Name: Furor(Omar Santana x IceBerg Slim) by Omar Santana
Duration: 3 min 29 s
Description: Omar Santana x IceBerg Slim

this intro is flame love the synth, like the slight hardstyle sounds really good! The drop is really well put together, love how it counter points, keep creating!

This builds up so nicely! Great work on this man. Really digging that massive synth that pops in and out here and there (assuming that's massive.) Great choice on those stabs.

Sounds very big and atmospheric with a majestic progression. The beat is right on. 

Awesome song! The synths here could use some compression and little less reverb. I dig the song tho - cheers

While the trap is fashionable, keep it :D 

high fidelity sounds, good mixdown and crazy upbeat vibes.. very euphoroic. Peace!

This sound is very different and original but it is a decent tune if the speed was increased it would sound better 

Love that hats on this. Definitely the type of vibes to trap too. Don't stop man. Great energy off this.

This part is awesome.. Cool keys at the back and nice synth work...

X - Fly - We Rock The Hell

CHACHA BDAY 29 01 / MATTEK VS DYSTOPIE

This is an old track from DNA. This track was almost 2 years old before it got released.

White Fluids Of DNA

WAV/MP3 DOWNLOAD @
https://enzymerecords.bandcamp.com/track/psychiatric-ass

Around 1993, Van Kan started producing his first music. [source?] Van Kan used a cassette recorder and an improvised turntable for this. His first productions consisted of so-called "cut and paste" mixes. After a few years, Van Kan built his own studio. Van Kan bought his equipment, such as a sampler, and produced some tracks that were not officially released but were only listened to by friends.

Van Kan also started working in a coffee shop during this period. During this period, Van Kan produced a demo tape that he took to a record company through a friend who had the right connections. Here his first work called All that she wants was released by the company Bünkor Beats records.

During this time, Van Kan was booked as a DJ at various small parties, including underground parties. That's how Van Kan played at the big 'squat' party in the center of The Hague. DJ Mystic (Nosferatu's first pseudonym) played non-stop for over 7 hours that night.

After working as a DJ for several years, and then as a producer, Van Kan bought new equipment with which he made a new demo. When the well-known DJ Ruffneck (Patrick van Kerckhoven) performed at a party, Van Kan gave him a demo. From this point Van Kan really started his career. [source?] He got an appointment with Van Kerckhoven and Andrea v.d. Rhee from Cardiac Music bv. and became part of the record company 'Inspiration vibes' and 'Dangerous Battle'.

After that, Van Kan was with the Enzyme Records label. He has been with the larger Neophyte Records since early 2015.

DJ Nosferatu & Ophidian - Psychiatric Ass

Anonymous & E - Ject - Reasons To Believe

One of the first slower doomy tracks in the hardcore scene, often used by RTC as a first track to start the show.

Get It on Hardtunes

Rotterdam Terror Corps - The horror (original)

Furor(Omar Santana x IceBerg Slim)

Megarave Records presents Dione 's Millenium Floorfillerz! All tracks remastered by Dione himself! Hits like "Pain Till I Die" and "Come Here And Die" renewed! It is just the beginng of the Millenium Floorfillerz series.

Buy on Hardtunes

Dione - Member of Megarave (Remastered)

Hardcore Straight Outta Rotterdam
🔗🎲🎶X🎶🎲🔗

01 Hardcore straight outta Rotterdam

Rotterdam Terror Corps - Megarave (Dr. Z-Vago R`Dam Remix)

DJ Rob vs. Da Future - What Do We Die For

EARLY SHOW / HAPPY BIRTHDAY BRO 🥳

Booking inquiries contact h2ohrecord@aol.com

This tale from the hardside begins back in the early '80's in the metropolis that we know as New York City. John "Jellybean" Benitez's residency at The Funhouse Club in Manhattan had fulfilled the job of inspiring a whole new generation to take the sound of dance music well into the future and beyond.

One of these disciples went by the name of Omar Santana. Straight outta the borough of Queens in New York, Omar slowly began to make a name for himself by Ding as part of the Dynamic Rockers crew, putting on jams, sound-battles and creating a solid underground vibe to rock the city with. Through this, Omar started linking up with likes of Arthur Baker as well as the Tommy Boy and Sleeping Bag Records camps. This led on to much studio action as he started producing in a big way and during the '80's worked alongside some of the true sound pioneers like Mantronix, Boogie Boys, T la Rock and Stetsasonic.

The man was now on a proper roll and going from strength to strength by editing and remixing such artists as Public Enemy, Janet Jackson, Simply Red, Quincy Jones and The Rolling Stones. The list is endless... Omar was in serious demand and very quickly became known as one of the "Editing Kings" who would consequently stand the test of time as an inspiration for all future warriors in the trade of cut-up beats and sound.

The time had come for Omar to create an outlet for his material, so H2oh Recordings the came into being, releasing its own brand of Hardcore Flava, the label built up a strong reputation for itself and such was its success that a sister label by name of Tricked Out Recordings was brought into operation to concentrate and add even greater ammunition to the audio warfare in beats that was going on inside his head by setting the agenda for the Hard Hop/breaks sounds in America.




Furor(Omar Santana x IceBerg Slim)

Omar Santana

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