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Welcome to a music time-slip in the World of Versailles. Music by Georg Friedrich Händel.

Time-Slip to Versailles

Hiraeth v1

Fire! - She Owned His Voice

from 'Feed The Tape' [CD|2xLP|DIGITAL]
Denovali Records · den247
available on all formats at [http://denovali.com/orsonhentschel]

Orson Hentschel is a German composer and producer based in Düsseldorf. Having started to play classical piano at an early age, he now mainly composes electronic, experimental and film music. His debut "Feed The Tape" is strongly influenced by Classical Minimal Music. Especially the compository methods of Steve Reich such as phase variations, looping and imitation enter Hentschel's work. However, these methods serve as characteristic compository elements rather than being in the focus of the pieces. The loop, which often is the starting point of one of Hentschels works, usually plays the role of a constant sound substrate on which harmonic-melodic elements can thrive.

Although Hentschel went through a classical musical education, his compositional techniques are by far not traditional. In fact he does not start with a musical idea, but with searching for suitable sound material. His interest lies in sounds and samples which had been used in a music or film music context before - film audio tracks, soundtracks, music albums, internet, sound libraries etc. He estranges this source material in order to create his own sound - hence the name of his debut album. Hentschel's interest in polyphonic vocal music from the late middle ages - especially ars nova and trecento - stems from his earlier study of musical science in Vienna and Dresden. For this reason two of his pieces (Florence, Slow-Moving) contain music from this epoch in a processed form.

Hentschel does not consider himself as a composer of contemporary music, but as a multimedia artist. He developed his own audiovisual performance, based on the interplay of light, visuals and fog. Moreover he is supported by live drummer Lukas Baumgart and together him and Hentschel create an energy which can be heard as well as felt. His aim is to take the listener on an hour-long journey which brings him to the limits of what he can bear. This is achieved by extended repetitions and long arcs of suspense rather than sheer volume. 

Feed The Tape

Orson Hentschel - Noise Of The Light

'Slow Morning' is the new work by maltese artist Robert Farrugia. The album comes in a 6-Panel CD with pictures by Brian Young.

Written and Produced by Robert Farrugia.
Mastering by Rob Small.
Cello on 'Haze' by Matthew Farrugia.
Photography by Brian Young  |  www.instagram.com/losingtoday 
Archives35 // ArchivesCD016
Archives / 2017

Buy CD/Digital

Robert Farrugia - Coastal

In 2016 ATLAS Arts, in partnership with Artangel, brought Bethan Huws’ film Singing for the Sea (1993) to the Isle of Skye. Huws’ film documents a group of eight Bulgarian women, the Bistrista Babi, who Huws invited to travel from their home in the heart of Eastern Europe to the edge of an island, to the north east coast of England. She then asked the women to sing to the North Sea.

This film installation marked the start of A Work for the North Atlantic, a year-long programme of commissions, exhibitions and workshops exploring singing and the sea. As part of this ATLAS commissioned a new piece of work by Richard Skelton.

Skelton has created a multi-channel composition that evokes Huws’ work and its re-sited presentation in the Scorrybreac boathouse, Portree. He has turned his attention to the west, from the North Sea to the North Atlantic. Exploring traditional songs, field recordings, and inspiration from the landscape of Skye, its seascape and the stories that accompany them, Eilean Fuinn suggests that the sea and the landscape are "endlessly singing to each other" over the vastness of geological time.

Richard Skelton - Eilean Fuinn exceprt

~ IIKKI 008 ~

music : Aries Mond
photography : Dmitri Markov
album/book : Cut Off
duration : 37.55 mn
date : March 2019

edition : 
vinyl : limited to 300 copies hand numbered 
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 500 copies hand numbered + hand stamped

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pre-order : February 18th, 2019 / official release : March 18th, 2019

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Mastered by Taylor Deupree
Artwork by Dmitri Markov
Design by Sprflxgrfzm

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Links :

https://www.ariesmond.com/
https://soundcloud.com/aries-mond
http://www.dcim.ru/
https://www.iikki-books.com/

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℗ & © 2 0 1 9 - I I K K I - I I K K I 0 0 8

Aries Mond - Cut Off (album preview)

Track taken from the upcoming album 'Still Life', forthcoming on Fluid Audio...

Composed mixed and arranged by Edu Comelles using samples from rehearsals with Música Trobada Ensemble of Baroque Music. Samples feature harpsichord, violins and countertenor voice. Electric bass by Isabel Latorre recorded in Valencia in 2019.

www.fluidaudio.bigcartel.com/mailing-list

Still Life

Edu Comelles - Lament

**taken from the upcoming Zelienople album "Hold You Up", coming March 13th on Miasmah.

"For their first album in 5 years, Zelienople turns on the current time with a record of low-key decaying songs wrapped in hypnotic, driving rhythms.

The Chicago based trio is back with a stunner of an underground pop album. Their most reverb heavy bombast is gone in favour of pure earth bound intimate tunes that feel like they summon the spirit of the late Mark Hollis. Shrouded tribal percussion and rippling vocals are at the forefront, while looped atmospheres echo in the distance.

Since the release of their last album, vocalist Matt Christensen has been known for pouring his soul out in countless bandcamp releases of singer/songwriter, experimental and ambient offerings. It's hard to keep up with him, but one can't but to admire the dedication and extremely high quality of it all. Mike Weis on the other hand is less prolific, but has become a focused student of Korean Shaman and Buddhist music, often performing in zen based percussive rituals when he's not involved in side projects of improvisational music. Brian Harding is perhaps the most anonymous of the three, yet he is the steady, grounding element on bass that keeps them as one. Together, they create a beautifully realised own voice that feels especially close on their new album. Hold You Up is like a slow walk through a withering world, though one with a sense of refuge. This is music with heart - navigating darkness through light."

Hold You Up

Zelienople - You Have It

2017

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Founded in the UK in 2008, The Quietus is one of the world’s leading independent websites for quality longform writing on visionary and modernist music and culture, covering all genres with an equal weighting.

The Quietus treats the emerging artists of the genre-melting present with the same reverence the mainstream reserves for the stale canon of yesteryear. We look to reappraise and revitalise those artistic pioneers abandoned in the hinterland.

We champion trailblazing and illuminating cultural journalism from around the world – numerous successful writers and broadcasters are first published on our pages.

After years held back by a creaking old website, The Quietus (tQ to our friends) has been regenerated, providing an indispensable portal to a realm of cultural discovery, devilment and debate.

“The Quietus believes in the power of cultural criticism to cut through the noise of social media and the ultimately disappointing guidance of tech platform algorithms. To write down a series of words that have never been combined before, expressing a complex series of emotions, thoughts and experiences that unites writer and reader at a level that feels telepathic and changes the joint experience of reality: That is the definition of magic.” – tQ Co-founder John Doran.

Richard Skelton - Eilean Fuinn exceprt

The Quietus

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