Name: The Faders by VoltaRoxx
Duration: 3 min
Description: Retro inspired synth funk for the feel good vibes

i like the combination of the synth and the bass :) nice done :))

🕺🕺💃💃🪩🪩🪩👯👯‍♂️🕺🕺💃💃🪩🪩🪩👯👯‍♂️

Damn, this flow rocks! Some mastering and this would be insane! Well done 💥

Love this track but I noticed you’re following one of my friends. Can you follow me please?

Purpose of Existence

Welter

Alison Theme [ Orchestral ]

Max Rovenskikh - Voice of the worlds

Remixer extraordinaire Eric Kupper takes a set of epic, lost recordings from 1982, that feature the cream of the crop session musicians behind the soulful Sound of Philadelphia - Earl Young (drums), Ronnie Baker (bass), Norman Harris (guitar), Lenny Pakula (organ), Larry Washington (percussion), Vince Montana, Jr. (vibes, keyboards), John Bonnie (saxophone) – along with powerhouse vocalists Joe Freeman, David Simmons, Bobby Love and Ron Tyson, and lovingly applies his own modern sheen, spinning them into ear candy for today’s listener as well as those who were there from the very beginning. These incredible remixes, which have individually been topping the charts on digital platforms, can now be had in one amazing collection that is not just a tribute to the past but a vibrant continuation of the legacy these legendary musicians helped create.


The Philly All Stars - I Don't Love You Anymore (Eric Kupper Remix Instrumental)

Wicked City can really feel like paradise with lights, glam, yet death lurks around every corner. Your mind slowly consumes you, yet you push on. 
(Retrowave, Outrun)

Depression in Paradise

Cognitive Dissonance

Iteration 7

Retro inspired synth funk for the feel good vibes

The Faders

sundayNight

Bandcamp

Last Forever

This Jam

Voltaroxx is the sound of forgotten futures, midnight circuits, and dust-covered dreams rendered in rhythm and noise. Born from the flicker of CRT screens and raised on a steady infusion of cyberpunk cinema, glitchy game consoles, and VHS fuzz, he builds music that’s less about genre and more about atmosphere—audio collages from the back alleys of the imagination.

Growing up, Voltaroxx was glued to the glow of Blade Runner, Akira, Ghost in the Shell, and obscure sci-fi anime taped over Saturday morning cartoons. The worlds were bleak but beautiful, eerie but electric. At the same time, he was living inside the soundchips of machines like the ZX Spectrum, NES, and Mega Drive—systems that hummed, beeped, and crackled with strange life. Those early sounds never left; they just evolved.

His music doesn’t follow rules or trends. One moment it's dusty lo-fi techno, the next it’s eerie ambient, then suddenly it's chaotic 160 BPM jungle with warped pads and broken memories. Tracks like VizzerLine show just how deep the time capsule goes—an atmospheric 90s jungle homage that blends ghosted-out pads with rolling breaks and a dreamlike energy..

Voltaroxx doesn’t believe in “sticking to one style.” He follows moods, fragments, old files, and the static of ideas half-remembered from forgotten arcade cabinets or the background hum of a tube TV. Some days it’s electro with a sci-fi edge. Other days, it’s decayed ambient or synth-heavy jams with melodies that loop like a corrupted memory card.

He never really thought anyone would listen. These tracks were, and still are, made mostly for himself—just an outlet, a way to exorcise digital ghosts. So when people started listening, following, commenting—it was surreal. It still is. Every play, every follow means a lot. No PR machine. No hype. Just raw sound from a bedroom somewhere, echoing into the void and somehow landing in your headphones.

Thank you for tuning in. Really.
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The Faders

VoltaRoxx

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