Songs We Like - October 2019

Spectre

Joanna

"Bloom" from the album Four of Arrows
out October 25th via Double Double Whammy

Four of Arrows

Great Grandpa - Bloom

Seeker

I’ve Got Reason

POPPY JEAN CRAWFORD - SAME OLD TRICKS

New single from new album When We Stay Alive out 31 January 2020.

Preorder here: https://smarturl.it/whenwestayalive

When We Stay Alive

Driving

High-Functioning

A cover of John Maus rarity "Bennington" - the B side of Deeper's new "Run" 7inch. 

Apple Music: https://ffm.to/deeperapplemusic
Spotify: https://ffm.to/deeperspotify

http://www.firetalkrecs.com

Deeper - Bennington

One thing you won’t be able to avoid on Bambara’s Stray is death. It’s everywhere and inescapable, abstract and personified  – perhaps the key to the whole record. Death, however, won’t be the first thing that strikes you about the group’s fourth – and greatest – album to date. That instead will be its pulverising soundscape; by turns, vast, atmospheric, cool, broiling and at times – on stand out tracks like “Sing Me To The Street” and “Serafina” – simply overwhelming
 
Bambara – twin brothers Reid and Blaze Bateh, singer/guitarist and drummer respectively, and bassist William Brookshire – have been evolving their midnight-black noise into something more subtle and expansive ever since the release of their 2013 debut Dreamviolence. That process greatly accelerated on 2018’s Shadow On Everything, their first on New York’s Wharf Cat Records and  a huge stride forward for the band both lyrically and sonically. 
 
The album was rapturously received by the press, listeners and their peers. NPR called it a “mesmerising...western, gothic opus,” Bandcamp called the "horror-house rampage" "one of the year's most gripping listens," and Alexis Marshall of Daughters named it his “favorite record of 2018.”  Shadow also garnered much acclaim on the other side of the Atlantic. Influential British 6Music DJ Steve Lamacq, dubbed them the best band of 2019’s SXSW, and Joe Talbot of the UK band IDLES said, "The best thing I heard last year was easily Bambara and their album Shadow On Everything."  The question was, though, how to follow it?
 
To start, the band did what they always do: they locked themselves in their windowless Brooklyn basement to write. Decisions were made early on to try and experiment with new instrumentation and song structures, even if the resulting compositions would force the band to adapt their storied live set, known for its tenacity and technical prowess. Throughout the songwriting process, the band pulled from their deep well of creative references, drawing on the likes of Leonard Cohen, Ennio Morricone, Sade, classic French noir L’Ascenseur Pour L’Echafraud, as well as Southern Gothic stalwarts Flannery O’Connor and Harry Crews.
 
Once the building blocks were set in place, they met with producer Drew Vandenberg, who mixed Shadow On Everything, in Athens, GA to record the foundation of Stray. After recruiting friends Adam Markiewicz (The Dreebs) on violin, Sean Smith (Klavenauts) on trumpet and a crucial blend of backing vocals by Drew Citron (Public Practice) and Anina Ivry-Block (Palberta), Bambara convened in a remote cabin in rural Georgia, where Reid laid down his vocals.
 
The finished product represents both the band's most experimental and accessible work to date. The addition of Citron and Ivory-Block’s vocals create a hauntingly beautiful contrast to Bateh’s commanding  baritone on tracks like “Sing Me to the Street”, “Death Croons” and “Stay Cruel," while the Dick Dale inspired guitar riffs on “Serafina” and "Heat Lightning" and the call-and-response choruses throughout the album showcase Bambara’s ability to write songs that immediately demand repeat listens.
 
While the music itself is evocative and propulsive, a fever dream all of its own, the lyrical content pushes the record even further into its own darkly thrilling realm. If the songs on Shadow On Everything were like chapters in a novel, then this time they’re short stories. Short stories connected by death and its effect on the characters in contact with it. “Death is what you make it” runs a lyric in “Sweat,” a line which may very well be the thread  that ties  these stories together.

BUY LP/CD

Bambara - Serafina (from the 'Stray' album out 2/14)

Stream/Download now: smarturl.it/Real-Feel

Written by Tilly Scantlebury
Vocals and guitar performed by Tilly Scantlebury
Drums performed by Beni Evans
Lead guitar performed by Liam Hoflay
Bass performed by Kris Lavin
Produced by Steph Marziano 
Recorded at The Crows' Nest Studios
Mixed by Adrian Hall at Clever Pup Studios
Mastered by Hippy Baldwin at Metropolis

Real Feel

Public Practice - Disposable

03 Thunder

Tokyo

ANIMAL

Everything & More

Against The Day

Here is our second single off our EP "Phasing" due to be released October 18th!!!

Super excited to debut our string arrangements!!

Days

Self Released 01/10/2019
Songwriters: Millie Duthie, Mitch Duce, Danny Southwell, Dan Hole 
Engineer/Producer: Josh (Hoagie) Harrison
Artwork: Sapphire Needham
MGMT: mhowes@theorchard.com

Two Sense

Death Stranding

Pale Honey with new single "Set me Free" taken from upcoming third album

www.palehoney.com
www.bolerorecords.se

© 2019 Bolero Recordings

Songs We Like - October 2019

The Revue