Another exploration in hacking genres - Screw + Metal + Mashup = Metal Screw

Since 1999 I have been contemplating a proper way to define hacking music...over the years my studies and work as been a pursuit into defining this technique. I have come to the conclusion that to truly hack music is to hack genres. From this the concept of the name Dr1v3r has manifested. When dealing with computers there is software and hardware...in the Dj world there is hardware and software....I am the Dr1v3r that communicates the hardware to the software. So my introduction to this concept is to show how to cross the genre of screwed music with the genre Metal. What resonated with me to Screwed music is because as a child in 1984 I remember getting that tape player, and listening to ll Cool J , Whodini etc etc. My family did not have the money to pay for batteries so I always had to listen to music slowed, especially rock rap bands like The Beastie Boys and Red Hot Chili Peppers..so this set of tracks you hear is a tribute to the poor mans music. 

History of the track: This was a very personal track for me, I studied philosophy and psychology for years and I found it fascinating how Freud saw insight into the unconscious mind with art...what if you applied that to music? So based on linguistics and symbolism within the teachings in philosophy I paid close attention as to why in mashups it was always posted as song VS song. so I took that literally and took a narrative of Bitch and pit it against the bitches Addiction...hence what you hear now.

Are you really paying attention?

Lil Wyte Ft: SevenDust - Oxy Cotton Bitch - DR1V3R Mix

Another exploration in hacking genres - Screw + Metal + Mashup = Metal Screw

Since 1999 I have been contemplating a proper way to define hacking music...over the years my studies and work as been a pursuit into defining this technique. I have come to the conclusion that to truly hack music is to hack genres. From this the concept of the name Dr1v3r has manifested. When dealing with computers there is software and hardware...in the Dj world there is hardware and software....I am the Dr1v3r that communicates the hardware to the software. So my introduction to this concept is to show how to cross the genre of screwed music with the genre Metal. What resonated with me to Screwed music is because as a child in 1984 I remember getting that tape player, and listening to ll Cool J , Whodini etc etc. My family did not have the money to pay for batteries so I always had to listen to music slowed, especially rock rap bands like The Beastie Boys and Red Hot Chili Peppers..so this set of tracks you hear is a tribute to the poor mans music. 

History of thought behind the track: Émile Durkheim believed that deviance is a necessary part of a successful society and that it serves three functions: 1) it clarifies norms and increases conformity, 2) it strengthens social bonds among the people reacting to the deviant, and 3) it can help lead to positive social change and challenges to people’s present views (1893). Tony Montana explains this in is speech " You need people like me"

if your really astute then you will see the connection into Tony Montana's wisdom in which he says says he tells the truth..even when he lies..it's in direct connection to what Picasso said - We all know that Art is not truth. Art is a lie that makes us realize truth. 

This is the essence of Hegelian - Thesis VS Antithesis = Synthesis. Sosa should have seen Tony's Wisdom. 

Are you really paying attention - The rabbit hole goes deeper......

Chief Keefe Ft: Korn - Thoughtless Sosa - DR1V3R Mix

These are accumulated tracks remastered that I found were the best when applying Screwed with Mashups....

I present to you Tales from the Bard Vol.1

History behind the track - This particular track had to do with dealing with the mindset of gangs . I took the situation from the anime Fist of the North star, when Kenshiro was dealing with the gang leader Zenda...Ken was trying to tell him..your already dead, and hit him with it..Zendas brain exploded from the hit of wisdom...Azteks track slowed reminded me so much of the guitar rift from this scene.

I get it Miguel...bet your ass I do - DR1V3R

Tales from the Bard Vol.1

DR1V3R - Red Bandanna Already Dead - Aztek Escobar -  DR1V3R Mix

My sister told me to make this...What a smart cookie she is.

History behind the track - When I was a kid I use to walk in my room and listen to my sister bang Guns and Roses day by day while I was in my room bangin LL Cool J, in my mind i was really listening to a lay over.. I figure I would bring that to life here...in Mommas Jungle.

DR1V3R - Welcome To Mommas Jungle - LL Cool J Ft: Guns & Roses - Mashup

This was an experiment with taking a Srewed track and laying the same track over Screwed  n Chopped, its interesting because it establishes a faint echo and this particular lyric changed from

"Nobody cry, should have never testified"

to

"Nobody cry, I never testified "

Very interesting.......

Shout out to all my homies down in the Jungle....You know who you are!

Tales from the Bard Vol.2

DR1V3R - Never had a friend like ME - 2-Pac -  x2 Screwed

Love Sauls work...figured i would put sprinkles on it......

Concept: The concept of Scotch is a antithesis of Screwed music, Screwed Music is slowed 30 to 50 Bpm than the original. Scotch speeds the track 50 - 120 bpms, I enjoy laying over rock rifts, beats, or sounds to accentuate the track. As I move further into this exploration of hacking Dj Styles you will see Chopped from Screwed and Chopped to be forged into Hopped...then the track will be Hopped and Scotched...bad ass.

Tales From the Bard Vol.2

DR1V3R - List of Demands - Saul Williams FT: Breaking Benjamin - Scotched Mashup

This a first example of pure Hop n Scotch Style....

Tales from the Bard vol.2

DR1V3R - I Feel Like Dying - Lil Wayne - Hopped n Scotched

2nd Hopped n Scotched Track..Feel it.

Breakdown:

Thesis (Screwed and Chopped): DJ Screw's technique involves slowing down and manipulating the tempo of a track, creating a hypnotic and laid-back effect. The "screwed" aspect is the primary thesis.

Antithesis (Hopped and Scotched): As the opposite of slowing down, the "Scotched" aspect can be understood as speeding up the track, introducing energy and intensity. The "Hopped" aspect can be seen as chopping the track, adding a fragmented and dynamic quality that contrasts with the smoother, elongated feel of screwing.

Synthesis (Project Pat's Track - Hopped n Scotched): Applying this dialectical framework to a Project Pat track, I aim to create a synthesis between the thesis and antithesis. You could potentially take a Project Pat track and combine elements of both screwing (slowing down, hypnotic effects) and Hopping/Scotching (fragmentation, speeding up) techniques. This would result in a unique blend that captures the essence of both approaches while creating a new musical experience.

this is so unorthodox with the current DJ mindset..but when you conflict Hacking and Music..this is the result..Feel it. I fucking love conflict theory

Tales from the Bard Vol.3

DR1V3R - You Like - Project Pat - Hopped n Scotched

Pimpin this Hopped n Scotched Technique......

History behind the track:

"Nightcrawler" is a track by the hip-hop group Czarface, composed of rapper Inspectah Deck and the underground duo 7L & Esoteric. The song is featured on their collaborative self-titled debut album, released in 2013. While "Nightcrawler" doesn't explicitly deal with oppression, it embodies the group's larger body of work, which often touches upon social and political issues.

Czarface, known for their lyricism and gritty boom-bap sound, incorporates comic book and superhero themes throughout their music. Their name itself is a combination of the word "czar," representing power and authority, and "face," referencing the mask-wearing superheroes.

In the broader context of Czarface's music, their lyrics often convey a sense of rebellion against oppressive systems and societal injustices. They utilize vivid storytelling, wordplay, and metaphors to convey messages of resilience, individuality, and standing up against the status quo. While specific references to oppression may not be present in "Nightcrawler," the track shares the spirit of challenging societal norms and empowering individuals.

Hip-hop as a genre has a long history of addressing oppression and giving a voice to marginalized communities. Through their music, artists often shed light on the struggles faced by disenfranchised individuals and highlight the need for social change. Czarface's music, including "Nightcrawler," can be seen as part of this tradition by providing an outlet for expressing frustrations, championing personal agency, and encouraging listeners to question and challenge oppressive systems.

It's important to note that interpretations of music can be subjective, and listeners may find different meanings and messages within the lyrics of "Nightcrawler" or other songs by Czarface. The impact and perception of music can vary from person to person, allowing for individual connections to the themes of empowerment and resistance.

In summary, "Nightcrawler" by Czarface, while not explicitly addressing oppression, aligns with the group's larger body of work that challenges societal norms and empowers listeners. Czarface's music, like much of hip-hop, contributes to the broader tradition of using the genre as a platform for addressing social and political issues, advocating for change, and providing a voice for marginalized communities.

DR1V3R - NightCrawler - CzarFace Ft: Method Man - Hopped n Scotched

I tightened this up a little bit- Enjoy! and always provide comments a feedback its always appreciated!

History behind the track:

"Notorious Thugs" is a song by The Notorious B.I.G., featuring Bone Thugs-n-Harmony, released in 1997 as a part of Biggie's posthumous album, "Life After Death." While the song primarily focuses on showcasing the lyrical prowess and rapid-fire delivery of both Biggie and Bone Thugs-n-Harmony, it doesn't have a direct thematic connection to oppression. However, within the larger context of Biggie's work and the rap genre as a whole, there are aspects that relate to oppression and societal issues.

The Notorious B.I.G., also known as Biggie Smalls, was a highly influential rapper in the 1990s and is considered one of the greatest rappers of all time. His lyrics often reflected his experiences growing up in Brooklyn, New York, and his exploration of street life and the hardships faced by individuals in marginalized communities. While "Notorious Thugs" doesn't explicitly tackle issues of oppression, it is a part of Biggie's larger body of work that delves into these themes.

Rap music, including Biggie's work, has historically served as a platform for artists to express their perspectives on social and political issues, including oppression. The genre emerged from the African American experience, rooted in the struggle for civil rights and combating systemic injustices. Many rap songs address topics such as police brutality, racial inequality, poverty, and the challenges faced by marginalized communities.

In the case of "Notorious Thugs," the song's inclusion on Biggie's posthumous album "Life After Death" reflects the impact of his untimely death on the rap community and the collective mourning of his fans. Biggie's death in 1997, following the murder of Tupac Shakur the previous year, shed light on the violence and conflicts within the rap industry, which in turn highlighted the broader issues of violence and oppression that persist in society.

Furthermore, Biggie's music often conveyed the struggle to escape the confines of poverty and find success in a society plagued by inequality. While "Notorious Thugs" may not directly address these issues, its inclusion within Biggie's discography contributes to a broader narrative that explores the challenges faced by individuals from marginalized backgrounds and the systems of oppression that they confront.

In summary, "Notorious Thugs" by The Notorious B.I.G., while not directly addressing oppression, is a part of Biggie's larger body of work that delves into the experiences and struggles faced by individuals in marginalized communities. As a genre, rap music has historically served as a platform for artists to express perspectives on social and political issues, including oppression. Biggie's music, along with other rap artists, sheds light on the challenges faced by marginalized communities and the broader issues of inequality within society.

Tales from the Bard Vol. 3 

DR1V3R - Notorious Thugs - Notorious BIG Ft: Bone Thugs n Harmony - Hopped n Scotched

Figured I would do it...... perfect way to close out Tales of the Bard Vol.3

Tales from the Bard Vol. 3

DR1V3R - Crank Me Up - Pastor Troy - Hopped n Scotched- Bonus Track 2

In my research, my ideological studies have led me to the philosophical concept of Hegelian thought. With this understanding, I have decided to construct "Tales from the Bard Vol. 4," an album that embodies the synthesis of screwed and scotched tracks with hopped n scotched and screwed n chopped included, which is the essence of DJ hacking and a Easter Egg within itself..... Through this music, I aim to move the crowd and evoke a profound sense of connection and emotion. Enjoy the Easter Egg Album!

Breakdown:

Thesis: "I'm Not an Addict" by Ran-D & Psyko Punkz ft. K's Choice

The thesis, embodied by "I'm Not an Addict," is a dynamic hardstyle track that combines the energetic beats of hardstyle with the emotional vocals of K's Choice. The song explores themes of self-awareness, denial, and inner conflict, as conveyed through its powerful lyrics and driving beats. "I'm Not an Addict" carries a sense of urgency and determination, creating an intense and exhilarating musical experience that captivates listeners.

Antithesis: Slowed Version of "I'm Not an Addict"

The antithesis, represented by a slowed version of "I'm Not an Addict," introduces a deliberate contrast to the fast-paced and high-energy nature of the original track. By slowing down the tempo and altering the rhythmic structure, the antithesis transforms the song into a more contemplative and introspective piece. The slowed version emphasizes the emotional depth of the lyrics and allows listeners to immerse themselves in the nuances of the vocals and instrumentation.

Synthesis: Harmonizing Contrasts

The synthesis involves harmonizing the contrasting elements of the thesis and antithesis to create a balanced and emotionally resonant composition. Imagine a track that starts with the original "I'm Not an Addict," capturing the energetic and intense essence of the hardstyle beats and powerful vocals. As the track progresses, it gradually transitions into the slowed version, seamlessly blending the two variations.

The synthesis creates a dynamic narrative arc: the initial high-energy impact gradually evolves into a more introspective and contemplative atmosphere. The contrast between the two versions highlights the emotional journey depicted in the lyrics, allowing listeners to experience the internal struggle and transformation of the song's subject.

In this synthesis, the hard-hitting beats and vocals of the original track provide the foundation for the slowed version's emotional depth. The harmonization emphasizes the complexity of the song's themes, offering a holistic perspective that engages both the visceral and the reflective aspects of the listener's experience.

This creative synthesis encourages listeners to engage with the full spectrum of emotions conveyed by the song, from the initial intensity to the introspective depth. By fusing the contrasting elements, the synthesis creates a layered and immersive musical journey that invites listeners to explore the complexities of addiction, self-discovery, and personal growth.

Tales from the Bard  Vol.4

DR1V3R - I`m Not an Addict - Ran-D & Psyko Punkz Ft. K's Choice - Synthesized

Ride with it......

Breakdown:

**Thesis: "Tom's Diner" Instrumental by Suzanne Vega**

The thesis, embodied by the instrumental version of "Tom's Diner," offers a minimalist and contemplative musical experience. The song's stripped-down arrangement and tranquil melody create a sense of intimacy and reflection. "Tom's Diner" evokes a quiet and introspective atmosphere, inviting listeners to immerse themselves in its soothing and meditative qualities.

**Antithesis: "Today Was a Good Day" by Ice Cube**

The antithesis emerges through Ice Cube's "Today Was a Good Day," a track that contrasts sharply with the tranquil and reflective nature of "Tom's Diner." Ice Cube's lyrics celebrate a day of positivity, highlighting experiences of joy, camaraderie, and leisure. The track's upbeat tempo and energetic beats create a sense of liveliness and celebration, capturing the essence of a carefree and memorable day.

**Synthesis: Harmonizing Contrasts**

The synthesis involves harmonizing the contrasting elements of the thesis and antithesis to create a musical fusion that captures both the introspective and celebratory aspects of the two tracks. Imagine a composition that begins with the serene and contemplative "Tom's Diner" instrumental, drawing listeners into a state of reflection. As the composition evolves, it seamlessly transitions into Ice Cube's lyrics, infusing the arrangement with the vibrant energy of "Today Was a Good Day."

The synthesis creates a narrative progression: the initial calmness and introspection gradually give way to the exuberance and positivity of Ice Cube's verses. The contrast between the two styles serves to enhance the emotional impact of the synthesis, offering listeners a holistic and multi-dimensional experience.

In this synthesis, the tranquil ambiance of "Tom's Diner" instrumental forms a backdrop for Ice Cube's lyrics, elevating the celebratory aspects of "Today Was a Good Day." By combining the two tracks, the synthesis captures the essence of finding joy and contentment amidst moments of introspection, ultimately creating a nuanced and emotionally resonant musical journey.

Tales from the Bard Vol.4

DR1V3R - Today Was a Good Day - Ice Cube Ft: Suzanne Vega n DNA - Synthesized

Chillin...

Strategic Breakdown:

Thesis: "Dissolved Girl" by Massive Attack

The thesis, represented by Massive Attack's "Dissolved Girl," is a haunting and ethereal track that delves into themes of identity, transformation, and emotional detachment. The song's atmospheric and dreamlike production, along with its enigmatic lyrics, create a sense of introspection and mystery. "Dissolved Girl" embodies a sense of disconnection from reality, exploring the blurred boundaries between the self and the world. Its trip-hop sound and emotive vocals lay the foundation for our analysis.

Antithesis: Moneybagg Yo's "F* My B*ch"

The antithesis emerges through Moneybagg Yo's "F*** My B***ch," a track that contrasts sharply with the introspective and otherworldly nature of "Dissolved Girl." Moneybagg Yo's explicit and assertive lyrics, accompanied by a more aggressive trap beat, emphasize themes of dominance, materialism, and explicit sexuality. The antithesis rejects the contemplative tone of the thesis and embraces a more confrontational and brash style, focusing on power dynamics and hedonistic pleasures.

Synthesis: Harmonizing Contrasts

The synthesis entails a creative blend of the atmospheric qualities of "Dissolved Girl" and the assertive energy of Moneybagg Yo's track. Imagine a composition that opens with the ethereal soundscape of "Dissolved Girl," drawing listeners into a contemplative state. As the track evolves, it seamlessly transitions into Moneybagg Yo's delivery, infusing the atmosphere with his confident and aggressive vocal style.

This synthesis creates a unique juxtaposition: the dreamlike world of "Dissolved Girl" serves as a backdrop for Moneybagg Yo's explicit and assertive verses. The two contrasting elements coexist, resulting in a musical experience that engages both the mind and the senses. The blend encourages listeners to reflect on the interplay between introspection and outward expression, as well as the complexities of human emotion.

The synthesis doesn't simply juxtapose the thesis and antithesis, but rather integrates them to evoke a multifaceted emotional response. The atmospheric foundation of "Dissolved Girl" provides depth and context to Moneybagg Yo's assertive verses, enriching the overall narrative. This harmonization invites listeners to explore the tension between vulnerability and confidence, introspection and assertiveness, creating a nuanced and thought-provoking musical journey.

In this synthesis, the enigmatic and contemplative qualities of "Dissolved Girl" provide a framework that enhances the impact of Moneybagg Yo's assertive expression. The result is a composition that navigates the complexities of human experience, highlighting the diverse ways in which artists can convey their emotions and perspectives through music.

Tales From the Bard Vol 4

DR1V3R - F My Dissolved BM - Moneybagg Yo Ft Massive Attack - Synthesized

Just was thinking.....

Breakdown:

Thesis: "Trying 2 Forgive" by Kevin Gates

The thesis, embodied by "Trying 2 Forgive" by Kevin Gates, is a heartfelt and introspective track that delves into themes of self-reflection, growth, and forgiveness. The song's emotive lyrics and Kevin Gates' sincere delivery create an intimate and vulnerable atmosphere. "Trying 2 Forgive" explores the challenges and complexities of forgiving oneself and others, inviting listeners to connect with the raw emotions conveyed in the music.

Antithesis: Slowed Version of "Trying 2 Forgive"

The antithesis emerges through a slowed version of "Trying 2 Forgive." This version offers a deliberate contrast to the original track's tempo and rhythm, slowing down the pace and altering the overall mood. By doing so, the antithesis emphasizes the emotional depth of the lyrics, allowing listeners to immerse themselves in the nuances of Kevin Gates' introspective message.

Synthesis: Harmonizing Contrasts

The synthesis involves harmonizing the contrasting elements of the thesis and antithesis to create a musical fusion that captures both the vulnerability and introspection of Kevin Gates' original track and the slowed version's emphasis on emotional depth. Imagine a composition that starts with the sincere and vulnerable delivery of "Trying 2 Forgive," drawing listeners into an intimate state of reflection. As the composition evolves, it gradually transitions into the slowed version, seamlessly blending the two variations.

The synthesis creates a dynamic emotional arc: the initial sincerity and vulnerability gradually evolve into a deeper and more contemplative atmosphere. The contrast between the two versions serves to enhance the emotional impact of the synthesis, offering listeners a multi-layered experience that spans from raw emotion to profound introspection.

In this synthesis, the sincere lyrics and heartfelt delivery of "Trying 2 Forgive" provide a foundation for the slowed version's emphasis on emotional immersion. The harmonization encourages listeners to engage with the full spectrum of emotions conveyed by the song, creating a nuanced and emotionally resonant musical journey

Tales from the Bard Vol 4

DR1V3R - Trying 2 Forgive - Kevin Gates - Slow Thinkn Mix

I was always a fan of this track..then I listened to how Michael 5000 Watts Screwed n Chopped it..I said to myself..I can do that better..Enjoy this remastered bonus track done in 2008 while I was running from problems......

Tales From The Bard Vol 4

DR1V3R - Country Shit - Big K.R.I.T. - Remastered  - DR1V3R Mix - Bonus Track 2

DR1V3R - No Sleep Til Flow - NLE Choppa FT Beastie Boys - Synthesized

Underground Bard - Vol 1

DR1V3R  - We Belong Together - Mariah Carey - Slowed n Reverbed

Underground Bard Vol 1

DR1V3R - Biscuit - Portishead - Slowed n Reverbed n Hopped

DR1V3R - From Nothing - Key Glock - Slowed n Reverbed

DR1V3R - Red Dot - Juicy J Ft: Project Pat - Slowed n Reverbed

DR1V3R - 5 am 5 Star - Yo Gotti - DR1V3R Mix

Experience the dynamic fusion of Young Dolph's relentless "100 Shots" and 0fdrm's introspective "Count Your Blessings" in this  latest mashup. This musical journey navigates the contrasting worlds of aggression and gratitude, seamlessly blending the confrontational resilience of Dolph's narrative with the reflective tones of 0fdrm's ode to counting blessings. Through strategic lyric alignment and harmonious beats, this synthesis unveils a narrative complexity that invites you to explore the diverse themes within hip-hop.

DR1V3R - Count Your Shots - Young Dolph Ft: 0fDream - DR1V3R Mashup

DR1V3R - Daydream Fire to the Rain - Adele Ft: Tycho  - DR1V3R Mashup

DR1V3R - Business Man - SXMPRA Ft: Juicy J- DR1V3R Mix

DR1V3R - Yea Yea - Baby Cheef - DR1V3R Mix

Undereground Bard Vol 1

DR1V3R  -  Digital Dope - NugLife Ft: The Underacheivers - Slowed n Reverbed

Tales from the Bard Vol. 5

DR1V3R - Bad and Boujee Laundry - Bitter Sweet Ft: Migos - DR1V3R Mashup - Scotched

Tales From The Bard Vol 5

Track 2 - Popthatrunk - 1nOnly and Freddie Dredd - Hopped n Scotched

Tales from the bard Vol 5

DR1V3R - Girls Like Nice and Full Drugs - Paris Texas - Scotched

I was once known as Kniro Da Hop Scotcha...then I evolved into DJ Macker Da Music Hacker...Now I have been forged into DR1V3R

You can check out the full playlist here: https://www.youtube.com/@The_Real_DR1V3R

DR1V3R

Popular tracks