Marcel Dettmann b2b Ogazón - BFC ADE 2024: RADION Saturday

John Talabot @ MakingTime 2024

Found a bunch of old tracks I produced from 2004-2008. 

7 of the 9 tracks have never been shared with any friends. 
I performed "Broken Hands" as a closing track at some Hiphop show back in 2009. Other than that, Noone has heard this shyte but me. 

Most of them have a softer, less silly feel to most of the stuff I was making at the time. I wanted to separate these and put them online for the (literally) few friends I know who may enjoy them. It's not truly "IDM" or hiphop or whatever.. It's just the shit that I made at the time. None of it is mastered and that's kind of the point of the old I.R music. It was just low budget songs thrown together with a crappy mic. I like listening to this little collection because I can see the potential I had at the time and I can also see where I could have made improvements on the production/structure of songs etc.

I have tons of 2008-2010 I.R stuff when I was starting to make "Dubstep" (hah) but that shit will never surface. I will be uploading some of the old "silly" songs in the coming weeks. I think i'd like to just throw as much as I can find online and just put it all behind me. 

Though, listening to the old silly stuff inspires me to create a new I.R album. I am more experienced and think I can produce a good mix of the old silly shit mixed with a modern sound. 

I'd like to thank my old friend Benjamin Pena aka "Producer Snafu" for the artwork. A lot of tracks that came out in the 2004-2008 era were because of him. He always hooked me up with programs and showed me how to use things like Adobe Audition to chop up samples etc. In a big way it makes sense for him to have created the art for this. (He also compared me to Daniel Johnston. Which is an amazing compliment.)

I send many thank yous his way and encourage everyone to check out his music at Soundcloud.com/ProducerSnafu 


*OH! Also... the little melody that is looping during track 1 "Secret Admirer" is not produced by me. I was drinking alone one night in 2004 chatting with my friends on Myspace in the middle of the night. I was listening to some Buck 65 album and this melody drops in the middle of some track. I recorded it right away, looped it and turned the microphone on. The words you hear weren't written and were done in one take. I just hit record and started singing the first words that came to my head. All the other "Im'ma monkey" stuff were added after the fact. Low budget, but that's the point. 

Love you.  

Invisible Robots - The Help Line

Invisible Robots - Why you ruin my souffle ?

Invisible Robots - Secret Admirer

Michael Greene is Fort Romeau, an accomplished producer of smooth and sumptuous, or more groove driven and kraut influenced, house music. It has come in the form of many compelling EPs and LPs and on labels like Spectral Sound, Live At Robert Johnson and 100% Silk and takes cues from Italo and New Wave amongst other things. An intriguing producer who is genuinely bringing something new and fresh to the decades old house sound, he is a welcome addition to our series.  The mix we have on offer from Fort Romeau is one recorded at a recent gig at Corsica Studios in London that found him playing all night long. It was a real opportunity for the man to go deep, serve up curveballs and indulge many musical passions in one long session. 

“I really like playing in this way,” he says. “There’s so much freedom to shape the entire musical language of the evening and to make connections between disparate musics that you just can’t really do in two or three hours at peak time. Corsica is one of London’s best spaces in my opinion, the DJ booth is rock solid with none of the typical problems of playing vinyl that plague clubs these days, the sound system is good and the crowd has always been great in my experience, so i was pleased to be able to take over the programming for the night.”

The near six hour selection touches on ambient as well as various different strain of techno and house from across the ages. All knitted together into a perfectly balanced and well paced mix that keeps a vibe alive throughout, it is a fine testament of his skill in the booth as well as a nice little peak into the influences and inspirations that inform his productions. 

Dekmantel Podcast 040 - Fort Romeau

Human Sausage / Skye Burial / Inner C

Richie Hawtin: DE9 | Closer To The Edit (2001) MINUS8CD

Live from the board plus crowd mic on Saturday November 24, 2018. Thank you to Mutek and everyone in attendance.

Partial BMC tracklist of music available on bandcamp:
https://buymusic.club/list/avalon-emerson-mutek-mexico

Live at Mutek Mexico

111 minutes recorded at Robert Johnson on Saturday, 23 March 2019

Robert Johnson Archive 0003: Midland

242 minutes recorded at Robert Johnson on Friday, 8 February 2019

Robert Johnson Archive 0004: Gerd Janson b2b Roman Flügel

Recorded at Freudentaumel im Salon der Lieblingsbucht surrounded by many, many, many beloved faces. Wtf! Felt like in a zoo. Obrigaaado!

Bambule in der Bucht

Founded in the UK in 2008, The Quietus is one of the world’s leading independent websites for quality longform writing on visionary and modernist music and culture, covering all genres with an equal weighting.

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Human Sausage / Skye Burial / Inner C

The Quietus

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