There sure is a veil. And you are lifting it.

so beautiful how the intensity and layering of the sounds build up...like the faint distant persistant percussion..

Truly magical piece. I like how the drum track is almost like an afterthought yet it finds its place perfectly in the composition and the mix. Thank you for sharing.

really great atmosphere and good composition

‘aqua aeterna’
Modular Eudemonism.
Track created in 2023.

Columbo on the beach.

Fully generative.

Tools :
Marbles (with jitter).
- E352 Cloud Terrarium (Morph+Phs) > Data Bender > Monsoon (Clouds mode).
Ochd, Batumi, Zadar.
Quad Vca, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Ocean Reflections [modular eudemonism]

Nightmare Pop
Video on YT: https://www.youtube.com/watch?v=x1eIpzx4_pY

In the Key of Dying

rain rituals -
if the gods are here now
to see the paddies
(Takarai Kikaku)
https://www.naviarrecords.com/naviarhaiku599-rain-rituals/
Komposition1076 FlöteViolineCelloTrio

rice and rain (naviarhaiku599)

This is a collaboration with Stan Magendanz (https://soundcloud.com/stan_magendanz)
Hear the awesome original at https://soundcloud.com/stan_magendanz/opheretri
K995 Fagott

Bridge (Stan & Robert)

Another track from 12 years ago, written under the name Before After.
I love this song to bits and just wanted to save it from the clutches of oblivion.
--
Me: composition, programming, editing
Can't give credit to the creator of the artwork, didn't look up their name when I stole it from the Interwebs back then. My sincere apologies.

Neighborhood

‘in principio creavit Deus cælum, et terram’
Travel Stories.
2025 semi-live performance.

I started producing Trans-Lunar Injection (https://soundcloud.com/petrus-major/trans-lunar-injection-travel) before learning of Jim Lovell's passing. The initial reference was simple: I was inspired by Kraftwerk's TransEurope Express (thanks to @fhauna for spotting this reference) and I wanted to travel through space :) hence the chosen theme and title. I finished the track after Lovell's passing.

The Apollo VIII epic had a huge impact on me, even though I was young at the time, as had those of Apollo XI and the others, of course. So my little dedication was sincerely necessary.

Then I wanted another version, more streamlined, and above all focused on the Apollo VIII mission with this extraordinary message sent from lunar orbit, including the reading of the first verses of the Book of Genesis by each crew member, on Christmas Eve, December 24, 1968, during a television broadcast: a magnificent event within the event! (I might come back to this later).

Sorry for this long introduction...

Tools :
Pam’s, Marbles.
- DFAM > Data Bender > FX Aid (#27 reverb hall medium).
- Drum2 (noise crush) > DSP (leslie speaker).
- Polygogo > Monsoon (clouds mode).
- Plaits (vowel and speech synthesis) > Sisters.
- Basimilus.
Ochd, Diode Chaos, Rnd Step.
Tetrapad, 3x MIA, Mutes.
StMix, Black Stereo Mixer, Listen IO.
Apollo 8 Genesis reading: https://commons.wikimedia.org/wiki/File:Apollo_8_genesis_reading.ogg
Transcript (and more information): https://en.wikipedia.org/wiki/Apollo_8_Genesis_reading
Recorded, mixed and mastered with Logic Pro.

Associated image : Petrus Major.

TLI Genesis RMX [travel stories]

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

B/ Easier Weather

‘a divinis’
Wastes & Sequences.
2022 live performance.

Chaotic music engineering franchise.

Tools :
Marbles.
- Loquelic Iteritas Percido > Sisters > Desmodus Versio.
Ochd, Sinc Defero.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Screamalodon Tropilabia [wastes & sequences]

Produced & mastered by BotNikStudio2, Bottna, Sweden.

WHEN NARCISSUS FOUND A MIRROR

Video Link: https://www.youtube.com/watch?v=s18h6BIgUwc

The Earth Love

Timeless (Inner Light Mix)

Timeless Earth (Inner Light Mix 2025) & Video Link

New track by Zuunzug! Little contest: Which movie does the opening voice of this track come from? Leave your answer in the comments, the first one to find will win a code to download our album Time Enough at Last on Bandcamp!
***
Nouveau morceau de Zuunzug ! Petit concours : De quel film vient la voix en introduction de ce morceau ? Laisse ta réponse dans les commentaires, le premier à trouver gagnera un code pour télécharger notre album Time Enough at Last sur Bandcamp !


In the Key of Dying

There Is a Veil

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