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FOLLOW THE LEADER

Bishop’s Beta — Cipher Suite
Core Theme: A bishop figure stripped of institutional gloss, moving diagonally through grief, silence, and coded resistance. The suite rejects fame, spectacle, and algorithmic conformity—rhyming instead for the erased, the unsung, and the unarchived.
Intro Verse — Strategic Silence
Tone: Whispered defiance, glyphic speech.
Imagery: Robe as ledger, staff as wound—symbols of corrupted authority.
Function: Establishes the bishop as a spectral figure who speaks in margins, not pulpits.
Key Lines: “I don’t do hooks / I do hauntings” “I rhyme for ghosts / not industries”
🔸 Middle Movement — Archival Grief
Tone: Dust-laced lament, archival excavation.
Imagery: Ruins, broken glass, barefoot tracing of erased names.
Function: Names the betrayal of history and the commodification of pain.
Key Lines: “I rhyme in ruins / I speak in dust” “I burn the script / they wrote my name”
🔹 Bridge Verse — Tactical Reversal
Tone: Tactical, chess-coded.
Imagery: Movement across the board, refusal to ascend.
Function: Reverses the bishop’s role—no longer a servant of hierarchy, but a cipher for pawns.
Key Lines: “I bend the board / they call it sin” “I lose the game / but never win”
🔸 Final Movement — Cipher Resurrection
Tone: Ritualistic, blood-coded, unyielding.
Imagery: Tombs, rites, stolen breath, fire.
Function: Resurrection through cipher—writing for the disappeared, not the algorithm.
Key Lines: “I rhyme in blood / not algorithm” “I write for those / who weren’t found”
🧠 Cipher Logic
Delivery: No hooks, no gloss—each line is a scar, each rhyme a refusal.
Philosophy: The bishop is not a preacher but a witness. Not a performer but a cipher architect.
Audience: The erased, the silenced, the unrecorded.

Bishop’s Beta - Cipher Suite # Hip Hop Rap

Im a Gee

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