Dapper

King Kong

I wrote King Kong for the talented Charles Ellis who murdered these vocals.

King Kong

Anitdote "Remix" Ft. Ezboy

If you like what you hear, be sure to like, follow, and repost!

GWOP University Recordings. 
produced by Nasty New

Beezy - Passive Income on All Streaming Platforms 

Checkout our NFT Collection
 https://oncyber.io/beezy

Album Mode

child's play by sza(sped up + reverb)

Poems in Irish with English translations, and also the history of the Gerry Tobin Irish Language School (Scoil Ghaeilge Ghearóid Tóibín).  Originally recorded in 2004.  Book is available from xlibris or google books.

An File ar Buile

Siopaí Seandachtaí

Wrote this hook for a rapper from Arizona Daddy2Live

Conceited

Get It, Got It, Good is a bold, unapologetic club anthem built for late nights, flashing lights, and bodies moving without restraint. Blending EDM drive with raw R&B attitude, the song thrives on dominance, repetition, and performance under pressure. This is not a flirtation. It is a challenge.

Lyrically, the track centers on control and expectation. The narrator demands precision, confidence, and ownership, both on and off the beat. “Get it, got it, good” operates as a command rather than a hook, repeating like a test that must be passed. The energy is competitive and seductive, with call-and-response phrasing that mirrors the tension of a packed dance floor where eyes are watching and standards are high.

The verses escalate the power dynamic. There is no hesitation and no politeness. Sensuality is aggressive, playful, and fearless. Movement becomes proof. Hips drop, bodies reload, and round two is mandatory. The language is explicit in attitude but rhythmic in execution, turning sexual confidence into performance art rather than confession. Every line reinforces the idea that excellence is not requested. It is required.

Sonically, Get It, Got It, Good sits firmly in EDM territory at 125 BPM, driven by a bright, high-energy top end and a steady, club-ready pulse. The mix is loud, polished, and harmonically full, designed to cut through sound systems and keep momentum high. The vocals stay forward and commanding, riding the beat with precision while the instrumental locks into a repeat-friendly groove meant to sustain energy rather than release it all at once. The tight, centered soundstage adds intensity, keeping the listener locked into the moment rather than drifting outward 

At its core, Get It, Got It, Good is about ownership. Of the beat. Of the body. Of the room. It’s a record built to be tested in real time, where confidence is currency and movement is the final word. This is not a slow burn or a background track. It is a demand to show up, go harder, and prove you really get it.

Get It, Got it, Good

Gucci Gang

Mix/Mastered by Wizard Lee @feet1stmusic
Produced by Pierre Bourne
Official Music Video: https://www.youtube.com/watch?v=gAs9HZC9c7Y

GUMMO [Prod. Pierre Bourne]

I'm an American author, journalist, and songwriter living in Las Vegas, Nevada. I started my career as a ghost writer working with west coast artists and Indie labels, transitioning to creative writing years later. I combine catchy melodies with complex chords integrating contrasting genres.

Get It, Got it, Good

The Real Quill

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